Sweet & Sour is a careful collective of present and future sounds
Melodic Techno ● Progressive House ● Indie Dance.

At Sweet Melody group, we pride ourselves on promoting the best electronic music from around the world. Our portfolio features the latest releases from our label partners and talented artists.
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► Submit your repost: shorturl.at/otvLU

SARAVA EP
https://www.beatport.com/release/sarava/4321139
Bookings: 
jotta@playhousebookings.com/ +55 11 97045 - 7000

Solid Grooves Records
Hellbent Records

Promos: gabrielbrisotti@gmail.com

When We Dip Magazine
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Dance Music Magazine | Montréal

https://www.whenwedip.com/

Founded in Dublin, Ireland, and now having its main office in Montréal, When We Dip has become a respected magazine for supporting both established and local talent in the arts. The WWD network strives to bring its readers unique and engaging content as we descend over the horizon in search of both great innovation and audio-visual stimulation. 

Label: @wwdxyz

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Please submit track, mix, repost, and Spotify request to : http://tinyurl.com/wwdsubmission

(We listen to everything, if you don't have an answer after two weeks, the submission has been declined)

The official Linkin Park SoundCloud.
https://linktr.ee/linkinpark

Patrick Chen (formerly known as PTX) has reinvented himself as ‘Animato’, with a new style that borders on a delicate meeting point of modern Progressive Psy-Trance. 
This project was a natural step forward, as Animato has gotten firsthand experience on the worldwide psychedelic circuit. After a few years of constant grinding in the studio, worldwide shows & performing on the biggest stages at events such as Boom Festival, Dreamstate, Psy Fi, & many more, he summarized his long journey in the fields of consciousness with a masterpiece debut album called ‘Harmonize’. Including guest appearances by Liquid Soul, Freedom Fighters, Ritmo, Perfect Stranger, Ticon & Sonic Species. 
People refer to this work of art as 'Animato’s book of memories'.
Animato was always an expert in creating great progressive melodic tunes. Lately, he's been pushing his boundaries with a psychedelic hybrid of power and emotion, wrapped in that famous Animato production style. 
In the last year, Animato has continued to tour across the world being invited back to large events while performing at ones such as Boom festival 2018, EDC, Tribe Festival, and Airbeat One. All while still releasing tracks under major labels with artists such as Ace Ventura, Ritmo and more as well as appearing on compilation albums like Street Parade 2018 Official (mixed by Liquid Soul), Vini Vici ( Dream State ) and more. 
So let the music speak for itself as the full soundtrack of Animato’s story gets you HARMONIZED

https://www.encodetalent.com/kevin-de-vries

In the ever-evolving electronic music landscape, Kevin de Vries stands out as a luminary, crafting melodic techno masterpieces that echo through clubs and festivals worldwide. With a unique talent for melding musical intricacies, he has carved out a prominent place in the industry.

Kevin utilises the mesmerising and often transcendent potency of loops to captivate the dance floor. His close affiliation with Afterlife, where he has been a core artist since 2018, has provided a key platform to showcase his creative talent. Since his first release, Kevin has been part of the brand’s story, one which has unfolded to encompass a vast global community and a progressive ethos based on connection. Cuts such as ‘Dance With Me’ and ‘Metro’ have showcased his production abilities and distinctive style.

Kevin’s relationship with the label and event series also inspired the progression of his musical approach. The connection to his audience is the driving force behind his constant evolution. On stage, Kevin is a natural performer, matching the vibrancy of his music with his stage presence. Whether at larger scale productions, or more intimate settings, his aim is to form a symbiotic relationship with the audience - a mutual energy exchange that inspires Kevin, and the dance floor simultaneously.

Elsewhere, Kevin has released with Drumcode, Experts Only and Cocoon. With each release, he injects emotionally charged energy, combined with mesmerising beats and rhythmic arrangements. 

His unique sound has been featured in some of the most notable clubs, including Brooklyn Mirage NYC, Space Miami, and Hï Ibiza, as well as at world renowned festivals like Coachella, EDC Las Vegas, Tomorrowland, Awakenings, and Time Warp.

Kevin’s vision for the future upholds his community focused ethos - to connect with as many people as possible through his music, to keep finding new ways to communicate his message and, ultimately, to stay true to himself.

"Strange music for regular people... Or the other way round." 
Quote by Lampé :-)

For Rune Reilly Kölsch, Kompakt has become a great label to call home. In 2013 the German imprint celebrated 20 years of record releases at the cutting edge of electronic music, championed in June by one of the most genre re-defining albums and personal music projects for an era: Kölsch’s landmark long player, ‘1977’.

A melodic autobiography on black wax, the Kölsch project has seen 36/37-year-old Rune take stock of a diverse and successful production career and draw upon his own personal beginnings: a nostalgia for childhood, family, friends and the confusion of applying his split-cultural heritage to what it means to think of ‘home’. As Rune freely admits, “being half Irish, half German and living in Denmark – it was all one big messy period of my life.” 

Born to hippie parents in the freetown of Christiania (a commune-like autonomous borough of the Danish capital Copenhagen) his childhood was spent surrounded by creativity. His mother was an artist whose family had roots in German politics and his father a singer songwriter who travelled through Asia playing music in the early 70's. Kölsch, however, did miss out on building friendships and found solace in making up “this imaginary world that I would spend days in,” before the family moved to Germany – a period of memories, relations and characters from which ‘1977’ derives its titles.

For Rune, the tracks he began building from 2010 took in this personal reflection, his being “completely locked in to reminiscing about what shaped me as a kid and into the individual that I am now” – contemplating his unique past to form the brickwork of ‘1977’, one of the most future-facing techno albums of recent years.

Influenced by hip hop, pop and the incredible legacy of Jeff Mills and Derrick May, Rune started producing in 1995, embarking on a string of success stories. In 2003 he released the multi-million selling, saxophone-infused ‘Calabria’, that saw collaboration requests pouring in from artists as diverse as Nicki Minaj, Shakira and Flo Rida. He then set up Tattoorecs – releasing pioneering underground tracks with no titles, just tattoos for artwork, that garnered critical acclaim and support from minimal and techno trailblazers such as Sven Väth, Richie Hawtin, Magda, Tiefschwarz and Ricardo Villalobos.

This appreciation of the complete musical spectrum has gifted Rune with a devotion to groove and melodics and with it the dexterity to input real creative change to the genres he reveres, not least his beloved techno. “2010 was the year of the ketamine house wave, where the music was 118 bpm and everything was extremely boring”, reflects Rune. “I wanted some melodic techno, some energy back in this scene. People needed the energy to express themselves and go crazy for a bit.”

This notion faced opposition, even from within Rune’s close circles. But it was Kompakt founder Michael Mayer who had the insight to see what Kölsch was trying to achieve. Rune’s conviction that vibrations and melodics are the key to human response had tipped the balance, underlined by his experience as a hip hop DJ where he “needed something to catch me and drag me in. And that’s what techno should do!” Here too he drew on his love of Jeff Mills and Derrick May, recalling how “they used to make mistakes all the time. It would be a big mash of all kinds of stuff, but at least something was happening. That’s what I was missing and that’s what I’m trying to change with the Kölsch project.”

The result is ‘1977’, a personal collection of dancefloor destroyers that are continuing to send clubs and festivals across the globe into melodic supernova. Take this video of Kölsch’s set at Belgium’s I Love Techno festival, one of Rune’s 2013 highlights, where “people were doing sit downs, singing along to all the tracks”. Watch it. It puts the hairs up on the back of your neck. “The response was overwhelming,” said Rune in a recent interview with Mixmag (who named Kölsch as one of their ‘Stars Of 2013’), as “when you think about it, it was just a bunch of childhood memories with a kickdrum underneath.” 

Elsewhere he’s ripped up the airways with an acclaimed Essential Mix for Pete Tong on BBC Radio 1, delivered his incendiary soundscape to Singapore’s world-renowned ZoukOut Festival, boomed his live show through the heaving basement of London’s XOYO and played the hallowed Space Terrace – in his words “a boyhood dream since I started going to Ibiza in 1999. That was what I wanted from life!” So opening Amnesia in 2014 with Joris Voorn will be a bonus then...

While these are reasons enough to keep the beaming smile beneath Kölsch’s trademark black fedora, his humility remains just as striking. While tracks like ‘Goldfisch’ have taken pivotal positions in the set lists of world class DJs from across the dance music spectrum – traversing the underground with Seth Troxler, while simultaneously providing credible new euphoric highs for the likes of Axwell – Rune remains joyously down to earth. All despite producing, with ‘1977’, an album that has crossed as many cultural and musical boundaries as his own childhood past.

From the face-twisting melodic drive of ‘Opa’ and ‘Bappedekkel’, to the chord-surfing piano groove of ‘Der Alte’ and the euphoric crescendos of ‘Lorely’, ‘Oma’ and ‘All That Matters’ (all hits in different countries), the fact remains that whether in your living room, on the dancefloors of the world’s greatest parties, or simply in your headphones on your way home, Kölsch’s ‘1977’ has re-defined techno and become an achievement that speaks for itself. 

Words: Phil Dudman – Clubs & Live Music Editor, Mixmag


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