rayures éphémères for baritone saxophone, keyboards and electronics.

Premiered in Strasbourg (France) by Ensemble l'Imaginaire on May 17th, 2022.

Philippe Koerper, saxophone
Gilles Grimaître, keyboards

Recording & mastering: Lorenzo Paniconi

rayures éphémères

rayures éphémères (2022)

Exosphere

Composé par Ganghyuk LEE en 2023. Strasbourg, France.
2023.06.10.

Picaresque

Picaresque (2023) - pièce acousmatique

Composition et électronique: Fernando STRASNOY
Flûte basse et flûte en Do: Lorenzo PANICONI

Un sogno sospeso s'agit d'une pièce mixte issue du concept de “micro-fictions sonores” liées entre eux par de petites interludes électroniques.
Le travail de composition à été dans ce cas là une collaboration coude à coude entre le compositeur Fernando STRASNOY et le flûtiste (et également compositeur) Lorenzo PANICONI. Une véritable recherche autour le timbre, les possibilités et les transformations analogiques et númeriques d'un instrument qui porte une généalogie assez vaste.  
Plusieurs phrases de Pier Paolo PASOLINI donnent le titre à chaque micro-pièce - des voyages oniriques au temps suspendu, comme des rêves.

Un Sogno Sospeso (pour flûte basse, flûte en Do et électronique)

from the album An integrated Worldview by Bernhard Living.

Composition 2018.05 (Violin Stories) was produced in collaboration with the Serbian musician and sound artist Manja Ristić - and is based on samples of a violin. The composition was premiered at Poetronica - curated by Pavel Zhagun - National Centre for Contemporary Art - Moscow - 21.04.2018.

In the words of Manja Ristić: Composition 2018.05 (Violin Stories) was conceptualised with pre-recorded violin samples by Manja Ristić. Processed violin sounds build a meditative atmosphere inviting us into a deep listening experience. Suggested by "sonic breathing", drone-like fluctuations and spatial extensions with overall minimal sound movement - and allude to altered state of consciousness that transcend the alteration of space-time perception. The organic sound of the instrument is wrapped in a digital net developing a dense, almost material sonic body.

Listen to the full album >> https://bernhardliving.bandcamp.com/album/an-integrated-world-view

The title - An integrated Worldview - refers to the importance of having a comprehensive and holistic perspective that seeks to unify various aspects of knowledge - beliefs - and understanding into a coherent and harmonious framework. It involves synthesising different disciplines - perspectives - and ideas to create a more complete understanding of the world and our place within it. This kind of worldview encourages the recognition of interconnectedness and interdependence among various phenomena - and it often goes beyond narrow or isolated viewpoints.

It's important to note that developing and maintaining an integrated worldview requires ongoing learning - reflection - and a willingness to adapt as new knowledge emerges. While striving for integration can lead to a deeper and more nuanced understanding of the world - it's also important to recognise that complete integration might not always be achievable due to the inherent complexity of reality and the limitations of human understanding. 

released August 24, 2023

Manja Ristić & Bernhard Living — Composition 2018.05 — Violin Stories

Excerpt of a new recording of (...sans rien dire...) for violoncello, five instruments and electronics, performed by Stijn Saveniers (vc) and HERMESensemble conducted by Koen Kessels.

Recorded by Yannick Willox (Acoustic Recording Service)
Recorded at Concertgebouw Brugge, September 23th 2020.

The full recording of (...sans rien dire...) is included in the double cd (...à suivre...), published by Etcetera/explicit Records in October 2023.

(...sans rien dire...) (2018/2019) - Excerpt - HERMESensemble

Dead

二号子宫研究 (2023)
for tenor saxophone, violoncello, and live electronics

Antonin Bourgault, tenor saxophone
Audréanne Filion, violoncello

Studio recording (stereo downmix)

Cover picture © Margaret Macdonald Mackintosh

Studies for the Second Womb

Teorema, Pier Paolo Pasolini in memoriam (2022)
per orchestra d'archi
(da "Marginalia" per quartetto d'archi)

Orchestra dell'accademia d'archi "G. G. Arrigoni" 
Pasquale Corrado, direttore

10 novembre 2022, Teatro Sociale di San Vito al Tagliamento

Teorema (2022) for string orchestra

Mnemosyne for solo bass flute and prerecorded tape by Brian Ferneyhough
Live at Elebash Recital Hall, NYC. April, 2016.

Mnemosyne

Jean-Marie Leclair, Sonata for flute and harpsichord in e minor
Helena Macherel, Flute
Véronique Carrot, Harpsicord

rayures éphémères (2022)

Lorenzo Paniconi

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