Plat

Jizzy Jazz

siesta key

Cafe del Mar

Loop 01

VIBe OuT

Been wanting to flip/remake/"re-trewk" a Doom track for a while, seeing as he is huge inspiration to me and has played a huge role in my development as a producer. This flip is technically a King Geedorah flip of "Elder Blossoms"--but u get the point. 


Don't forget to download mt latest release (Theories of Translation)
http://resonate.bandcamp.com/album/theories-of-translation-ep

twitter: @RUFF_DRAFT

Free Download

Elder Blossoms

Sampled from James Brown's rendition of "Sunny"
Follow on Twitter @okayenrich

Ventilation

Buy 'Innocents':
Deluxe CD: http://smarturl.it/innocents2cd?IQid=soundcloud.description
iTunes LP: http://smarturl.it/innocentsitunes?IQid=soundcloud.description
Double Gatefold LP + CD: http://smarturl.it/innocentslp?IQid=soundcloud.description

Hear more from 'Innocents':
http://innocents.moby.com

Moby on 'Everything That Rises':

“I just thought this song had a really odd, strangely beautiful quality to it, which is why I used it to open the record. I like the idea of starting absurdly small and then getting quite big and epic about two-thirds of the way through. Hopefully, people won’t turn up their stereos really loud at the beginning to compensate, because it does get quite loud at the end; but when it begins, it’s just so thin and strange. When you first listen to it, there’s a chance you’ll wonder what’s wrong with your stereo! 

It’s hard to talk about instrumentals because… they’re instrumentals: It’s difficult to say, “The song is about this,” because technically it isn’t about anything. And I never know what to name them, either, so I figure, why not pay homage to my favorite writers and borrow their titles? I’ve named a few of my songs after Southern Gothic stories, and this one comes from “Everything That Rises Must Converge,” which is a Flannery O’Connor story.”

Innocents

Everything That Rises

Buy on iTunes

Buy 'Innocents':
Deluxe CD: http://smarturl.it/innocents2cd?IQid=soundcloud.description
iTunes LP: http://smarturl.it/innocentsitunes?IQid=soundcloud.description
Double Gatefold LP + CD: http://smarturl.it/innocentslp?IQid=soundcloud.description

Hear more from 'Innocents':
http://innocents.moby.com

Moby on 'The Last Day':

“Spike had become friends with Skyler Grey a few years ago. When I first started working on the record, we were coming up with list of possible collaborators, and her name came up. Skyler just has a remarkable gift for lyrics and melody, and her voice has such a distinctive, beautiful quality. 

For ‘The Last Day,’ we collaborated on the lyrics and the performance: I wanted the vocal to have this specific, delicate vulnerability to it. The last thing I did to this song was add six tracks of Sonic Youth/Glenn Branca-style feedback: I put in earplugs, did open tunings on some guitars, put them through two distortion pedals into the amp, and just recorded track after track of feedback to create this weird subsonic wash. In it, the loud feedback is mixed really quiet, which gives the song a kind of atmospheric space the song wouldn’t have otherwise.”

The Last Day (feat. Skylar Grey)

Buy 'Innocents':
Deluxe CD: http://smarturl.it/innocents2cd?IQid=soundcloud.description
iTunes LP: http://smarturl.it/innocentsitunes?IQid=soundcloud.description
Double Gatefold LP + CD: http://smarturl.it/innocentslp?IQid=soundcloud.description

Hear more from 'Innocents':
http://innocents.moby.com

Moby on 'The Lonely Night':

“‘The Lonely Night’ had just been a really stripped down, vulnerable instrumental – just a synth and a drum machine. It’s electronic music at its most basic and simple, a cheap univox organ from 1972 and an old drum loop I was playing. 

I had talked to Mark Lanegan about signing on my record, so I sent him a bunch of instrumentals. I expected him to gravitate towards the darker stuff, but he chose this very gentle piece. Mark wrote the lyrics and melody, and then came in, I put a microphone in front of him, and we recorded it in one take. That’s it. I started adding more stuff to it, to expand on what he’d done; then for the mix, we mixed all the music – strings, bass, guitars - through a distortion pedal into a guitar amp; it’s about as broken down and lo-fi as a song can possibly be. 

A big problem I have with modern music is every song is mixed the same. With a song like ‘The Lonely Night,’ it’s such a vulnerable, beautiful delicate song, how could you mix it in a bombastic way? The mix needs to be just as broken and vulnerable as the song.”

The Lonely Night (with Mark Lanegan)

Side 1 of 2 of 'Frugal Earth' Vol. 2 - A Mixtape by Mndsgn.
Available for free exclusively with purchase of 'Breatharian' on cassette - the debut release from the new Fresh Selects label, dropping November 12th.

Pre-order here: http://freshselects.bandcamp.com/album/breatharian

tracklist:

ikon
blown (mnd rmx)
echo
what u wont do (mnd edit)
landofpassion
flections
dtla
bladerunnings
ifeels

More info:  http://www.freshselects.net/mndsgn-frugal-earth-vol-two

Mndsgn - Frugal Earth Vol. Two: Side A

Taken from 'Seabed Remixed'
iTunes - http://bit.ly/1kHPmYw

TRACKLISTING:

1 California Analog Dream (Factory Floor remix)
2 Closer (FaltyDL Blueberry remix)
3 Dracula (Happa remix)
4 California Analog Dream  (Bullion remix)
5 Always Forver (John Roberts remix)
6 California Analog Dream (Robag's Habay Latoff NB)
7 Always Forever (Debukas remix)
8 California Analog Dream (Robag's Moppa Habax NB)



Vondelpark - Closer (FaltyDL Blueberry remix)

Knx remixed Sweet feat. Danny Brown.
It's Sweet.
Happy 2nd bday to my debut album Let It Go.

Suite.louieVbelt[TWRK]146

LR044 - Surface Outtakes - drops 07.08.2014 via Leaving Records ltd. cassette edition - an introspective prelude to "Yawn Zen", the proper full-length dropping August2014 Stones Throw Records

Mndsgn - Eggs

Kyoto Jazz Massive / Feel It In Your Soul feat.Vanessa Freeman (KJM Works Exclusive Mix) 

Music by Shuya Okino, Yoshihiro Okino, Vanessa Freeman
Vocal by Vanessa Freeman
Keyboards & Sound Produced by Mike Patto
Programming & Beats by Yoshihiro Okino (Kyoto Jazz Massive)
Additional keyboards by Nathan Haines
Mixed by Toni Economides 
Kyoto Jazz Massive are Shuya Okino & Yoshihiro Okino
ーーーーーーーーーーーーーーーーーーーーーーー
Release Date : 15th OCT 2014
Kyoto Jazz Massive 20th Anniversary
KJM WORKS～Remixes & Re-edits
ーーーーーーーーーーーーーーーーーーーーーーー

Kyoto Jazz Massive / Feel It In Your Soul (KJM Works Exclusive Mix)*Short Sample

Free The Robots - Jazzhole

Thomas Newman - Any other name

Buddha Bar 6 - CD 2 - 09 - Afterlife - Sunrise (DJ Thunda & K20 Allstars Mix)

A retrospective of recordings and releases by Aotearoa's leading urban and electronic musicians, LOOP Select 003 doubles as a comprehensive catch-up collectors' set for LOOP's existing New Zealand audiences, and an introductory overview of our nation's top talent for those based abroad.

Sheelahroc - If I Gave U Th' Mic

Juse - Music/Life

50Hz - Smooth Rhodes

Rhian Sheehan - An Afternoon on the Moon

TrinityRoots - Little Things (Mu's Mix)

Mark de Clive-Lowe - Day By Day

Shoutout to Rinse.fm for playing it before i released this.

Amerie - Why Dont We Fall In Love (Kaytranada Edition)

St Germain - Deep In It

Buy 'Innocents':
Deluxe CD: http://smarturl.it/innocents2cd?IQid=soundcloud.description
iTunes LP: http://smarturl.it/innocentsitunes?IQid=soundcloud.description
Double Gatefold LP + CD: http://smarturl.it/innocentslp?IQid=soundcloud.description

Hear more from 'Innocents':
http://innocents.moby.com

Moby on 'A Case For Shame':

“I had this idea to make a video for ‘A Case For Shame’ which actually ended up informing the entire visual scheme of Innocents. In the video, someone dies – maybe they killed themselves out of a sense of shame – and they enter this other world, populated by these ghost creatures wearing masks. They look scary, but they’re actually covering their face because they’re ashamed. When you see someone wearing a scary mask, the first thought is, “What’s going on? That’s intimidating.” But they’re actually hiding – it’s the most blatant act of concealing oneself. ‘A Case For Shame” is one of two songs I collaborated on with Cold Specks. She’s quite shy, and preferred to be left alone in the studio, so I’d hit ‘record,’ go have some tea, then come back in and press ‘stop.’”


A Case For Shame (feat. Cold Specks)

Loop Recordings Aot(ear)oa
W: http://loop.co.nz
E: loop@loop.co.nz