Please remember me, not for my mistakes, but for the love I tried to give you.

Suicide letter

ohhhh

Walking in the sky

Fantasy

Univers

CRAZY GIRL

In Her Room On Her Knees

Identity

Gates Of The Galaxy

Park Pavements

Step into a world of sweeping melodies and thunderous rhythms, where glory is forged in the crucible of battle, honor stands unyielding in the face of darkness, and destiny beckons like a blazing star on the horizon. This album is a symphonic journey through realms of valor, courage, and triumph. Each track captures the essence of epic storytelling, from the clash of swords on ancient battlefields to the quiet resolve of heroes standing at the crossroads of fate.  

With soaring orchestral arrangements, heart-pounding percussion, and hauntingly powerful vocals, this collection of music will transport you to a place where legends are born, and the echoes of eternity resonate in every note.  

Unleash your inner hero and let the soundscape of Destiny guide you on a journey through the timeless themes of glory, honor, and destiny.  


March of the Undaunted

The 15. official Album digital. Contrasting Currents: An Audio Experiment by KMT - Style: Instrumental, Orchestral, Electronic, Techno

Track 01: Deep Drive
energetic ambient soundscape, driving rythm, deep, low frequencies, low, ambient

Track 03: Harmonious Hustle
soothing, upbeat, electronic, calming

Track 05: Powerful Peace
orchestral, calming, dynamics, strong, slow, dynamic

Track 07: Vibrant Meditation
medidative, beats, low, binaural beats, high-energy

Track 09: Hypnotic Highway
intense, hypnotic, techno

Track 11: Global Serenity
calming, soothing, calming instrumentation, world music, lively rhythms 

Track 13: Dramatic Tranquility
cinematic, dramatic, calming, dynamics, slow tempo, slow

Track 15: Energetic Calm
realaxing, fast-paced, ambient, low, tranquil, energetic

Track 17: Arpeggiated Ease
slow tempo, slow, accoustic, calming, fast arpeggios

Track 19: Rock Steady
subdued guitars, rock ballad, soothing, strong, ballad, calming, strong drums, rock

Track 21: Drone Dreams
energetic, drone, soothing, meditative, atmospheric, complex

Track 23: Synth Serenity
driving, synthwave, calming, peaceful

Track 25: Orchestral Oasis
low, low registers, orchestral, high-energy, tranquil, dynamic

Track 27: Textured Tranquility
fast-paced, ambient, relaxing

Track 29: Bass Bliss
electronic, strong, powerful, calming, soohting

Album cover and music generated with AI by Kurt Michael Treichl

26 Orchestral Oasis v2

Written: 2018-19
Duration: ca. 25'
Commissioned by J.K. Billman
Premiere: Euclid Quartet, Mostly Modern Festival, Arthur Zankel Music Center, June 25, 2019
Publisher: Bill Holab Music: http://www.billholabmusic.com
For more info.: https://robertpaterson.com/string-quartet-no-2

PROGRAM NOTES
In some ways, String Quartet No. 2 is similar to my String Quartet No. 1: the five movements are stylistically diverse, I use a few snippets of pre-existing music, and the music, while idiomatic, is technically demanding. As with my first quartet, this work explores technical and aesthetic ideas I didn’t have a chance to explore in other works.

The first movement, Colored Fields, is inspired by abstract expressionist painters such as Mark Rothko, Kenneth Noland, and Barnett Newman, but also pointillist painters such as Georges Seurat and Paul Signac. There are textures that emerge and submerge using articulations that gradually shift from soft to loud, or short to long, and there are a few transitions that utilize a technique I call pitch phasing or phase modulation, as opposed to tempo phasing. In these transitions, two or more instruments gradually modulate (raise or lower) notes, motives, or phrases by gradual, very refined, microtonal, non-chromatic increments, settling on new pitch areas that directly reflect the previous areas, just modulated up or town. The movement ends softly with a virtual desaturation of the rhythmic material. I remove notes, one by one, until there’s nothing left.

The second movement, Rigor Mortis, is inspired by a comic strip by David Lynch that newspapers ran for many years. In this strip, Lynch sketched a stressed-out, pitch-black dog, looking very mean and almost buzzing with anger; it looked like it was about to explode. Every strip began with an accompanying paragraph that read, “The dog who is so angry he cannot move. He cannot eat. He cannot sleep. He can just barely growl. Bound so tightly with tension and anger, he approaches the state of rigor mortis.” This made me envision musicians playing with such ferocity and tension that the music seems to eventually cancel itself out, anger imploding in on itself.

The third movement, Dolente, is sad, lush, and mournful. The only request I had when writing this quartet was to incorporate a Norwegian fiddle tune or theme by Edvard Grieg, so I chose themes from Grieg’s String Quartet No. 1. The form of this movement mimics the form of a song by Edvard Grieg’s entitled Spillemaend (Minstrels, or Fiddlers). The poem that Grieg set in 1876 as the first of Six Ibsen Songs (Op. 25) is based on the Norwegian folktale of the fossegrim, a male water spirit who could teach the art of violin-playing, but often at the price of personal happiness. In some versions of the story, the poor violinist drowns in the end. Like the song, and echoing the second movement, this movement beginning with the protagonist’s longing, his desire for the beloved. Next, he encounters the fossegrim, who promises that becoming a master of music will allow the protagonist to become master of his beloved. In the final stanza, the protagonist becomes a master fiddler, but he is now a cursed, wandering musician deprived of earthly love, so he drowns himself.

The humorous fourth movement, Scherzando, capitalizes on effects that at times, often make the string players sound inebriated. I make use of copious glissandi and tempos that fluctuate between 3/4 and 6/8, giving a sense of unease.

The final movement, Collage, is similar to the first movement in that it is inspired by the visual arts, and specifically, collage painting and works by surrealists. Many themes from the first four movements are brought together in this odd-metered movement.

String Quartet No. 2 commissioned by J. K. Billman and is written for and dedicated to the Euclid Quartet.

The Indianapolis Quartet: Robert Paterson - String Quartets 1-3

String Quartet No. 2 - II. Rigor Mortis

Genre : Epic, Cinematic, Orchestral, Trailer

March of the Undaunted

Raven Tear

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