is this real? (playlist)

Stories

Cloud

20210310

potential new member

Enmity

Crystal of Faded Childhood Slowed

Download: https://www.xlr8r.com/mp3/2016/02/born-in-flamez-x-modeselektor-tbf/

@born-in-flamez
@modeselektor

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Download: Born In Flamez & Modeselektor -TBF

Taken from the forthcoming new album by Jasmine Guffond entitled "Traced". Available early July 2017

Traced

Jasmine Guffond - Post Human

3 years has passed since ProtoUs Cryo Chamber Debut album Lost Here. Sasha once again visits the realms beyond reality in this dream heavy sequel.

All this seems familiar. The gentle wind sets everything into slow motion once again. Distant tones of fractured memories pop in and out. Emotions flow. You barely feel the ground beneath. At least it feels like a surface. Not the one your feet are used to. Visions return. Cascading you with abstractions yet somehow you find sense in all of this. The return was inevitable. But first you need to escape

Recommended for fans of dreamy dark drones and ethereal atmospheres

Anomalies

Bandcamp

Ghost in You (part I)

"Liquid Talk" is taken from "Entering and Emerging" the second full-length album by Melbourne based composer and musician Zoltan Fecso. Following up his debut ‘Shimmer Raga’ on Hush Hush Records, Zoltan expands on his distinctive pointillist compositions, continuing to explore simplicity and limitation.

Releases January 29, 2020 

Written and recorded by Zoltan Fecso 
Field recordings from Aulus-les-Bains, Saman and Toulouse, France 
Mastering by Lawrence English 
Artwork by Sotiris Gonis

Pre Order: https://shimmeringmoodsrecords.bandcamp.com/album/entering-and-emerging

Zoltan Fecso - Liquid Talk

Une Collection des Chaînons I: Music for Sprial (2020 Remastered Edition)

Serene

coast/range/arc//

Goat Mountain

Dutch composer Rutger Hoedemaekers makes his debut solo release with a stunning album that marks the culmination of a decade spent in the hyper-creative studio environment he co-founded in Berlin, including four years working closely alongside Jóhann Jóhannsson. Sonically rich, emotionally deep, and immaculately handled, 'The Age Of Oddities’ showcases a brilliant new talent, its cinematic eloquence bearing witness to Rutger’s experiences composing for film alongside Oscar-winner Hildur Guðnadóttir and Jóhannsson, for whom the album is partly a eulogy.

Whilst paying homage to Jóhannsson, ‘The Age Of Oddities’ sees Hoedemaekers forging his own sound and vision. It’s a bold and forward-thinking record, with a rich, hybrid sound seeing vocals processed and blurred alongside brass parts and a wall of strings shadowed by Rutger’s understated, textural electronics. Beautifully scored, immaculately performed and recorded, the album utilises the power of Budapest Art Orchestra’s 23-piece string ensemble conducted and co-orchestrated by Viktor Orri Árnason, alongside vocals (Kira Kira, Theatre of Voices’ Else Torp and Laura Jansen), horn (Morris Kliphuis), trombone (Hilary Jeffery) and violin (Una Sveinbjarnardóttir and Viktor Orri Árnason), with Hoedemaekers contributing trumpet, piano, keyboard and electronics.

Born out of a shared creative environment during a time of personal as well as social change, ‘The Age Of Oddities’ is a powerful and emotive work that closes a deeply productive yet also dark and heavy period for its creator.  It sees Hoedemaekers finally stepping out into the spotlight after many years working behind the scenes, revealing a hugely talented new composer who is surely one to watch in coming years.

The Age Of Oddities

pre-order

Rutger Hoedemaekers - Not For That Hour, Nor For That Place

A longingly beautiful mini-album Out of Time by London-based composer Mike Lazarev...Constructed as a soundtrack to an imaginary film, it is his first for the label and a standout work in his own high grade canon.

Opening with swells of strings and plaintive piano chords, lead single “Out of Time” sets a profoundly expressive tone. Each reverberating note is carefully, gently placed on a canvas awash with purity and stillness, finally building into a rushing river of breathtaking prettiness that culminates in a hanging, dead-stop ending. Later on the record, “Time Becomes” progresses like a Harold Budd piece or a Ryuichi Sakamoto soundtrack work, melting away the ice with dulcet chord changes as single string notes float on a rarefied air. “Outerlude” changes the mood again, its subtly Eastern European melodies and natural piano noises - the chatter of keys and shuffle of pedals - transport us to a haunted, deserted ballroom where a lone ghost pianist laments the weight of a tremendous grief.

“The protagonists of this imaginary film are constantly fighting against the fleeting moments on this plane. But it is less about death than it is about living. And most of all, it is all about time,” Lazarev writes. He is right: Out of Time is elegiac - heartbreakingly sad, even - but behind the melancholy themes lies a powerful affirmation of life, warmth, and the human spirit.

Goat Mountain

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