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SEA LION - Sage Francis, Will Oldham, Saul Williams

Los Angeles festival kings gLAdiator make their Fool's Gold debut with the thoroughly cranked Assembly Line, blending laser-focused riffs, industrial grade percussion, and elbow-throwing party vibes as only they can. The five-track EP is a love letter to their #SQUAD of devoted fans across the country, a diverse collection that bounces from hands-in-the-air trap anthems to warehouse worthy electro, late night neck-snappers and much more. Hit the factory floor and turn up! 

Follow @gladiatormusic
facebook.com/gladiatormusic
twitter.com/GLADIATOR

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Gladiator - Work

http://www.xlr8r.com/news/2014/04/stream-debut-ep-habits-hate

Habits of Hate - Limelight Roles

Buy Album:
Bandcamp: http://smarturl.it/gt-bandcamp
Itunes: http://smarturl.it/gtitunes
Amazon: http://smarturl.it/gtamazon
Spotify: http://smarturl.it/gt-spotify
Darla: http://smarturl.it/darla

Graveyard Tapes announce 'White Rooms', the follow-up to their acclaimed debut. Edinburgh based duo Euan McMeeken (glacis, The Kays Lavelle) and Matthew Collings (Splintered Instruments, Sketches For Albinos) joined the Tribe in 2013 with 'Our Sound Is Our Wound'. 

Only the simplest and most elegant of ideas offer this sort of combustive force. McMeeken builds the audio structures and Collings nearly tears them back down again. Of their debut, Textura lauded “McMeeken's heartfelt singing and piano playing and Collings’ electronic and guitar colourations,” while Incendiary Magazine declared the album “a rare blend of inquisitive dark pop.” The track “Bloodbridge” inspired and was featured in Matty Ross’s enigmatic short film. 

Where 'Our Sound Is Our Wound' confronted heartbreak, solitude and death, White Rooms looks to progress, even repair, restore. Collings assumed the role of primary songwriter, and here the darkly lit, fully curtained spaces of their inaugural record serve not as a wake, but a wake-up call. As McMeeken writes, 'White Rooms' accepts "the difficult 
but essential challenge of finding the incongruent beauty in loss and moving forward as people.” This way the curtains are thrown open, daylight floods in, the colors of the interior come into full view, and we realize that what is left is a blank canvas, ready for our paints. 

Both Collings and McMeeken have long embraced collaboration in their solo careers, having worked with the likes of Ben Frost, Old Earth, and Dag Rosenqvist (Jasper TX). This time around they’ve given their collaborative natures ample room to breathe. Many tracks were improvised with Ben Chatwin, who records as Talvihorros, while the song “Flicker” finds omni-instrumentalist/ singer-songwriter William Ryan Fritch (Vieo Abiungo, Death Blues Ensemble) lending his cello. 

'White Rooms' releases mere months after Collings delivered his stunning 2nd solo album 'Silence Is A Rhythm Too', further solidifying his position as one of the most innovative and exciting producers around. It’s an addictive combo when paired with the searing and iconic vocals of McMeeken. It is clear from the initial moments: this incarnation of Graveyard Tapes digs ever deeper.

Graveyard Tapes are Matthew Collings and Euan McMeeken 
with additional performances by Ben Chatwin, William Ryan Fritch, and Brady Swan 

All songs written by M. Collings and E. McMeeken 
Except tracks 2, 5, 6, 7, and 8 written by M. Collings, E. McMeeken and B.Chatwin. 
String arrangement on track 1 by WR. Fritch 
Drums on track 2 performed by Brady Swan, recorded by Ben Frost and Paul Evans at Greenhouse Studios, Iceland 
All lyrics by E. McMeeken 
Recorded in various locations around Edinburgh, Scotland 
Mixed by M. Collings 
Mastered by Carl Saff 
Art by Shawn Stephany 
Layout by Daniel Murphy

White Rooms

Death Rattle

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Graveyard Tapes - Death Rattle (from White Rooms)

Squinch Owl - What It Is

Empathy

Click on the link below to choose your preferred streaming platform.
https://linktr.ee/Valierremusic

Enigma is a musical track performed on Piano Solo that is perfect for moments of relaxation, reflection and, above all, to conciliate sleep. A magical atmosphere created especially for dreaming, relaxing and not thinking.

Enigma

Enigma - Valierre

00:24

Glacial Movements is an Italian record label which has been reducing the temperatures of our hearts for nearly two decades now. But besides the frosty and desolate spaces, there’s something warming about its approach. Perhaps it’s about paying attention to all of those forgotten, faraway places where nature continues on its course regardless of the insanity that we create and then attempt to sort out. Perhaps things are not as complicated as we make them out to be. Mayhaps the physical simplicity of the colliding icebergs is the answer to our problems. So let’s turn off the televisions and let’s delete accounts, and turn towards the spaces where our minds can rest. One such deep reflection on social themes and existential moments can be found in the fascinating narrative of Italian multidisciplinary artist Lia Bosch and her upcoming debut album, titled Polar Code. There is a darker undertone behind this music, which is just one piece of this conceptual, multi-dimensional and immersive project together with visuals and words [some of which I will share below], provoking thoughts on organic fragility, cosmic expansion, and what it means to be truly human.

Read more on Headphone Commute:
https://headphonecommute.com/2024/11/20/lia-bosch-stepping-beyond/

Polar Code

Stepping Beyond

TRACK PREMIERE : Lia Bosch - Stepping Beyond

Marco Lucchi : piano and found sounds

https://freesound.org/people/felix.blume/sounds/779962/

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for the current Naviar Haiku challenge
https://www.naviarrecords.com/naviarhaiku573-years-end/

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Year's end,
all corners
of this floating world, swept.

by: Matsuo Bashō

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30 dicembre 2024

Marco Lucchi - [year's end] Farewell [Naviar Haiku # 573]

Suite faite à partir des thèmes principaux du court métrage "Sága" réalisée par Maïlys Gelin et Clément Grosdenier

Sága (Suite)

Alio Die - Spring Music

All music composed & performed by Dominique Charpentier 
© 2017 Dominique Charpentier. Unauthorized copying, hiring, lending, public performance & broadcasting prohibited. All rights reserved. Made in the E.U
Recorded, mixed & masterised by Dominique Charpentier. 
Awesome artwork by Anna Salzmann: www.annasalzmann.com

Esquisses

Buy Now!

Esquisse V

Kriece pres Shamatha - Eye of the Beholder (Ulrich Schnauss Remix)

Lost Tribe Sound is a record label that specializes in organic and exploratory sound. Lost Tribe Sound admires music that leaves its tattered edges proudly in place, acoustic instrumentation blended seamlessly with dirty mechanics, timeworn sound worlds rooted in the muck and the mire of the present. The sound generally falls along the lines of bizarrely rhythmic, beautifully decayed electro-acoustic music, often with a reverence for low-end. LTS focuses on full-length albums, with a strong commitment to well-made packaging. The aim is to unearth timeless music that pushes the envelope of modern composition while paying homage to the ancient.

Graveyard Tapes - Death Rattle (from White Rooms)

Lost Tribe Sound

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Lost Tribe Sound

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