Improvising with Lekko into Cocoquantus into Cosmos, into a mixer with BIM and BAM on sends and BOUM for compression

Cosmos Lekko Test2

Eleven

Transfert
for 10 musicians & ambisonics electronics

Opening of a 32mn piece.

Live recording at IRCAM Centre Pompidou
January 17th 2023

Ensemble TM+
Laurent Cuniot, cond.
Augustin Muller & FCD, electronics
Augustin Muller, live electronics
Sylvain Cadars, live sound
Jérémie Bourgogne, live recording

Transfert - for 10 musicians & electronics (Opening) - TM+ IRCAM (2022)

CD available directly from Important Records - imprec.com 

Strange Times is a virtuosic realization of contemporary
electroacoustic soundscapes composed and performed by Stephen
Ruppenthal and Gary R. Weisberg. With masterful employment of electroacoustic techniques and tools, including the original 70's Buchla Music Easel Ruppenthal used in the Electric Weasel Ensemble, these two artist create an essential, psychedelic, electro-acoustic experience.

Strange Times is a hallucinatory journey into our epidemic-ridden
times through a collection of startling sonic landscapes. From epic
acoustic journeys into re-imagining myth to the phantasmal soundscape world of the Bardo, Strange Times is not for the innocent or delicate listener. Time turns elastic, and folds in on itself; you are approaching the event horizon of a black hole. The only way to make sense of any of it is to mentally rewind; speed up or slow down the voices in your head in random attempts to find your way through this electroacoustic aether. Strange Times explores the ability of sound to alter consciousness, creating sonic environments, mental and physical states where one can allow the experience of listening to become transformative.

Stephen Ruppenthal (Berkeley, 1949) San Francisco Bay Area new music trumpeter, electroacoustic and text-sound composer, Stephen studied electronic music and composition with composer Allen Strange, and ethnomusicology with Lou Harrison, and holds a Masters of Arts Degree in Contemporary Musicology, writing the first comprehensive treatise in English of Sound Poetry, “History of the Development and Techniques of Sound Poetry in the Twentieth Century in Western Cultures.” Stephen was a founding member, along with Don Buchla and Allen & Pat Strange, of the Electric Weasel Ensemble, and more recently, with Brian Belet and Pat Strange, of SoundProof, and is known internationally for his live electroacoustic performances, and writings on text-sound
composition. Stephen has been composing and performing electroacoustic works for Buchla instruments since 1971. Flamethrower, a 2017 CD of electroacoustic works for trumpet and flugelhorn, by Allen Strange, Brian Belet, Bruno Liberda, and Elainie Lillios, and performed by Stephen is currently available from Ravello Records. 

Gary R. Weisberg, composer-sound designer-digital audio artist was
born 1951 in Brooklyn, NY. At age 2, Gary was exposed by his mother to the music of Brahms, Khatchaturian and Rimsky-Korsakov. He also had a fascination with dinosaurs. He first picked up a musical instrument in 1972, playing free- jazz improvisation on flute and alto sax. Gary moved to San Francisco in 1976 and was involved in a loosely knit collective of jazz and experimental musicians and artists, operating a small performance space called The Blue Dolphin. He studied music, computer programming and electronics at San Francisco State University, graduating with a degree in Electronic Music Composition. He spent two years building a modular analog synthesizer, and began composing electronic music and text-sound compositions for art/ photography gallery openings. From 1986-1994, Gary maintained a MIDI project studio for the production of his own music, as well as sound and music for TV/Film/Video productions. Since 1994, Gary has been composing PC-based experimental electronic music, as well as pieces
for electronic and acoustic instruments, occasionally performing with other composers and collaborating with visual artists. He currently resides in New York's Mid-Hudson Valley.

1. Post - Apocalyptic Biscuit (Ruppenthal)

Original Track By:
https://soundcloud.com/darcycopeland/ghosts-monsters-2021
commissioned & premiered by Loadbang

Trumpet: Andy Kozar
Trombone: William Lang
Bass Clarinet: Adrián Sandí
Baritone Voice: Jeffrey Gavett
Date: October 1, 2021
Venue: Opera America (NYC)
Event: loadbang Presents: Premieres Vol. 17
Audio and Video by Stuart Breczinski

video: youtu.be/cfU1rI2Ge9w

Darcy Copeland - Ghosts & Monsters (Senglar Version)

Omicron

From Bearings: Soundtracks for the Bardos
Listen / Buy: lnk.to/rvngnl109
Watch 👀: https://youtu.be/jQJSRdL9pXs
Available March 22, 2024

Follow Ka Baird
INSTAGRAM: www.instagram.com/sapropelicpycnic
X / TWITTER: twitter.com/@kabaird0

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Bearings:Bearings: Soundtracks for the Bardos

Gate IX

Ka Baird - Gate IX

Obsolescence

Seramind - Kirsche Bambus (naviarhaiku543) [Ambient, Chillout, Downtempo]

rain on the cherry blossoms
with bamboo in the mist -
so pale and green

Mizuhara Shuoshi was a 20th century Japanese poet. Shuoshi rebelled against the principles of emotional detachment in haiku, which he thought limited his ability to emotionally express himself through poetry: he started a magazine called Staggerbush which focused on a more romantic, lyrical type of haiku.

haiku by Mizuhara Shuoshi

picture by Brice Cooper

Visit my other pages:

Official: http://www.seramind.de
Artcore: https://artcore.com/seramind
Spotify: https://open.spotify.com/artist/22xH66OU00shKM5kcwbAeKa
SoundCloud: https://soundcloud.com/seramind
Discogs: https://www.discogs.com/artist/4709745-Seramind
Bandcamp: https://seramind.bandcamp.com
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YouTube: https://www.youtube.com/channel/UCSVk1v75Cpzc7Bf-KVsrUUg

Kirsche Bambus (naviarhaiku543)

Recordings from home made music apps :]∿

Eleven

Loops

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Fergus McQueenie

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