@dustin-zahn Recorded live at SPECTRUM / 19.02.2022 - La Station Gare des Mines, Paris

DUSTIN ZAHN - SPECTRUM, 19-02-2022

Locked Groove Transmission #03: Kwartz

Viennese freshman Arthur Robert has eagerly carved a niche in the collective psyche of late with a handful of self-released titles and a string of hypnotic EPs on Len Faki’s Figure. These are the fruits of a studio routine outside of which he’s often found piously performing ruminant sets and passing on knowledge to a clique of eager students. Since his early 20s based in Amsterdam, the symbiotic exchange between that city and Detroit is evident in his and his peers’ work. There’s an extra twist though: a self-professed flair for trip-hop, ambient, breakbeat, drum ’n’ bass and movie soundtracks. In fact, it’s in his work’s focus on the psychedelic, groovy and atmospheric that a solid reference to many beloved sci-fi classics can be found. For Bassiani Podcast 129 he tries his hand at scoring a fiction all of his own, at once twitchy, escapist and modern.

@arthurrobert

Bassiani invites Arthur Robert / Podcast #129

We are excited to welcome Polish maestro Blazej Malinowski to our series.

A firmly established artist in the deep techno realm Blazej delivers a trademark energetic session expertly crafted for a captivating journey.

Follow :

https://soundcloud.com/blazejmalinowskiofficial
www.instagram.com/blazejmalinowski/
www.facebook.com/malinowskiblazej

MNMT 437 : Blazej Malinowski

✈ To celebrate this new episode, we are proud and delighted to welcome DJ and producer from Belgium : BORDER ONE (Token / KEY Vinyl / SK_Eleven).

Hailing from Belgium, Border One has amassed an irrefutable reputation in his home country and beyond since the release of his first 12-inch record in 2015. Between a fascination for sound discovery through the use of his modular synthesizer and his loyalty to the classic club rhythms, Border One’s style serves as a swiss-army knife for promoters and DJ’s on an international level.

With a self description expressing a priority to make the crowd move, his music does not fall short of its intention. Forward thinking in its conception rendered highly functional in its implementation, Border One’s music finds middle ground in an increasingly polarized musical climate for the genre; whether it be through his selection as a DJ or his technicality as a producer. Considering this, his release catalogue seems only appropriate. He has released EP’s on Knowledge Imprint, Setaoc Masse’s SK-X, his own Border One Records, Freddy K’s KEY vinyl imprint, and the infamous Token Records to name a few.

Enjoy and feel free to share! Love & Techno

Follow BORDER ONE
SC > https://soundcloud.com/borderone
FB > www.facebook.com/borderonemusic
IG > https://www.instagram.com/border.one
RA > ra.co/dj/borderone

Join 'PARADOX & SOTOR Community'
FB > web.facebook.com/paradoxtechno
IG > www.instagram.com/paradox.techno
BC > www.sotor.bandcamp.com
WEB > www.paradox-music.fr

PARADOX PODCAST #179 -- BORDER ONE

Track: Persians' Council Law
Artist(s): Soul Saver
Label: Backrooms
Catalog: BR03
Format: Digital
Genre: Electronic
Style: Techno
Release Date: 14/11/2025
Mastering: Loic Girod
Artwork: Workshop Lobby

Artist links:

Soundcloud: @gabriele-vicari
Instagram: www.instagram.com/soul_saverrr/

Label links:

Soundcloud: @backroomsrec
Bandcamp: backroomsrec.bandcamp.com/
Instagram: www.instagram.com/backrooms.rec/

Pre-Order Link: backroomsrec.bandcamp.com/album/persia…-council-law

Persians' Council Law

Premiere: Soul Saver - Persians' Council Law [BR03]

I tend to overstuff my tracks, no difference with this one. Always been doing this. If things fit over one another musically, I put them on top of one another. But this is very often a mistake. Here, I am very unsure if it is wise to put the robot chorus on top of the house chords. Right now, I am considering dropping the vocoder vocals altogether and replacing them with some female vocals; some soft voice that creates a contra to the techno sound.

Berlin London New York Nights

Techno hit Japan hard in the early 1990s. Takaaki Itoh was quickly impressed and intrigued with this new sound. The unique style of beats revealed the gateway to a new world of underground music in Japan - something he had never heard before. 

In 1994, Takaaki began to organize his own techno parties in his home of northern Japan. By providing a fantastic lineup, his parties quickly became a success. In 1996, having decided that it was time to start making his own tracks. His Japanese style of techno was pure, unique and underground - nothing that had been heard before in Europe. His reputation and popularity quickly spread all over the continent. He was becoming recognized as Japan's most underground and respected techno DJ. 

As of 2001, he was getting offers to perform at large clubs and festivals all over Europe, like awakenings, berghain, tresor. Promoters wanting him, party people loving him. Takaaki Itoh took the next step and started his own label Wols. Passion led to success and he became recognized as the top of the next generation of techno music.

residentadvisor.net/dj/takaakiitoh
facebook.com/itoh.takaaki
soundcloud.com/takaaki_itoh

SCOPÁVIK 042 | Takaaki Itoh

0 7 0 2 2 0 1 8
Lost In Ether | Podcast #82 | Takaaki Itoh

Lost In Ether is 3 years old! Thank you for your constantly support. For this occasion we have something special - real legend of techno music. Takaaki Itoh at his best!

BIO:
Techno hit Japan hard in the early 90s, TAKAAKI ITOH was quickly impressed and intrigued with this new sound. The unique style of beats revealed the gateway to a new world of underground music in Japan - something he had never heard before. In 1994, Takaaki began to organize his own techno parties in his home of northern Japan.

By providing a fantastic lineup, his parties quickly became a success. In 1996, having decided that it was time to start making his own tracks, His Japanese style of techno was pure, unique and underground - nothing that had been heard before in Europe.

His reputation and popularity quickly spread all over the continent. He was becoming recognized as Japan's most underground and respected techno DJ.

As of 2001 he was getting offers to perform at large clubs and festivals all over Europe, like Awakenings, Berghain, Tresor. Promoters wanting him, party people loving him, Takaaki Itoh took the next step and started his own label Wols. Passion led to success and he became recognized as the top of the next generation of techno music.

Links: 
FB: https://www.facebook.com/wols.takaakiitoh
RA: https://www.residentadvisor.net/dj/takaakiitoh
SC:https://soundcloud.com/takaaki_itoh

Lost In Ether | Podcast #82 | Takaaki Itoh

█ audio: Takaaki Itoh
facebook.com/wols.takaakiitoh
@takaaki_itoh

█ visuals: ACID THERMAL
facebook.com/AcidThermal

► FREE DOWNLOAD
► w/ LIVE VISUALS: youtu.be/mlUIM4M7qU0

----------------
HEX Barcelona
www.hex-barcelona.com
www.facebook.com/hex.barcelona
@hex-barcelona

HEX Clothing
www.hex-clothing.com
www.facebook.com/hex.clothing.barcelona
www.instagram.com/hexbarcelona/
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HEX Transmission #030 - Takaaki Itoh

Stay Home Soundsystem 23
https://youtu.be/O3cmjX2Iq1c

Drumcell x Speedy J live

Los Angeles x Rotterdam Remote Jam

@drumcell
@jochempaap

Youtube

SHS 23 Drumcell x Speedy J live

contact: michaljablonski@lostinether.pl
_
"Ether, or æther, was the mysterious substance once thought to suffuse the universe and be the medium that propagated light (and radio waves once they were discovered). Before that, it was the material that suffused the realm of the Gods. So, to say that something is in the ether means that it is something being communicated from place to place; it has no precise location, just as a radio broadcast can be heard from many different places. "

* Lost In Ether 
Here you can find personal visions and expressions of alternative electronic music represented by artists invited to show their own ways to explore sounds which are embraced into one wave of sound - podcast recorded for "Lost in Ether".
--
Running by Dorota Smyk and @MichalJablonski