Name: At the Gates of Silent Memory (Fields of the Nephilim) by Lost Children in Gothic
Duration: 11 min 40 s
Description: A cover of the classic Fields of the Nephilim song "At the Gates of Silent Memory" from their album Elizium.

Increadible! My favorite song off my favorite albulm.my band is aiming to cover for her light/at the gates of silent memory, would it be cool for you to tab out this song please ?

Do you ever crave something without knowing what it is? Well, I've just discovered that this is the sound I've been craving for months. Awesome track.

Hey there!  Thanks for the comments -- I just figured out the chords by ear - messing around on my guitar along with the original until it sounded right.  I suspect there is tab floating around online somewhere though! :)

@lonely_wolf: Thanks again for all your kind words!!  I'm happy that you liked it

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Vocals performed by Dan Butler.
Guitar and Bass performed by Zach Olson.

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Goth Cowboy - Fields of the Nephilim Invocation

A cover of the classic Fields of the Nephilim song "At the Gates of Silent Memory" from their album Elizium.


At the Gates of Silent Memory (Fields of the Nephilim)

La Rockola Humana & Pedro Dalton tocando The man with xray eyes de Bauhaus en Isla De Encanta, Julio 2020, Montevideo, Uruguay.

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During a trip to Hanayashiki Park in Tokyo, Avery Brooks finally found a moniker for a collection of songs he had been working on in private. It was a small placard, glanced in passing, but the phrase stuck with him. ‘Lost Children’ spoke to his ongoing preoccupation with aging, mortality, and the anxieties of adulthood. Time has been a theme for Brooks since his first release, Our Fallen Cities, which was a soundtrack to visions of post-apocalyptic America, a score of love songs meant to accompany a dimly-lit futurist nostalgia. With tracks like "Time is Running Down," Brooks made no secret of his subject matter, nor did he stray from his unswerving orbit around an 80's sensibility: much of Our Fallen Cities feels like an updated Depeche Mode, giving free reign to dark, skeletal clanging and judicious use of vocoder.

Specters finds Brooks no less fascinated with his own death drive, this time letting the songs fall into the familiar shapes of ghost stories. Brooks continues to pay homage to his darkwave heroes, but here he allows his synths to stretch their legs with dizzyingly intricate programming, employing denser, more shimmering textures and letting small patches of light slip through. Vocal lines are woven through the mix, often acting as synth pads themselves, stretchy layers draped across steely percussion. Despite their morbid fascination, the sounds are very much alive, pulsing choirs of synth tones in vivid spectrums of dark blue. Brooks's friends and bandmates from Ravens & Chimes, Selebrities, and the Ice Choir contribute guitar parts and backing vocals. Specters is a sensitively woven sonic space that deals primarily in darkness, but glows with a slight warmth around the edges.

At the Gates of Silent Memory (Fields of the Nephilim)

Lost Children

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