More info - http://loose-lips.co.uk/blog/fragile-x-ego-death-soundtracking-the-void
@soundtrackingthevoid
@fragilex

Between Worlds

Ego Death

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PREMIERE: Fragile X - Ego Death

SETI

Ana Radonja 24/04/21

From the e.p. Opia, releases May 7 here: https://dimensionsinshadow.bandcamp.com/album/opia

Ariette

1, 2 … 3 is … OTB. O Tannenbaum is freaktown. Active as a project space, a bar and mini club in Berlin since 2008, this place has hosted a countless number of ... a bit of everything. Now located on the one and only one hill of the inner part of NK, shades of shapes can be usually seen in the early morning hours, slightly moving behind the multi color fringe door curtains. Stuck in between perdition and education, this institution should be understood as way much more than only that. Hideout for bright dreams and lost wishes, the OTB offered and still offers a shelter for a whole musical and artistic scene, always dedicated to those who know how and those who don't know how at the same time, always without distinction.
In this 7 hour radio show you will hear what a night or week of O Tannenbaum might sound like. There are 9 mixes, 7 by Tannenbaum resident DJ's and 2 by their owners, both from the Netherlands, Pieter Kock aka DJ Peacock and Hamy Caldwell aka Squeaky.

XOTBXmutant

Giorgio Gabber [OTB Special Day] [01.05.2021]

song preview from the upcoming album 'Spring' by Sølyst (out 13 August 2021)

1) Sheroes
2) Flex
3) Hold
4) Spring

Spring

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Sølyst - 'Spring' (album preview)

'The Inner Circle'
Fragile X
See Blue Audio SBA 021

1. One Way
2. Kinning Park
3. Shields Road
4. West Street
5. Home

Release date: 25 June 2021

lnk.to/SBA021

See Blue Audio: ambient / electronic / beatless / cinematic / downtempo / eclectic / introspective… Shade rather than light...

2021 has already become a very productive year for Glaswegian electronic artist Fragile X. His Bricolage label has released a wealth of distinct and diverse music, while the Fragile X album 'Between Worlds' on the Soundtracking The Void imprint received justified praise and support. Now he returns to See Blue Audio with his third themed collection, 'The Inner Circle', and the twenty-first release on the label.

The story of 'The Inner Circle' goes back to 2016 and 'The Outer Circle' released on Bricolage. Subtitled 'A Semi-Conscious Experience', it captured the mood of a Sunday morning after a long weekend and travelling home on a busy subway train from the West End of Glasgow. Field recordings made on the journey were used as the basis for a series of tracks that reflect this special post-clubbing state of mind.

Field recordings also form the core of 'The Inner Circle', but whereas its predecessor was a little raw and rough around the edges, this long overdue follow-up is more refined and thoughtful, more mature even, in terms of both production and and ideas. This is also reflected in the setting of the field recordings: 10pm on a quiet weeknight and travelling from the south side of the city. In both cases, the destination and final stop were the same – home – but 'The Inner Circle' is more introspective in tone. Essentially, this is the story of the subway environment expressed through music.

This second collection of five tracks, predominately beatless, begins with 'One Way' and the implication is clear: this journey has an ending. As often happens, we experience a sense of exhilaration when entering a subterranean world, and the dreamlike, slow-motion synths are reminiscent of 'Departure from Nowhere' and 'Colour in Motion', the opening tracks on 'Maps of the Lost' and 'Chromatherapy' respectively, both released on See Blue Audio in 2020. This is followed by 'Kinning Park', a suburb of Glasgow, and we are now fully immersed in an underground world of metal and machines. There's a feeling of anxiety, even claustrophobia, to this track with its eerie bleeps and shadowy sounds.

As we reach 'Shields Road' and closer to home, the atmosphere is lighter, lifted by ethereal washes of electronica and trippy beats, which appear for the first time on 'The Inner Circle'. Then it's onto the post-industrial area of 'West Street' with its euphoric ambient tapestry of sound, which breaks down to an electronic pulse taken from a field recording of a train in motion, a hypnotic sound that surely resonates with us all.

Finally, 'Home' as the train pulls to a stop, and we pass through the ticket barrier and into the cool night air.  Exquisite and cinematic, it's a sublime ending to the story, but as is often the case, tinged with sadness now that the journey is over. As in life, most journeys are a bittersweet mixture of highs and lows, tension and excitement, communication and contemplation.

'The Inner Circle' is a musical dialogue between a mechanical underground world and the stories of the travellers through that world, as imagined by Fragile X, who fleetingly appear and disappear in the short stops between stations. The field recordings are far more than just background sounds, and they have been looped and integrated into the music that surrounds them. Cables buzzing, trains approaching, brakes screeching, doors closing, tannoy announcements, dripping water and the clang of metal, the buzz of commuters, the very stuff of life. In the context of 2021, it's also the sound of the slow and hopeful return to normality from the coronavirus pandemic.

Mastered by Richard Jones at Dark Fidelity Hi Fi Studios.

Photography: J.Gorecki.

The Inner Circle

'The Inner Circle' (preview) – Fragile X (See Blue Audio SBA #021)

Zincirli was recorded in one take in December 2020 in Cevdet’s home using a davul. 

Zincir means chain or series/successions in Turkish, while zincirli means chained or locked. It takes its cue from the small ball chain fixed at the rim of one of the skins of the double-skinned drum. The performance in this recording is solely based on the dialogue between the bass skin that’s hit by a mallet and the other skin which is continuously moving in sympathy with it. The drum is rotated into different positions in order to control or liberate the movement of the chain in response to the second drum skin. 

Since the 2017 Subtext release of Erek’s album “Davul” a series of performances occurred in contexts such as Berghain as part of CTM festival, in Hamburger Bahnhof Museum as part of Cevdet’s 2020 solo show “Bergama Stereo,” an ancient stadium amongst Messene in Greece’s Peloponnese region and underground venues in Istanbul. This recording was originally commissioned by Outernational for a concert that was supposed to take place in Berlin’s Radial System December 15th, 2020. The concert was cancelled due to the pandemic and the plan changed, becoming a streamed concert with pre-filmed and recorded performances. 

Cevdet was commissioned to do a 6-8 minute piece but kept on playing for almost a half hour. 

This performance that comprises Zincirli happened in the context of lockdown in Istanbul, while he and family were caring for his mother and mourning the loss of his father. 

Observing how amongst the succession of indistinguishable days and nights his life force reacted to the repetition of routines and gestures, Cevdet sees parallels in how the small changes in the rotation of the drum amongst a regular beat created macroscopic changes of emotional expression while performing. 

Zincirli is a study on moving in confined space while being fixed from one side to an essential and vital location. 
credits
released June 18, 2021 

performed and recorded by: cevdet erek 
mixed by: james ginzburg 
mastered by: Joker 

photo: cevdet erek

Zincirli

Fleeting Happenings

blue-baby8

Another new track taken from the upcoming "The Butterfly Effect" EP on https://soundcloud.com/bricolage-g5

Released on cassette and digital at the end of next month.

Pre-order coming soon.

The Butterfly Effect (bc043)

The Butterfly Effect

Cassette + Digital

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PREMIERE: Fragile X - Ego Death

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