Perfect Life

John Maus - My Whole Worlds Coming Apart

John Maus - Streetlight (unofficial music video)

The poem read in the end is an extract of The Deluge and the Tree by Palestinian Poet Fadwa Tuqan.  

" When the hurricane swirled and spread its deluge
of dark evil
onto the good green land
‘they’ gloated. The western skies
reverberated with joyous accounts:
“The Tree has fallen!
The great trunk is smashed! The hurricane leaves no life in the Tree!”

Had the Tree really fallen?
Never! Not with our red streams flowing forever,
not while the wine of our thorn limbs
fed the thirsty roots,
Arab roots alive
tunneling deep, deep, into the land!

When the Tree rises up, the branches
shall flourish green and fresh in the sun,
the laughter of the Tree shall leaf
beneath the sun
and birds shall return.
Undoubtedly, the birds shall return.
The birds shall return. " 

My heart screams with you. Free Palestine. 

One Strange Dream

söyle lan onlara

🎵 Chiralium Witchhouse – Lyra Novaela
A fusion of guitar distortion, ghost resonance, and synthetic sorrow.

This track channels Higgs-like guitar energy layered with chiralium-saturated textures and witchhouse-inspired vocals - echoing from a timeline too broken to remember. The sound is cold, spiritual, and corrupted. A strandling lullaby from Lyra’s darker side - where even the dead still hum.

🖤🧬💀
Witch-strummed. Tar-baptized. Emotionally radioactive.

Music Video: https://www.youtube.com/watch?v=unQhMKcbSlY

Tags:
#LyraNovaela #Witchhouse #Chiralium #GuitarFusion #BTs #Strandcore #DarkAmbient #LowRoarInspired #SyntheticGrief #PostApocalypticSound #DeathStrandingVibes #TarGospel #ChiralLullaby #HiggsEnergy #SoraLoop

Chiralium Witchhouse

lyrics are Ave Maria in Hebrew, music inspired by the first christians and their esoteric belief into the great mother. 
Connected to the sacred lands of Glastonbury

Myriam - A sacred source meditation

nightschoolrecords.bigcartel.com/artist/m…-nilsson

A sweeping, cinematic, emotional change is in the air. Molly Nilsson’s sixth studio album Zenith begins with clear, wide eyes open to Earth as we would love it to be but seldom is. Recorded in her home of Berlin and whilst touring and, as ever, conceived, produced, written and recorded in solitude, Zenith is Nilsson’s big statement and consequently her most affecting work to date. It sees her reveling in big arrangements, sweeping synth strings, bigger choruses and emotions. Like the rest of us she looks within and to endless sunsets in wonder and puzzlement.

That Molly Nilsson is a DIY cult figure is beyond question; she has always written directly and with wit straight down the line between the universal and the personal. The difference with Zenith, and you can hear it in the opening chords of opener The Only Planet, is that her scope is now much wider and her heart heavier than ever before: over a post-ecstatic dusk, Nilsson serenades the globe in a loving embrace. Following on, 1995 is, arguably, one of Nilsson’s finest songs to date. It’s one of those songs to learn the lyrics to, to listen to on repeat, a reason to wear the grooves down to the bone, it’s why pop music can be one of the greatest art forms we have. It’s an example of how, on this album, Molly draws the listener closer to her heart than ever before. There’s simply no escape from the line “The plans that you made / when you still had the time / I’ve saved all the things that you left behind but by now I guess I’d consider them all mine /Windows 95, is only a metaphor for what I feel inside / Although I’m older now / there’s still an emptiness that’s never letting go somehow.” Show-stopper Mountain Time is the soundtrack to being on the run, from societal conventions, from normative ideas of happiness, from your surroundings. It’s the intoxicating call of the renegade. That’s not to say that Nilsson’s light touch has been forsaken for grandiose statements. Bunny Club begins as a demo-sketch before breaking into a fast-paced tale of doomed romance with big rave synths and Bus 194 (All There Is) sees Molly joyride through a city on a happy hardcore bus. But it’s tracks like Tomorrow and another contender for best-ever-Molly moment, Happyness that the true scale of what she’s accomplished reveals itself. We’re locked in a spiraling orbit, strings and bass whirling, gazing at the spinning planet below us as we contemplate both the ultimate freedom in loneliness and the glimmer of hope in the Other. Can we ever be truly with someone? Are we ever truly alone?

Over the 13 tracks here we get the impression that Nilsson may always be restless; like anyone else she has conflicting feelings of love and hate. It’s just not many other people can tell you exactly how you feel before you know it yourself.

MOLLY NILSSON: Mountain Time (from Zenith)

John Maus - No Title (Molly)

John Maus - And Heaven Turned To Her Weeping

Midnight Cowboy

Lorephōnea is a Berlin-based solo project combining songwriting, producing, and singing. 

It blends the cinematic and mesmerizing atmosphere of trip hop with the melancholy and introspection of my various goth influences. Each song is formed as a haunting journey through the spectrum of my deepest thoughts and emotions.

I’m currently preparing an EP that will feature the already published demo tracks One Strange Dream and Observe.

One Strange Dream

lorephōnea