Phlegraean

Not everything here, more on Bandcamp and YT.
https://www.youtube.com/@angstfahr
https://angstfahr.bandcamp.com/

Rock,Techno,Ambient,Metal,EDM etc...
There is no border.
Enjoy freely!

It's the Groove in Electronics!
Inspired by the Vibe of the 80s and 90s. 
Synth sounds in mellow harmonic structures and funky rhythms.

Fascinated by Sci-Fi I try to time travel into the Future. The World will be different one, the prospects seem dreary, but the hope for improvement of mankind still exists!

Journey into beauty and balance through the exploration of geometric machine patterns and abstract minimalism. Mellow leads and sofisticated electro grooves!

Releases on Bandcamp
Rai Mondo - Alpha Nostalgia
(Mellow soulful and heartful pieces of Electronics)
Rai Mondo - Gamma Technology
(Atmospheric Detroit and IDM inspired Electronics)
CD Releases at FORM@ RECORDS

Early Releases on Spotify
OUT Single "Dreamland"
OUT Album "Epic Rhythm"
OUT EP "Blue Light" 
OUT EP "Shape Shifter" 

IDM-Ambient-Techno-Electro-House-Pop-Synth-Cinematic-Chillwave-Disco-Funk-Jazz-Groove-Soul-Trip Hop-LoFi-Braindance

I am also a Recordcollector and my DJ mixes are on Mixcloud

London based creator of lofi soundscapes, abstract jams and visuals

I also stream my tracks on Twitch from time to time 

https://www.twitch.tv/lorst3n

]|[  ]|[  ]|[    a e s t h e t i c    ]|[  ]|[  ]|[ 
ШШШШ     ППППППППП      ШШШШ
/. Ω<[    music reposted here    ]>Ω .\

I can mix better at Fr4ktalBeing on twitch for now


DJ GHSTSCTR TW.tv TT.fm Hang.fm AND SOUNDCLOUD


A SUDDEN JIANGSHI APPEARS!!


>!!!< >>ADD MUSIC TO ANY OF MY PLAYLISTS<<
just send me the music and I'd love to include your suggestions!

~-constantly develop a healthy relationship with music appreciation-~

A long time ago, I would have said I was 'somewhere between Hardbass, Vaporwave and Soundtracks'

Alas, music is not so simple...

Please send me your favorite soundtracks, I hoard music.

(of course also your obligatory Soundclowns [But I try to only repost Vaporwave])

I am a composer and producer of instrumental music in several genres, including ambient soundscapes, electronica, orchestral and chamber music.  

Musical influences include John Coltrane, Igor Stravinsky, Gustav Holst, Claude Debussy, Maurice Ravel, Tangerine Dream, Robert Prince, Frank Zappa, Brian Eno, Heinrich Ignaz, Franz von Biber.

My Method of Composing and Producing
------------------------------------------
I'm sharing my method of composing and producing music recordings in case other composer-producers like me might find ideas worth exploring in their own work. I use this method for Classical, Avant-Pop or Neo-Folk Instrumental genres, not for Ambient and Soundscape pieces. Non-composers might find this explanation interesting, but having a bit of music theory background will definitely help. I consider myself a humble learner when it comes to music theory. 

I owe a debt of gratitude to British musician and educator Gareth Green, whose Music Matters online courses and free YouTube lessons have taught me so much over the past few years. Thanks to his instruction, I’ve moved from struggling to compose music by trial and error to something more enjoyable and productive. The knowledge I've gained has taken my work in new and expanding directions. As the saying goes, “Theory is not a cage — it’s a map. It doesn’t make the journey for you, but it keeps you from getting lost.” 

When I start a new piece, I begin by choosing a key, and picking a scale drawn from one of these sources:
 
1) Western Tonal / Functional Harmony - major or minor chords I II III IV V VI VII
2) Modal Harmony - Dorian, Phrygian, Lydian, etc.
3) Slonimsky's "Thesaurus of Scales and Melodic Patterns" 
4) Messiaen’s "Seven Modes of Limited Transposition" 

For many pieces, I also decide on a progression, one as a simple as I IV V, or something more elaborate.  

Next I create a "scales and progressions" piano track in my DAW (digital audio workstation software) and enter the chords I to VII in my chosen key. These harmonized scales serve as a basis for writing multipart harmonies and finding pivot chords for key modulations. 

At the start, I know what instruments I want to use, making adjustments along the way. I tend to write chord parts first, then melodies created through a mix of improvisation and direct input in the DAW. Sometimes I start with a melody.

I develop melodies and variations of a phrase by some combination of: a) passing it from one instrument to another, transposing it by an interval that sounds pleasing, b) reversing it, c) inverting it around the tonic (first) note of the scale. These are well-known methods. 

After completing a section, I choose another scale and maybe a new key and repeat the process until I have a draft of the entire piece. Then I export a recording and listen to it “offline”, take notes of errors and new ideas, and incorporate them back into the piece. Often this “compose / listen / compose” cycle is repeated many times. These iterative cycles include adding new ideas, polishing transitions between sections, changing the arrangement, and incorporating expressive details like accents, and articulations (staccato, sustain, portato etc.). I’m often working several different pieces at once. 

Last is mixing and mastering: balancing the loudness between instruments and adjusting elements like reverb, compression, and equalization. I tend to mix as I compose, even though many producers frown on that approach. I find mixing as I go helps me envision the completed piece and make adjustments to the choice of instruments; it self-inspires me when the piece is starting to sound good.  At the end I do a final mix, but as the saying goes, “A mix is never finished — it’s surrendered.”

In the end, this method gives me a basis for exploration and creativity and helps me stay focused. The goal is always to make a piece of music that feels expressive, cohesive, and emotionally resonant.

I create atmospheric soundtracks for indie games, blending rock, electronic, and ambient styles.

I have been involved in music as a hobby for many years. I composed, performed, and recorded music with various bands as a bass guitarist. I also worked on my own musical projects. I recently entered the gaming industry and discovered that the world of game music has its own peculiarities and is quite different from everything I did before.

I'm open to collaboration. If you're in need of a memorable soundtrack for your game, don't hesitate to get in touch with me: nikita.s.melnikov@gmail.com

Switch Doctor Special   Up Timing

Nu tings sizzlin sky ways

fka. Crunchy Munchy
trans goth girl music producer

- Owner of @komputing-recs

Releases on:
@amflara
@upright-collective
@komputing-recs
@wearecyduck (under flowerbed.)
@sightandvisions
@bin4ry7label
@layzzear-records

Phlegraean

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