Only 30 minutes in and this is unbelievable!

Juliets. 🇱🇧 🐉👀🍿🥤🐘🛖🐆🐘🐘🐘🐘🐘🐘🐘🐘🐘🐘. 💥🪫🔋🪫🔋🪫🔋🔌🔌🔌🔌💦🎣🌊🌊🌊🐘🐘🐆🐘🐘🐘🐘💥💥❤️‍🔥

Can't wait to hear the master at work this year!

well DAMN! had to rewind to go through this again

greg. plz send this edit!!!!!! what is this?

Last month on the 13th of October, we invited house music hero & all round good guy Derrick Carter to bring his 'Derrick Does Disco' party to the Sub Club helping to celebrate GLASGAY! 20th Anniversary.

The source of many a man-crush (particularly from our local DJ geeks and record freaks) our sexy affair with Derrick has spanned a good couple of decades. Perhaps it’s his desirable physique, that intense beaded brow around 2am or his disarmingly charming manliness from the moment we met him off the plane.

Either way we’re always hot for him and so was everyone in the crowd who joined us as we got down and dirty in a darkened room and showed each other some serious loving, with no strings attached till 3am.

With Derrick in control for the full four hours we had to get the roadblocks out. Here is an hour of this amazing set specially picked out by the one man block party himself.

NEXT STOP IS A LONDON REUNION WHERE HE JOINS HARRI & DOMENIC IN THE SUB CLUB POD FOR RED BULL'S REVOLUTIONS IN SOUND WHICH WILL BE BROADCAST LIVE ON CHANNEL 4OD. TURN ON, TUNE IN & DROP OUT X

 


'Derrick Does Disco' [Recorded LIVE at Sub Club 13/10/13]

Colleen ‘Cosmo’ Murphy is a highly respected and experienced musical selector and curator, founder of the album listening event and content hub Classic Album Sundays and an authority on music, sound and the vinyl renaissance.

She was mentored by David Mancuso at his seminal Loft parties in New York City. Together they co-produced the compilation series David Mancuso Presents The Loft and worked together on David’s record label The Loft Audiophile Library of Music. In 2000, David told Time Out New York City “ She is very devoted and very pure about the music. She’s one of the only people I would trust, both with the music and with the equipment, to fill in for me.” She is one of the musical hosts at The Loft, the co-founder of the Lucky Cloud Loft parties in London and DJs internationally on the world’s best sound systems and dance floors.

Classic Album Sundays tells the stories behind the albums that have shaped our culture and in some cases, our lives. Colleen founded Classic Album Sundays as a stance against the increasing devaluation of music and sound. What began as a passion project is now the world’s most popular album listening event with satellites in four continents and the website and social media channels host content on classic albums and artists such as interviews, videos, playlists and more.  BBC Breakfast Television remarked, “Classic Album Sundays treat our best-loved records like great symphonies.”

She has been a radio host and DJ since the age of fourteen and today hosts Balearic Breakfast, Cosmodelica and Classic Album Sundays Worldwide on Worldwide FM. She also wrote, co-produced and hosted the Classic Album Sundays series ‘This Women’s Work’ for PRX, ‘Sounds of a City’ series on BBC 6 Music and ‘Turntable Tales’ on BBC Radio 4.

She has put together her own compilations including New York Afterhours ‘A Later Shade of Deep’ for Nervous Records and The Disco-Tech of DJ Cosmo’ for Yellow Recordings. Her latest compilation, ‘Balearic Breakfast Volume 1’ is coming out on Heavenly Recordings on the 10th of June and can be pre-ordered here.

As a producer Colleen has remixed Roisin Murphy, Mildlife, Hard Feelings, A Certain Ratio, Secret Night Gang, The Rapture, Fat Freddy’s Drop, Beardyman, Candi Staton, Two Bears, Phenomenal Handclap Band, Cantoma, Horace Andy, Chaka Khan & more under her Cosmodelica moniker and as DarkStarr Diskotek with Ashley Beedle. Along with former Captain Beefheart guitarist Gary Lucas, she recorded and produced as Wild Rumpus.

Lumberjacks Tapes 033: Colleen 'Cosmo' Murphy

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Buy it here: www.discogs.com/sell/list?release_id=336833&ev=rb

About the CD:
Our 50th episode is a recommendation from one of the UK's most talented djing duos, People Get Real aka Simon Lister and Peter Wilson. After quickly establishing themselves as Newcastle heavyweights, the lads have gone onto play the epic Hideout Festival in Croatia every year, they've been Wax:On residents for years and played pretty much everywhere including Fabric, Japan and Ibiza to name a few. They're also the brains behind the excellent Join Our Club records.

This selection shows the understanding of music and versatility they're famous for. Here Morgan Geist pulls together disco rarities from 1978 - 1985 and brings a welcome change to our tradition CDs features on this page. Thanks again for the shout PGR! Turn it up, and enjoy the mix.

Buy on Discogs

050 - Unclassics by Morgan Geist (2004) - Recommended by People Get Real

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Nightclubber Live with...Jimpster @ Ritter Butzke Berlin

ESSENTIAL MIX - JAN 2009
Uploaded on 17.01.10 and exclusive to SoundCloud. Available for the first time without voiceovers and jingles,12 months on from original Radio 1broadcast on 17.01.09.


EMAILSHOT A FEW DAYS AHEAD OF MIX BEING AIRED:
2009 kicks in for me this weekend with my first gig of the year for Udio (1st birthday) at The Gramaphone Club in Shoreditch, London on Friday night, which coincides with the airing of my only just completed in the nick of time Essential Mix on Radio 1, made up of 43 tracks in just under 2 hours.

Given that the 5th anniversary of my DJ comeback has only just passed, I decided to take the opportunity to make the mix totally representative of this period, with all the selections being amongst the biggest tracks I’ve played since I made my second debut at Music Is Better in Manchester.

Five years represents a significant package of time, a fixed point from where I can reflect on what’s been a continually snowballing sequence of events, set in motion when Danny Webb asked me to appear in Manchester on that December night back in 2003.

There were less than 100 people there that night, but they were the right people, and I was taken aback by the response to my return, both on the night itself and during subsequent days, when people who were there began to post on the forums. I’d never expected all the feedback be so totally positive!

I’d figured that I’d play that night, using the combination of laptop and reel-to-reel for the first time, then go away and think about what worked and what didn’t before I made my next move. I would never have believed that things could come together so immediately, it was as if I’d hit a completely unexpected hole in one, especially when two of the people who were there, Ralph Lawson, DJ from Back To Basics in Leeds, and one of my fellow DJ’s that night, Richard Hardcastle (Solid State) from Society in Sheffield, both asked me to play at their nights no sooner had I finished my spot.

One thing kept leading to another and, in Sheffield, I was approached by Tony Daly to play at the now legendary Tyneside Cinema party in Newcastle, a bespoke event where he took on the substantial risk of presenting me in a city I’d never DJ’d in previously (unless you count the 1983 TV appearance on The Tube, which was filmed in the Tyne Tees studio). Then, of course, there was London, where Steve Kotey and Bill Brewster booked me for their parties, bringing me to the capital within the first few months of my return for Ouch and Low Life.

The bookings kept coming, and I found myself driving up and down the country on an increasingly regular basis. Later in 2004 I was approached by Sav Remzi, from Tirk / Nuphonic, with the idea of putting together an edits album, which would be issued the following year as ‘Credit To The Edit’. This would help bring my name to the attention of people outside the UK. There was soon a need to step things up further, now that I was receiving enquiries from Europe, and so began a fruitful relationship with my agent, Matt Johnson (Matty J), who’s done a wonderful job of representing me during recent years.

The last few months have been, to say the least, manic for me, with 25 flights, including 6 long haul, taking me to gigs in the US, Japan, Australia, Brazil and Europe. From a personal perspective I still find it remarkable the way everything has developed, pretty much organically, since I made the decision that I was going to be a DJ once again – had I concocted some sort of comeback masterplan, it could never have worked out anything like as well as it has. It’s definitely been a case of ‘from small acorns’.

It still never ceases to amaze me that people from another continent are interested in my DJ past. Back in the early 80’s, before I went into retirement for 20 years, the furthest I travelled (with the exception of the appearances I made in the South of England as part of The Hacienda Review in late ’83) was to places like Birmingham and Nottingham, when I played at All-Dayers, so to find myself in clubs on the other side of the world is pretty nuts!

Anyhow, I’d like to wish everyone all the best for 09. Big thanks to all the promoters who booked me and everyone who danced to the tunes I played during ’08 in Adelaide, Barcelona, Belfast, Berlin, Birmingham, Blackburn, Brighton, Bristol, Dublin, Dundee, Edinburgh, Fukuoka, Glasgow, Hamburg, Leeds, Lisbon, Liverpool, London, Los Angeles, Manchester, Melbourne, Milan, New York, Newcastle, Nottingham, Paris, Porto Alegre, San Francisco, Sao Paulo, Sheffield, Sydney, Tokyo and Warsaw. Also the festivals and special events that I appeared at - Bestival (Isle Of Wight), Big Chill (England), Camp Bestival (England), Garden Festival (Croatia), Ibiza, Lovebox (England), Notting Hill Carnival (England), Rockness Festival (Scotland), Sonar (Spain) and the Southport Weekender (England).

Hope to see you soon.

Greg


FORUM POST DURING FOLLOWING DAYS:                                                        
Thanks for all the positive words. The feedback has been pretty phenomenal, far exceeding what I’d hoped for, especially on the BBC page, where I’d expected that some people would criticize the amount of older music included - the Radio 1 audience is used to current stuff ('in new music we trust'), so I’d anticipated a more mixed reaction. What’s particularly pleasing is that they were all made without the people seeing what each other wrote (they all came online at once, having been checked first by whoever moderates the BBC pages, I presume for swearing etc following the Ross / Brand controversy).

You always hope something you've done will be well received, but the response to this has blown me away.

Greg


ANSWER TO POST RE MIXING PROCESS:                                                      
It was quite a laborious process. Before I could start the actual mixing part I had to edit every track to a coherent length of around two and a half minutes average, inclusive of in and out points. I had a pool of about 90 tracks that fitted the criteria I'd set (a representative selection of the biggest tunes I've been playing during the past 5 years). It wasn't as straightforward as just editing the 43 tracks I ended up featuring - in order to have the necessary options once I started to piece the mix together I needed to have all the tracks at my disposal, just as I would have if I was out deejaying in a club, so the only thing to do was edit all 90 to the required length, even though I knew that only half would make the cut .

Once that was finally done they were all taken across into my laptop, enabling me to vari-speed them via PCDJ whilst I recorded across to my home computer into Cool Edit Pro, where I put the mix together track by track, before adding overdubs (fx, samples, textures) in a similar way to what I do live using the Revox (reel to reel).

I could quite easily have spent another day, tweaking bits here and there and adding more overdubs (the older I get the more finicky I become), but I had a deadline to work to, so, as it moved ever nearer, it became a race against time, with me doing as much as I could before the cut off point arrived.

Greg
                       

Greg Wilson - 2009


ESSENTIAL MIX (by greg wilson for bbc radio 1 2009)

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Buy it here:
https://soundcloud.com/theclassicmixcdseries/san-francisco-sessions-vol-6

Om Records

809 - San Francisco Sessions Vol. 6 - Disc 1 mixed by Inland Knights (2007)

recorded with love for faith 
Easter 2023

faith

keeping the faith

Luke Solomon BTB Chris Duckenfield - Freakin', York 4.6.16

Greg Wilson recorded live from the Abandoned Chapel at Lost Village 2016

YouTube 🌲📺🌲 www.youtube.com/lostvillage

Website 🌲💻🌲 www.lostvillagefestival.com

Live from Lost Village - Greg Wilson

Recorded live at Music is 4 Lovers' monthly "Sunday is 4 Lovers" FREE rooftop party on the beach at FIREHOUSE in Pacific Beach, San Diego.

DOWNLOAD >> http://bit.ly/2ngdHjX <<

Next up...
Sunday is 4 Lovers w/ Joeski
Sun Oct 13
NO COVER!
RSVP >> eepurl.com/grCg9f <<

Sunday is 4 Lovers w/ Francesca Lombardo
Sun Nov 10
NO COVER!
RSVP >> eepurl.com/grCg9f <<

More live mixes >> bit.ly/2sFZKLe <<

Stay connected w/ Music is 4 Lovers:
Blog: www.Musicis4Lovers.com
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Live at Sunday is 4 Lovers

>> DOWNLOAD <<

Crazy P Live DJ Set at Sunday is 4 Lovers [Musicis4Lovers.com]

This 4-hour set was streamed to Facebook Live in two parts, May 6 and May 8 2020.

Magazine - Mark E [Merc]
Love Me - Atjazz & Julian Gomes [Atjazz]
Tarzan (Ame Remix) - Roy Ayers [BBE]
Give It Up (MAW Flute mix) - Rain [King Street Sounds]
Boogie Monsta - Moodena [Tropical Disco]
Been A Long Time - The Fog [Miami Soul]
B-Cause - The Jump St. Man [Jump Street]
Celebration Of Oggun (Trinidadian Deep Remix) - Sunlightsquare [Yoruba Soul]
Découragé - Sekouba Bambino [Distance]
Git Wa - Joaquin 'Joe' Claussell [Ibadan]
Outer Limits - Tikkle [House Jam]
Namida (Afrikanz On Marz Remix) - Glenn Davis [F*CLR]
Tears - Frankie Knuckles [Ffrr]
Love So Strong (Farley & Heller's Junior Style Mix) - Secret Life [Cowboy]
Swimming Places (Purple Disco Machine Re-Work) - Julien Jabre [Defected]
Inspiration - Kerri Chandler feat. Arnold Jarvis [Freetown]
See Me Yah -vs- Afefe Iku - Rhythm & Sound [white]
Even Though (vocal) - Black Coffee [Real Tone]
Love So Special (original) - Ceybil [Atlantic]
Misery (Lil' Louis Extended Club Mix) - Kimara Lovelace [King Street]
Better Days (dub) - Blaze [Lifeline]
Celebrate Life (acapella) - Logic [Strictly Rhythm]
Spirit Dance - Antonio Ocasio [Tribal Winds]
Brand New Feeling (Timmy Regisford Remix) - Roy Ayers [Shelter]
Kodjo - Manoo [Deeply Rooted]
Love Will Save The Day (Organ Mix) - Jaqué [Jellybean]
Coro (DJ Spen Kaoz Re-Edit) - Kerri Chandler [Nite Grooves]
AEIOU (DFP dub) - Cotonete & Di Melo [Favorite]
Casa Forte (Joe Claussell mix) - Snowboy [Spiritual Life]
Granada - Slow Supreme [Jazid]
We Are One - Blaze [King Street]
-----part 2-------  	
Vinyl Groove (Original Mix) - Lebedev (RU) [Moody House]
I Want (Discolicious Remix) - Addvibe [Gents & Dandy's]
Come On Praise Him (Terrence Parker Gospel Heritage Mix) - Vonita White, Terrence Parker [Quantize]
Calais Douvre - Chris Carrier [Robsoul]
I Believe (David Penn Re-Edit) - Happy Clappers [Cube]
GTFO - Paris Underground [My Love Is Underground]
Freedom (Color 4 Frankie's Dub - Radioslave Re-edit) - Black Magic [Strictly Rhythm]
Turnin Me Out feat. Casioware (Jovonn Dub Mix) - Jovonn [Body'N Deep]
Power In Numbers - Waajeed [Planet E]
Saxajuju (Rhemi Remix) - Pat Bedeau [Rhemi Music]
Feelin' Kinda High (Vocal Mix) - Cajmere Feat. Terrence FM [Cajual]
Heal My Heart (Quentin Harris Black Heart Remix) - Kerri Chandler [King Street]
1 World (Sean McCabe Remix) - Michele Chiavarini [Quantize]
Rescue Me (Bini & Martini '999' Funk Mix) - Sunkids feat. Chance [AM:PM]
Back 2 Da House - G-Flame [Alpha]
The Sermon (Acapella) - Ron Carroll [Subliminal]
The Freak Show - Todd Terry [In-House]
Taurus - Johnny Fiasco [Cajual]
The Murder Track - Mike Delgado [Released For Pleasure]
Love (2010 Remix) - DJ Sneak [Cécille]
He Is (Sydenham & Ferrer mix) - Copyright [Defected]
Get Myself Together (Louie Vega Remix) - Luther Vandross [Vega]
The Theme (The Legend) - Loop 7 [Strictly Rhythm]
Mirror Dance (Original Mix) - Afefe Iku [Yoruba]
In The Mood For Love - Steve Summers [LIES]
Momma's Groove (Jimpster's Hip Replacement Mix) - Osunlade [Strictly Rhythm]
Faces Drums 1 - Steve Pointdexter [Muzique]
Raw Sensation - Acid Filter [Chicago Basement Trax]
Dub It - Master C&J [State Street]
Raw Uncut (Uncut Hardcore Mix) - AmFlow Featuring Koffee [Vega]
Remote Control - Robot DJs [Underground]
Can't Get Enough (Dub) - Liz Torres [State Street]
My Paradise - Kerri Chandler [King Street]
Down Deep - Gary Michael Wade [Simplex]
Groovin' The Groove - DJ Fopp, Simon Adams [Salted]
The Warning - Logic [Strictly Rhythm]
How I Feel - Lil' Louis [Dance Mania]
Believe - Octave One [Transmat]

In these challenging times, having lost all of my work as a professional touring DJ, any support or financial help would be appreciated. You can either donate monthly with Patreon: patreon.com/fknyc or send one-time gifts via PayPal (use: "family and friends") to: paypal.me/axisnyc Thanks in advance for whatever you may be able to do.

François K - Back To Da House (part 1&2)

Those on the outside will never understand...

Live from Lost Village - Greg Wilson

Lost Village

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