Lost In Ether | P R E M I E R E | ITNA - Hope [Supercinema]

taken from: Supercinema 004 
release date: 03 09 21

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Supercinema
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Supercinema

Lost In Ether | P R E M I E R E | ITNA - Hope [Supercinema]

contact: michaljablonski@lostinether.pl
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"Ether, or æther, was the mysterious substance once thought to suffuse the universe and be the medium that propagated light (and radio waves once they were discovered). Before that, it was the material that suffused the realm of the Gods. So, to say that something is in the ether means that it is something being communicated from place to place; it has no precise location, just as a radio broadcast can be heard from many different places. "

* Lost In Ether 
Here you can find personal visions and expressions of alternative electronic music represented by artists invited to show their own ways to explore sounds which are embraced into one wave of sound - podcast recorded for "Lost in Ether".
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Running by Dorota Smyk and @MichalJablonski

Supercinema Records is a Techno label based on a dream translated into a storyboard born from the mind of Graziano Umile, owner, label manager and co-founder of Ways Collective in Puglia, Italy. Sit down, relax, the movie is about to start...

It’s 1977. There’s a chill in the air, like on a usual December evening. It’s cold, but the night is fraught with a strange ferment, a mysterious energy that seems to announce a revolution. It’s 9.03 pm, and two guys are creating something in a dark basement on Bushwick Avenue, Brooklyn. One is fond of science and space, the other is keen on music and cinema. The young men are united by a sort of dreamy romanticism that two guys are endowed with only in an age of revolution. Something is moving beyond the door of the spare cellar. Scientific progress is getting close, cars and airplanes are making their first appearance in the collective imagination – they are coming out of the paper projects and they are beginning to take form. Everything is bright, shiny, but it’s in a cloud of opacity at the same time, just as the pictures of those years. The young men are two genius, or maybe they are just two wishful thinkers, but they yearn to invent the future through a musical and visual journey. In the darkness of their basement, they are working hard to build synthesizers able to reproduce the idea people of that time had about the outer space. Using their knowledge of electrotechnics, the teenagers outline synths in order to recreate the sound of the cosmos. What’s more, on the basis of the science fiction movies of those years, the youngsters imagine to make the soundscape of a journey to the edge of the universe. Every night, the young men’s dreams are invaded by space shuttles and alien creatures. Every morning, the two guys try to keep the sounds of those hallucinations alive. Then, such noise is used to compose real soundtracks. Their love for those extraterrestrial women, living beings of distant planets, is the driving force behind their creations. The music is a soft texture leading the astronauts to their interplanetary journeys. The visual world is a landscape made of light, intense colours and ethereal sounds. The evolving ambient soundtracks produced by the young men represent the emotive expression of their imaginary explorations. The empty cellar fills up with slow melodies which develop little by little, just as the space shuttle that gradually reaches the speed of light, so as to explore other planets. The real world keeps out of the door. The two guys feed on film images and stargaze thanks to the arrival of synthesizers. This how Supercinema Records blossomed: it arose from this fictional or maybe real story. The label is the result of a journey through sounds and visions of the ambient music universe.

Graziano fin da piccolo, grazie alla scoperta di alcuni dischi di suo padre e suo zio, ha dimostrato un grande interesse per la musica, in particolare per quella anni 80’ e crescendo per quella underground, un amore che gli ha permesso di ampliare la sua conoscenza musicale in modo libero e autentico. Nel 2010, insieme ad alcuni amici con cui condivideva la stessa visione, ha cofondato il collettivo Ways, crew di eventi musicali underground con base in Puglia, ancora in piena operatività e crescita. Con la stessa visione, nel 2018 ha iniziato un’avventura con la sua etichetta discografica, “Supercinema Records”, con cui ha pubblicato sia artisti affermati ed emergenti mantenendo salda la sua visione musicale. Nel frattempo, sta portando avanti con amici la ventata di freschezza portata dal ritorno della Italo Disco e di tutto il mondo anni 80’ con il progetto “Insert Coin”, volendo contribuire alla diffusione e definitiva affermazione del genere in Italia e all'estero.
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Since he was a child, thanks to the discovery of some records of his father and his uncle, Graziano has shown a great interest in music, in particular in the 80's and growing up in the underground one, a love that has allowed him to expand his musical knowledge in a free and authentic way. In 2010, together with some friends with whom he shared the same vision, he co-founded the collective "Ways", a crew of underground music events based in Puglia, still in full operation and growth. With the same vision, in 2018 he started an adventure with his own record label, “Supercinema Records”, with which he released both established and emerging artists while keeping his musical vision steadfast. In the meantime, he is carrying on with friends the breath of freshness brought by the return of Italo Disco and the whole world of the 80s with the “Insert Coin” project, wanting to contribute to the diffusion and definitive affirmation of the genre in Italy and abroad .