Slow walking

I am launching a series of EPs in 2021, following on the back of my carbon neutral album campaign last year, that also aim to raise awareness. This time, I invite you to turn inward and ruminate on how you want to BE in the world: be conscious, be strong and be light. Each EP revives tracks from Atmosphere (2020) and offers reworks, remixes and renditions, all with climate change deep at the heart of Wojtek's DNA but with a shift towards mindfulness and wellness, aiming to support the activist community, and not only.
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Recorded and mixed carbon neutral 
- using green energy in my studio in Berlin.

Be Conscious

INSTINCT IV (Felt Rework)

One of the tracks from the upcoming Zvuku LP on Heat Death.

This record needs funding! Head to the indiegogo page to find out how you can help make this a reality.

FUND!

Zvuku - Coldsong

Exclusive track taken from the upcoming album 'There Can Be No True Beauty Without Decay' released through Hibernate Recordings.

Full review:

www.fluid-radio.co.uk/2013/09/antonymes-there-can-be-no-true-beauty-without-decay

Pre-order:

www.hibernaterecordings.bandcamp.com/album/there-can-be-no-true-beauty-without-decay-2

Info:

Ian M Hazeldine records under the alias Antonymes, hailing from Hawarden, a small village in North Wales, whose most famous inhabitant was William Ewart Gladstone. He creates atmospheric melodies, using various pianos, celesta, strings, church organ and field recordings, and has had releases on Soundcolours, Cathedral Transmissions, Hidden Shoal, Time Released Sound and Rural Colours.

With a long standing interest in music making and active listening, Hazeldine works with any influences, from his surrounding landscape to the artists he has worked with. His compositions often take on a semi-improvised structure with accidental atmospheres used as a starting point. As well as his own projects, Hazeldine also works with Marconi Union's Richard Talbot, under the name Prospector. He also works as a graphic designer, film maker and photographer, having art directed many of the Hibernate releases including our critically acclaimed vinyl series, and has worked with many other artists and labels including Facture, Field Rotation and Olan Mill.

In late 2009 Antonymes released 'Beauty Becomes the Enemy of the Future' on Cathedral Transmissions of which the CD is now unavailable. Since then he has revisited the album, which has culminated a new release, 'There Can Be No True Beauty Without Decay'. Hazeldine's own reworkings are intertwined with those of friends Ian Hawgood, Isnaj Dui, Offthesky, Field Rotation, Wil Bolton, Spheruleus and James Banbury to create an album of captivating melancholy and beauty. The guest reworkings venture into other, darker territories, where one might be harder pressed to identify the original material.

The sleeve features beautiful images of the North Wales landscape by Richard Outram, fitting the music perfectly.


Releases 31 October 2013
Mastered by Jason Corder (offthesky.com)
Photography by Richard Outram and Ian M Hazeldine
Art Direction by Ian M Hazeldine 

Antonymes - The End Of Everything -ii-

Erik K Skodvin - Shining, Burning

Aldebaran - The Messenger of Light

Thousand miles of Ambience

Dark Ambient Music inspired by the writings of HP Lovecraft and the Cthulhu Mythos cult. Be scared and enjoy!

CTHULHU MYTHOS: DAY OF JUDGEMENT

The beautiful opening track to the upcoming vinyl release from Swoop And Cross, aka Ruben Vale...cinematic and nostalgic...memories and longing...

Available on Sunday, January 14th, in two versions. A limited edition, hand made version in an edition of 60 copies...and a standard vinyl version in an edition of 190.

It will also be available digitally at our Bandcamp page...

https://timereleasedsound.bandcamp.com/

Swoop And Cross   "Stories Of Disintegration"    St. No

https://ftmots.bandcamp.com/album/sleep-stations

From the Mouth of the Sun (aka Aaron Martin & Dag Rosenqvist) return with ‘Sleep Stations,’ an EP of six new songs, out May 18th, 2018 on Lost Tribe Sound. ’Sleep Stations’ rests comfortably alongside 2017’s ‘Hymn Binding’ their third full-length album and their original score for Joshua Z. Weinstein’s feature film, ‘Menashe.’ With ‘Sleep Stations’ the duo assures us that their exquisite palette of classical leaning, electro-acoustics reaped from their previous albums still leaves much to be explored.

In fact, the pieces of ‘Sleep Stations’ were composed during many of the same sessions as ‘Hymn Binding’ and ‘Menashe,’ yet they feel like a natural continuation of From the Mouth of the Sun’s sound, a stepping stone towards the next chapter, if you will. The core sound will be instantly recognizable for those who’ve followed their previous endeavors, comprised of cello, piano, acoustic guitars, lap steel, banjo, ukulele, pump organ, soft humming electronics and warm layer of static.

The title track ‘Sleep Stations’ was originally meant to be included on the album ‘Hymn Binding.’ It acted as a centerpiece and starting point for the music that From the Mouth of the Sun recorded later during the process of scoring the ‘Menashe’ film. The film ended up requiring an extremely spare palette, thus the ‘Sleep Stations’ EP represents a longing for a fuller and more controlled sound that exhibits the dynamic range that From the Mouth of the Sun strive for with their work.

There is a softness and detachment to ‘Sleep Stations’ more so, that seems to give the album an of aerial view of the landscape below. Where ‘Hymn Binding’ felt more grounded in the earth and soil, ‘Sleep Stations’ floats high above, feeling weightless, suspended in slow motion flight.

Arranging ‘Sleep Stations’ as an EP, has allowed Aaron and Dag to tell a shorter story, one that doesn’t have to be such a grand gesture, which is something they’ve wanted to explore for a while now. It’s a beautiful reminder, that a collection of music can still be simple yet deeply affecting, without being overwrought and excessive.
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CASSETTE DETAILS
‘Sleep Stations,’ our 3rd installment in the Dead West Tape Series, arrives on a limited pro-dubbed hi-bias tape cassette, housed in a reverse printed 300gsm heavy stock outer case. The edition (limited to 100) also comes with a download card offering a choice of formats including FLAC, 320K MP3, etc. Mastering was performed by Matthew Collings (aka one half of the duo Graveyard Tapes).
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DEAD WEST TAPE SERIES
Dead West is a series of limited cassette tape releases from the Lost Tribe Sound record label, inspired by the relocation of the LTS headquarters from the dry desert of Arizona to the lowland plains of Wisconsin’s farm country. The Dead West focuses on music built for exploring and soundtracking your environment, whether you're deep in the middle of lush woodlands, or just laying back at home with rested eyes. ‘Sleep Stations’ is the third release in the series. The first two releases in the series come from the composer William Ryan Fritch (Ill Tides) and experimental guitarist Seabuckthorn (I Could See The Smoke).
___________________________________________ 
credits
releases May 18, 2018

Music & Arrangements by Dag Rosenqvist & Aaron Martin
Mastering by Matthew Collings
Cover Image: NASA/JPL/U of Arizona
Layout & Design by Ryan Keane
© Dag Rosenqvist / Aaron Martin / Lost Tribe Sound LLC
Published by Settled Scores LLC (ASCAP) 2018

About the Birth of Stars

ARTIST: Luton
TITLE: Black Box Animals
CATALOG #: LTS-035 
RELEASE DATE: April 27th, 2018
BUY ALBUM: http://smarturl.it/buyblackbox

‘Black Box Animals’ is the debut release from the Italian duo, Luton, formed in 2017 by Roberto P. Siguera and Attilio Novellino. The album is a textural feast of classically composed phrasing and heavily tar-coated mechanics. Crawling abstract electronic structures meld seamlessly into a wide array of electro-acoustics, built upon a fine edge that is focused on mood as much as melody. With each piece Luton deliver their own curious venom, striving for contrast, never settling into a predetermined genre. 

Contradiction permeates ‘Black Box Animals.’ Caution and weariness are etched into its themes. Luton feeds this uncertainty with its ability to create deeply affecting landscapes, as isolated and claustrophobic as they are warm and disarming. Within these dim seductions, a perplexing balance resides, something so familiar and primal, yet in the same breath so foreign and cryptic.  In truth, the more human, acoustic aspects of Luton’s sound are so tightly woven to that of the machine, one would be hard pressed to find any edges at all.

‘Black Box Animals’ was recorded around Europe with Luton Sinfonietta Orchestra, during several sessions of improvisation and post production in Stockholm, Manchester, Munich and Turin. In addition to the orchestral scores, written by Rob, both musicians played various other instruments including classical guitar, ancient Russian zither, piano, electric bass and guitars, e-bow, pedals and electronics. All tracks were finalized by Attilio in order to find their otherworldly magic.

The album shares some of the moodiness and frantic delivery of Deaf Center or even Ben Frost’s works for film.  Elsewhere, the intense drive and alchemic meld of electro-acoustic elements recall the likes of Rafael Anton Irisarri or Tim Hecker. While Luton find commonalities with these well-known masters, ‘Black Box Animals’ makes an impression all its own, creating an array of complex emotions, leaving us feeling a bit dirty, humbled, inexplicably at ease, perhaps off guard just enough to reshape our damaged conscious into a form of its own likeness.

Black Box Animals

Night Avalanche

Buy Album

Luton - Night Avalanche (from Black Box Animals)

Order/Subscribe on our Website: http://smarturl.it/fell.series.lts
Order/Subscribe on Bandcamp: http://smarturl.it/fell.series.bc

For a ton more info see our FAQ section on the website series home page.  "Prosiac Ending" is an exclusive bonus song available for download when you subscribe to our 8 album Fell to Shadow Series.

‘We Stayed The Path Fell To Shadow’ is Lost Tribe Sound's new subscription series. The series will introduce 8 new albums to the roster.  The line-up includes new releases from William Ryan Fritch, Vieo Abiungo, Skyphone, Gavin Miller (featuring Aaron Martin), Spheruleus, The Phonometrician.  

We open with a charity compilation of various artists that shares the series name. The various artist album features collaborations from likes of From the Mouth of the Sun & Seabuckthorn, Kiln & Mute Forest and William Ryan Fritch & Manyfingers to name a few, with all proceeds going to benefit various environmental and mental health charities. The overall series will be presented in two high quality physical formats, encompassing 4 vinyl and 4 CDs, two of which will be double CD albums. The series will be also be available in a digital format. 

We Stayed The Path... (Subscription Series) options: 
• VINYL & CD BUNDLE (All 4 Vinyl, All 4 CDs)
• VINYL BUNDLE (4 Vinyl)  
• CD BUNDLE (4 CDs)
• DIGITAL BUNDLE (7 Albums)
(Limited to 75 Subscribers or less per option)

Always striving to better our presentation, the Series introduces a new hard cover book format for our CD editions, each edition contains 8 full color pages. Whether it be CD or vinyl, each edition comes hand-numbered, and highly limited to 100 to 200 editions at most, with no repressings or second editions. 
All the releases in the series are arranged, mastered and artwork has been designed for each album. By subscribing to this series now, you'll be directly helping us earn the finishing funds we need to put the albums into final production. It means a lot to us and the artists involved to have your trust and support with this massive undertaking.

Cover Image: “We Stayed The Path That Fell To Shadow” 
Image Source: Flickr.com/photos/simpleinsomnia 
"Native Mongolians Stand In Front of a Yurt" CC-by-2.0 
The cover image has been modified from the original source material.

Fell To Shadow

Prosiac Ending

Buy/Subscribe

William Ryan Fritch - Prosiac Ending (Subscriber Bonus Song)

Listen / Purchase: https://lnk.to/marshdrones

The marsh land areas of western Jutland in Denmark can be flat and non-distinct to the visitor who only takes a quick glance at it. But when you are born and raised in those parts, and when you travel away to live, work, raise families, play music, anything to escape the rainy flatlands, you think about that landscape differently. On Marsh Drones, the weirdness of this landscape is reimagined in a kind of giddy, absentminded way, as though they try to recall not only the broad topographical scheme of the land (cultivated, industrialized, farmed, soggy with seawater, a breach of the ditches that pours cold north sea water inland, the farms and waterways overflowing), but only the detailed, grainy realness of sediments and layers of soil, of the hazy and salty light (Saltlys) that wraps the landscape in a kind of palpable inertia.

Many of the ideas on the 'Marsh Drones' emerged from field recordings from the area around the Tønder marshlands recorded by various members of the band. They provided a backdrop to the loops and long guitar session of guitar, bass, synthesizers, and samples that were slowly mangled and rearranged into counterpointing and fugue-like melodies, insistent on repetition while odd atmospheres of distant drones and noise works to modify and shift the composition into new shapes. The music is minimal, restrained, but rich in detail like the landscape it attempts to resonate with. There are remnants of folk music, melodies that are almost recognizable, but dub music and something distinctly digital intersects itself into the woodwork and authenticity.

Cover art by Martin Sønderlev Christensen

Marsh Drones

Klev

Skyphone - Klev (from Marsh Drones)

Carried

Sparks

Cenes - Sparks

I made this track 2018 in summer- its kind of ZEN-music, fits in this corona time, the sub bass you dont hear at laptop speakers- sorry

Ferne (piano day 2020)

from 'Spectral' [CD|LP|DIGITAL]
Denovali Records · den335
available on all formats at http://denovali.com/robinschlochtermeier

Robin Schlochtermeier is an Anglo-German composer who has written the music for several award-winning broadcast documentaries and features. Classically trained, his music often combines organic sound design elements (and occasionally synthesis) with more traditional instrumentation (piano, orchestra).

Most recently Robin composed the music for 'The Spy Who Fell to Earth', an international espionage documentary which was released on Netflix worldwide in 2019. Robin, among others, also scored 'Virgin Queen's Fatal Affair' (Best Specialist Factual - Royal Television Society Awards), the features 'Queens of Syria' (Black Pearl Award - Abu Dhabi Film Festival), 'Retreat' (Premiere at Screenplay Shetland Festival, curated by UK film critic Mark Kermode), 'Oh No, Not Rudy Again!' (Cannes film festival 2015), and 'Strings' (British Independent Film Award).

"Spectral" is the first solo album of Robin Schlochtermeier. It's a set of slow, sometimes ambient pieces that function like distant echoes of childlike experiences of the natural and material world.

“My inspiration for the album is tied up in having become a father recently,” says composer Robin Schlochtermeier. ”As my daughter’s consciousness was forming I would often catch an amazed look on her face or notice that she stopped and stared at some small detail in her environment. This would frequently evoke a profound sense of mystery in me, and I grew curious as to what was causing her to react in such ways.”

The pieces on Spectral are attempts to capture some of this mysterious, nebulous spirit of bafflement and wonderment. “Seeing the world through my daughter’s eyes reminded me of the experiences the world can produce in our minds when we are open, receptive and boundary-less”, says Robin. “I started to wonder if I was half-remembering my own experiences of the world from when I hadn’t yet been trained to carve it up into neat concepts.” The result are pieces like “Lapping”, which in its slow, circular motion points to a rhythm of life unaffected by expectations of busyness, while rooted in a sense of grandeur and timeless wonder.

Spectral was recorded using a British upright piano from the 1950s with original worn strings, which are occasionally dampened with poster putty. The other elements are all forms of electronics and sound design, including a software synth (Retrologue) and custom programmed sounds generated from the composer’s bank of original sample recordings.

One of the aims for the album was to explore a limited palette of sounds. Some pieces only contain 3 layers of sound, while some are a little more complex. “The intention was to create space and openness in the arrangements”, according to Robin. “This principle also led me to explore longer and longer forms. As I went on I felt increasingly drawn to longer emotional arcs, resulting finally in Sonnenstaub."

Spectral

Robin Schlochtermeier - Woodlouse

Lost Tribe Sound is a record label that specializes in organic and exploratory sound. Lost Tribe Sound admires music that leaves its tattered edges proudly in place, acoustic instrumentation blended seamlessly with dirty mechanics, timeworn sound worlds rooted in the muck and the mire of the present. The sound generally falls along the lines of bizarrely rhythmic, beautifully decayed electro-acoustic music, often with a reverence for low-end. LTS focuses on full-length albums, with a strong commitment to well-made packaging. The aim is to unearth timeless music that pushes the envelope of modern composition while paying homage to the ancient.

Creating a mix of experimental electronic textures, ambient noise, dark moods, and a bit of meditative soundscapes. Keeping beats to a minimum but not denying them outright. Lots of found sounds, loops of nature, bits of sawdust from other projects, all held together by elastics and duct tape, never glue. - Uncluud

Luton - Night Avalanche (from Black Box Animals)

Lost Tribe Sound

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