560 раз я уже послушал , значит мое.)

Too beautiful this melody I can not stop listening!!! <3 /,3 <3

Как в куче посредственного родился этот бриллиант?

Download: http://www.xlr8r.com/mp3/2014/01/censer-field-rotation-remix

Download

Benoît Pioulard - Censer (Field Rotation Remix)

Melodica’s head Chris Coco launches “My Summer Mixtape 2014”,his second annual selection of Balearic music for the summer season from artists on his Melodica label.
The compilation covers a broad range of genres, from Dub and Electronica, to Leftfield and Bass Music, from Drum N Bass to Nu Disco and puts together some of the label’s best artists and few Chris' good friends into this uplifting Balearic journey.
As a little taster Chris gave us this mega chilled track to give away.

Chris Coco - Heavy Mellow (Jon Hopkins Mix)[FREE D/L]

Composée en novembre 2014
Cette musique a été écrit suite à une étude d'extermination de masse des mammifères marins et terrestres, ainsi que sur la surexploitation des ressources...

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Composed in November 2014
This music was written following a study of mass extermination of marine and terrestrial mammals, as well as the overexploitation of resources...

Crime contre la Pachamama - Crime against Pachamama

Sven Weisemann - Falling Leaves

Benjamin Gustafsson - ... then suddenly everything got quiet (A_ldric remix)

from 'Nomad Frequencies' [CD|2xLP|DIGITAL]
Denovali Records · den237
available in September on all formats at [http://denovali.com/johnlemke]

An ardent moulder of sound, John Lemke began carving out a very unique music blend on his debut album 'People Do' (2013) and its follow up EP 'Walizka' (2014). Informed by his work as a sound designer & composer for documentary films and his natural inclination towards fusing rhythm with rich textures and emotive melodies, he set out on a musical path that had been long in the making and is ever evolving.

The quest for unusual, inspiring sound sources has always been at the heart of John's process, however the genesis of his second album 'Nomad Frequencies' was rooted in much more inadvertent circumstances. In the summer of 2014, forced to indefinitely evacuate his Glasgow flat and studio due to structural damage from one hour to the next, with nothing more than a laptop and a bag of clothes, John embarked on a six month odyssey of soul searching, couch surfing and spending an extended period of time in his old hometown of Berlin for the first time in years - it was to be an odyssey that would help ferment and distill the ideas of his second album on which work had just begun. 

A year of particular global turmoil and upheaval, combined with John's personal, albeit very minor, 'displacement', caused a lot of questioning, frustration and anger, which somehow found its way onto the new material: a more confrontational, at times aggressive sound, paired on the other hand with a yearning for harmony, balance and space. Other influences came less from the world of music, but rather in visual form, through the densely textural art of Anselm Kiefer and the political, yet poetic musings of film maker Adam Curtis.

Intent on refining his sound toward a more minimal, bolder style, John set out to limit his sonic palate to a handful of carefully chosen elements. At the centre of this new direction remains the muted piano already introduced on his debut, but in a much more purified and raw form. This organic base is adorned by the warm fuzzing and wavering of analogue synthesisers, tape echoes, meditative tuning forks, field recordings from John's 'exile' period and percussion based on his rigid approach to sampling, which started developing on 'Walizka'. The guiding principle of his orthodox style of recording and sampling is to only use home-made sounds by utilising his own field recordings, applying contact microphones or hydrophones to objects and instruments, running them through different kinds of speakers and re-recording the sounds to arrive at a 'lived in' quality, often misunderstood as plainly 'lo-fi'. Touches of viola and woodwinds parts (Kim Moore of WOLF and Andrew Baker respectively) provide melody fragments and subtle details throughout the journey.

With John's healthy disregard for genre boundaries, the array of influences on 'Nomad Frequencies' is vast, but never over-powering. From the meditative tuning fork that starts proceedings on 'Of Elsewhere', the dub echoes to the hints of minimalism, free jazz explosions to the Lynchian atmospherics, all elements serve nothing more than the album's narrative journey between friction and harmony, best appreciated in its entirety. A rhythmic backbone collides with rich ambience and melody, often infectious and jarring at the same time, forging a soulful whole which most likely only reveals its true self after multiple spins.

Nomad Frequencies

John Lemke - The Unwinding

2. track of my upcoming debut "Window Gazer" to be released 18th of september via Hellbig Music



Afloat

Window Gazer

Taken from nonkeen’s album ‘the gamble’ released 05/02/16
pre-order from iTunes - smarturl.it/TheGamble
pre-order Bandcamp - bit.ly/1kliFFr

For further details, please check www.nonkeen.com

re:turn!

Here is a cover i did of  the masterpiece "Echoes" by Fragments.

Follow them here : -https://www.facebook.com/frgmntsmusic/
                                 -https://soundcloud.com/frgmnts


FRAGMENTS - Echoes (Echo 6 cover)

Blue Lotus Eyes (Digitonal remix)

Lost Idol is the musical alias of James Dean; producer, DJ and broadcaster. 

James' debut Lost Idol release appeared in 2002 on the highly respected Pork Recordings label (home to Fila Brazillia and Baby Mammoth). James then went on to establish the Cookshop imprint, releasing two critically acclaimed Lost Idol albums 'Brave The Elements' and 'Utters From A Cluttered Mind'. Both records showcased a highly idiosyncratic sound spanning electronica, ambient, psychedelia, instrumental hip hop and beyond, drawing critical acclaim across the board. In a live capacity, James utilizes vintage synths, effects and vocal looping to further enhance and expand his sound, and has found himself sharing the stage with Caribou, Fujiya & Miyagi, Pantha Du Prince and Dextro. An able remixer in his own right too James has appeared on releases from the likes of Pepe Deluxe, Flevans, Dr Rubberfunk, Ikon, Found and Zoon van Snook.

As an avid vinyl collector, naturally James has been DJ'ing for many years. From running his hugely successful Hot Mud club nights in London in the late '90s through to more recently playing at festivals such as The Big Chill and even flying out to New York to spin at the legendary Turntables On The Hudson party, James has always been known for his hugely varied taste and impeccable mixing skills. Aside from his party-rocking sets James also programmes and presents the Morning Glory radio show, which explores the many forms and facets of contemporary electronic-based music. From ambient tones and drones through to electronica, deep melodic techno to leftfield beats and beyond, Morning Glory explores all terrain - known and unknown, classic and unclassified. 

Currently James is working on his third as yet untitled Lost Idol album, due for release sometime in the not-so-distant future.

To buy Lost Idol CDs & MP3s please check out http://lostidol.com

Blue Lotus Eyes (Digitonal remix)

Lost Idol

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