Artist Name: N:CK
Label: Concrete Records CNC072
Release Date : 26 March 2024
Premiere Release: 22 March 2024
Video by Videosolid from NVS
Mastered by Luigi Di Filippo at LRS Factory Rome
PRE SALE LINK
https://concreterecords.bandcamp.com/album/spectral-scan-ep

Explore more:
https://www.instagram.com/nick_n__ck
https://soundcloud.com/nickmusicitaly
https://concreterecords.bandcamp.com/music
https://www.instagram.com/videosolid
https://www.instagram.com/nvs_av
https://www.instagram.com/d_lewis_italy
https://www.instagram.com/lrsfactory_rome
https://www.facebook.com/nickmusicitaly/
https://www.facebook.com/ConcreteRec
https://www.facebook.com/videosolid
https://www.facebook.com/nvs.experience
https://www.facebook.com/djdlewis

Lost In Ether | P R E M I E R E |  N:CK - Spectral Scan [Concrete]

contact: michaljablonski@lostinether.pl
_
"Ether, or æther, was the mysterious substance once thought to suffuse the universe and be the medium that propagated light (and radio waves once they were discovered). Before that, it was the material that suffused the realm of the Gods. So, to say that something is in the ether means that it is something being communicated from place to place; it has no precise location, just as a radio broadcast can be heard from many different places. "

* Lost In Ether 
Here you can find personal visions and expressions of alternative electronic music represented by artists invited to show their own ways to explore sounds which are embraced into one wave of sound - podcast recorded for "Lost in Ether".
--
Running by Dorota Smyk and @MichalJablonski

I like everything dark, liquid, technoid, slow, fast, deep, chill, soft, broken, heavy, industrial, noisy, abstract, experimental in all kinds, forms and excesses of D&B, Jungle, Chillstep, Dubstep, Atmospheric, UK Future Garage, Ambient, Old School East Coast, Old School Techno/Rave, Autonomic, Ragga, Dub (Soundsystems), Downbeat, Lowbeat, Trip Hop, Downtempo, Noise, Industrial, Rythm n Noise, Breakbeat, Experimental, Accid Jazz, 90s UK GRIME, such kind of breaks, beats, bass ALL AROUND just like I also discovered electronic synth/cold/darkwave/postpunk as an VERY interesting new paths. My understanding of music mainly characterised by: David Bowie, Depeche Mode, Prodigy, Wu Tang, LTJ Bukem, Krush, Kid Koala, DJ Food, Goldie, Roni Size, CAM, Andy C, Kid606, Dieselboy, Q_Bert, BTTB, Tricky, MC Conrad, Ed Rush, Portishead, Antipop Consortium, Vadim, Massive Attack, KanKick, Enduser, Coldcut, Architect, Broken Note, DJ SHADOW, And One, Project Pitchfork, Hype, Shy FX,  Grooverider, Optical, Rebel MC, Marky, Zinc, Krust, Kool Herc, Tim Westwood, Beastie Boys, Kris Kross, KRS One, Busta, Snoop Dogg, DUB FX, Black Moon, Boards of Canada, Björk, Salt n Pepa, TLC, Janet Jackson, Missy Elliot.....
--------------------------------------------------------------------
Second account created for my new discovery of the genres electronical Wave/Synthwave/Darkwave/Coldwave/Pop, Industrial, Rhythm 'n' Noise, Noise, Postpunk, EBM, IDM, IBM & appropriate in all facets and wings around to separate this incredibly interesting and beautiful new door in https://soundcloud.com/noone-2-310434778.
--------------------------------------------------------------------
If you're SO insanely happy about every single new follower here like i am......i think it should give me and my self-worth (a lot) to think about, I absolutely know. For this reason: my biggest THANK YOU to every single follower. You and all this here really mean a lot to me.
---------------------------------------------------------------------
I know that music can neither heal nor prevent the decades-long existing global sick capitalism, consumption, politics, lobbyism, corruption, systems, society/s that are sick of it, nor the imminent climate collapse resulting from all these causes. But what it can heal and fill up wonderfully I know: hearts and souls - even empty, cracked, damaged and discarded ones. And that completely free of charge. Unbelievable nowadays...what is also clear: we will never be enough people to be able to break the capitalist climate-damaging sick system globally in time, now it has been really too late for too many years gone by. I live against this system as far as my framework as a system-dependent taxpayer allows me to do so. Music is an enormously important part of it. We should tune in together to the inevitable real climate collapse. With happy hearts & souls filled to the brim with music, contentment & love. Only then will the demise of our livelihoods be bearable for us all.
----------------------------------------------------------------------
War, natural disasters, politics, violence, protests, riots, injustices, attacks, terror and much more. Back then, compared to today, it was all relatively completely unfiltered, clean and completely free of any media and political fake news manipulation and twisted propaganda. All the  pseudo massiv CAPITALISTIC problems, much more its numerous symptoms of illness such as "burn outs", "social media", "depression", "shortage of skilled labour", "housing shortage", with manipulation, fake news, advertising, capitalistic, political influence soaked "media", or topics such as "urban gardening", "gentrification", immigration, all that "self-love, self-worth, what is happiness, the search for the self" madness, "gender", LGBT, "metoos". ... didn't exist back then or were healthy, normal, simple, clean. And yes, people's worries and fears back then were the same as now, just as real, normal, simple BUT FREE from any capitalist distortion, self-promotion, exaggerated and inflated hyperbubbles. Without the very large, constantly spreading epidemic of capitalism, there would probably be less than 40%? of all these problems on our planet, and a global negative climate collapse would never have been an issue. Religion does not affect our climate alone, but in numerous religious political disputes harms people beside climate, nature and all living creatures the most.

N:CK aka Nicolò Temperini, is an artist who has made sound research the driving force of his musical journey. His meticulous and almost artisanal approach to music selection and production sets him apart in the contemporary music landscape, where sonic aesthetics become both language and identity.

His productions are characterized by depth and timbral complexity: every sound is carefully selected and sculpted through a creative process that combines intuition, study, and detailed manipulation. The unconventional use of textures, samples, and broken rhythms gives rise to tracks that resist easy categorization, yet maintain a strong expressive coherence. He favors the use of analog and modular synthesizers tools that allow him to shape each sound in an unrepeatable way, making every track a unique sonic work. This choice is not merely technical, but conceptual: the uniqueness and imperfection of analog sound become a vehicle for deeply personal and unreplicable expression.

During his DJ sets, N:CK brings the same attention and sensitivity he applies in the studio. Each track is selected with the aim of crafting a coherent, engaging, and never banal sonic journey one where the tension between structure and chaos, rhythm and abstraction, creates a space for deep and transformative listening.

N:CK does not seek immediate impact, but rather works to create experiences that leave a lasting impression, evoking inner landscapes through vibrations that speak directly to both body and mind.

“Work hard in silence, let your success be your noise.”

"I believe when life gives you lemons, 
you should make lemonade; and try to find someone whose life has given them vodka, and have a party" - Ron White

