Pista experimental inspirada en la próxima misión de la Nasa llamada Artemis en la cual se pretende volver a pisar la luna

Artemis

 ⚠️ Disclaimer ⚠️ please read before following.

Hello, 👋🏻 if you have recently followed me and haven't interacted with my tracks or messaged me, then unfortunately I won't be following - due to the people who follow , then I follow and comment and then they unfollow. It's as simple as that. 

So, if you want me to interact or comment and share your tracks and/or follow? you can do the same for me 👍🏻 we are here to get exposure for our music, not be someone who tries to collect people for clout. Please show respect and I will show it you 👍🏻

I make different music..depends what mood I'm in. Thanks to some incredible people on here , my music has been heard which is always a surprise to me - I do this for fun , because if it's not fun.. then why make it?? 

lots of different influences from Gaming , comics, films , and life in general. I use Ableton and Renoise tracker. Keep it 💯 Real with me and you will be shown respect back. 

Hola soy Luis Fuentes de Santiago de Chile, escucho todo tipo de música incluyendo por supuesto la música electrónica, mis grandes referentes son Jean Michel Jarre, Vangelis, Robert Miles, la música del videojuego Donkey Kong Country y como no mencionar al gran Armin Van Buuren, no soy un productor profesional, soy un aficionado pero he estudiado mucho sobre teoría musical, intervalos, acordes, escalas, armonía, modos griegos, etc, aun me falta mucho por aprender pero quiero dar lo mejor de mi en cada pista, para producir utilizo FL Studio y un PC con CPU Intel Xeon E5 2689 (8 Nucleos / 16 Hilos) y 16 GB de RAM, quiero agradecer a todo aquel que se toma del tiempo de escuchar mis pistas y aprecia mi trabajo, no se en que estilo encaja la música que hago pero intento crear música oscura y futurista

E-mail de contacto: lordcpu_geek@hotmail.com
Estoy en Spotify como: Luis Fuentes

New Album Winterborne out 14th May

https://www.youtube.com/channel/UCeWF9erd7hv7RHsoDKwVCow

Instrumental rock/ post rock solo project. All rights reserved.
Thanks for your amazing support. Recently, I have reduced my music time. I apologize here that can't reply to all comments.
69twoZERO is a sideproject of TOTHM

https://templeofthehauntedman.bandcamp.com/follow_me

https://soundcloud.com/2econd_skin -> Temple Of The Haunted Man repost

Music producer/musician of many genres. My mission is to take listeners on a journey and hopefully make them smile and enjoy the time they spent listening to my music.

I have played and recorded in international settings, a multitude of percussion instruments, guitar, bass, harmonica, some flutes, keyboard, and if you push me - a very fine jaw harp.

In fact, if I break it down.... I just love to offer-up music, in a living room, a bar, a concert hall or an intercontinental, interactive satellite coordinated concert. 
  
I became fascinated with percussive sounds from around the world… especially African and Latin American rhythms. I fanatically traveled the world collecting anything that you could bang, scrape or hit.
What I learned? Border customs people really don’t appreciate the true value of handmade African caxixi shakers or a Brazilian berimbau. They just want the serial number.
More importantly, a single clicking or ringing sound in a song can make or break that song.
  
I toured Canada, USA and Europe and recorded many “world music” albums (before it was called that), with my late, musical soul mate, Dario Domingues. We played in grand churches, the water reservoirs under Munich, on an island where 100,000 doves were released at the climax of our performance, the first-ever “simulcast”, live satellite, intercontinental concert and then, the humbling experience of being involved in Berlin, in front of 500,000 people, for a series of anti-apartheid concerts featuring ‘Sting’.  For our 'world music' efforts, we were awarded the Deutscher Schallplattenpreisan (1983) accolade by the Deutsche Phono-Akademie, an association of recording companies of Germany that recognizes outstanding achievement in the music industry.  
What I learned? Music is truly a universal language. Around the world people are drawn to music. Of course, different strokes for different folks! 
Whether you play in front of a half-million people in a field, or 10 people in a bar, your role as a musician never changes.  
 
“Dream of the Drum” – I was commissioned to compose and conduct a score for 40+ percussionists from all corners of the world... Jamaican fire dancers, Trinidadian steel drummers, Japanese kodo drummers, African djembe players, military drummers,... the list goes on.
What I learned? The language of music respects no geographic borders. 
Also, never start your outdoor concert, with a lone Native Elder's rain drum song. The drum's magic works!
 
I helped build three innovative recording studios plus, my current production studio. I academically taught musical acoustics and production for several years.
What I learned? All the mathematics and physics in the world can’t replace a good ear.
 
As a producer, I've had the wonderful opportunity to work in great studios in NYC and Nashville with amazing session musicians such as: Eric "Roscoe" Ambel - best known as lead guitarist of Steve Earle’s band the Dukes; Dan Baird of the chart-topping 'Georgia Satellites'; guitarist extraordinaire, Warner E. Hodges, founding member of 'Jason and the Scorchers'.
What I learned? Great musicians tend to be humble but they sure have opinions! In Nashville, I was bluntly told -"No, I won't raise the tom level - in country music, we use toms for holding our bourbon glass." I never did get the toms louder.
 
I spent many years as President of the Ottawa International Jazz Festival and met some of the greatest musical geniuses in the world.
What I learned? "Man, if you have to ask what jazz is, you'll never know."
 
Music for jingles on radio and TV. Documentaries.
My personal favourite was coming up with suitable music for the mating rituals of pigs or, how to create 60 minutes of Arctic wind sounds for the movie 'Never Cry Wolf'.  
What I learned?  You can tell an entire story in a 29.5 second radio jingle and music is the glue that holds a great video together.

🎹 Multi-instrumentalist | 🎧 Producer | 🌊 Deep Melodic House

Autotelika is a multi-instrumentalist and producer exploring the ecosystem of Deep Melodic House, Progressive House and Electronic music. 

Born from an innate love of music and art, what began with childhood piano lessons evolved into a journey across multiple instruments, ultimately leading to self-taught home production during the pandemic years and beyond.

After eight years immersed in Melbourne, Australia's vibrant cultural landscape, Autotelika's artistic vision was profoundly shaped by the city's creative energy and diverse musical influences. This deep immersion sparked an obsession with crafting atmospheric soundscapes that blend rich synth instrumentation and EDM elements. Their music represents years of sonic exploration resulting in a signature sound that lives at the intersection of melody and emotion.

Now based in Brisbane, Australia, Autotelika continues to push creative boundaries while drawing from the diverse influences that have shaped their artistic journey.

Matthiaz has based his entire musical career on contrast, polarization, the storm that destroys you and the calm that heals you. The Indonesian artist is a true organic piano music alchemist, he is able to delve into soundscapes of ambient.

Welcome, artists! I want to show you my love and soul for what I do. Listen to my songs and you will realize that there is love and a lot of soul in them. I am very grateful to each artist who shares their honorable experience here. Long live music and long live creativity. Let's move forward! 

YouTube channel: www.youtube.com/@mayranaraujo

SPACE CAT 😸 – Intergalactic Meowsic Producer

SPACE CAT is an electronic music producer and composer known throughout the underground scene for his cinematic soundscapes and retro-futuristic energy. Inspired by Star Trek, Blade Runner, and the neon glow of 80s sci-fi, he crafts music that bridges analog nostalgia with cutting-edge modern production.

His sound blends synthwave, cyberpunk, and hybrid orchestral elements, creating immersive audio worlds that feel both timeless and futuristic. Each track is a journey through sound — from rain-soaked dystopian streets to distant cosmic horizons — guided by rich melodies, atmospheric textures, and deep, driving rhythms.

Having collaborated with numerous international artists, SPACE CAT has built a reputation as a boundary-pushing creator within the electronic underground. His productions resonate with those who crave cinematic storytelling, emotional depth, and interstellar grooves.

To boldly groove where no cat has grooved before. 🐾

🚀 Genres: Synthwave • Cyberpunk • Hybrid Soundtracks • Electronic Cinematics

💫 Huge thanks to all the fans, listeners, and fellow travelers across the galaxy — your energy keeps the engines running and the music alive.
Stay cosmic, stay curious, and see you among the stars. 🌌