Buy Album: https://seabuckthorn.bandcamp.com/album/turns

After 2016’s well-received EP,  'I Could See The Smoke', experimental guitarist Andy Cartwright (aka Seabuckthorn) returns with his new full-length album 'Turns', releasing April 21st on vinyl, CD and digital with Lost Tribe Sound.  Cartwright immediately caught our attention with his commanding full-length album 'They Haunted Most Thickly' in 2015. With 'Turns', Cartwright further solidifies his anomalous position within the genres solo guitar music, American primitive, and modern classical. 

The vinyl and CD edition arrive in the ever stunning physically and sonically minded fashion that LTS has become known for. 'Turns' takes form with a lush 180 gram audiophile grade vinyl housed in a heavyweight reverse printed jacket (limited to 500). The lacquer process vinyl edition was masterfully cut by Paul Gold at Salt Mastering in NY. Each edition comes with a Bandcamp download coupon. Plus, 'Turns' introduces a new handcrafted panoramic CD design (limited to 150 editions). 

'Turns' is an album wrought with vertical forms, heavily cinematic in design and scope.  It’s an album built from the earth. With eyes closed, one can easily imagine heavy rusted spires rising and collapsing upon themselves, only to be rebuilt from the rubble in the same instant, ever clawing towards the sky, with the rumblings of massive tectonic plates shifting below.  That said, 'Turns' is far more of a cerebral experience than its predecessors. transitioning seamlessly between hypnotic long-form pieces, minimal harp-like ballads and the primal stomping world-builders that have become Seabuckthorn’s calling card. 

Cartwright wields his minimal, yet powerful arsenal in new and intriguing ways throughout 'Turns', comprised of various twelve string guitars, a well worn resonator guitar and heavy waves of lumbering percussion. Plus, for the first time ever, Cartwright invites an outside player, composer and fellow friend of rustic orchestration, William Ryan Fritch to play double bass on three of the songs. In addition, LTS is honored to have worked with visual artist Gregory Euclide (Bon Iver, Lubomyr Melnyk) on the incredible original cover artwork for 'Turns', and sound engineer James Plotkin who handled the mastering.

Turns

Near Translucent

Buy Album

Seabuckthorn - Near Translucent (from Turns)

EG Productions (France).

Composition and Lyrics : Eric GEORGESCO.
Vocals : collaborations, AI, free samples or samples of real songs (see on song description).
Production / Mastering : Eric GEORGESCO.

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❤️🎶🎶The face of women is a canvas to paint beautiful works.
The voice of women is the most beautiful musical instrument🎶🎶❤️

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Musical influences :
Rocked by the colorful and joyful music of the 80s and 90s, but also in the symphonic, I discovered music initially with ABBA...
Addict of the SynthPop of the time (OMD, Yazoo, Human League, Erasure, Depeche Mode...), and then ACE OF BASE or others similar Bands, my inspiration today is clearly from all these wonders : nice melodies and synthetic style.

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Please follow me on the main musical platforms, especially YouTube and Spotify ! 😊🔗
(when I have time to post my songs 😅) :

https://youtube.com/channel/UCzVihqsszOg-OR12kTZ0QAA?si=kQIOXWJ6MRi2e2ug

https://open.spotify.com/artist/4mIEWRw9DY8ivR83WXKbOn?si=7vQc7thuR2a_HQSIbHvpfw

https://www.instagram.com/eric.georgesco/

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I’m looking for a female singer for others collaborations. EP and LP.
Please send me a message on : eric.georgesco@hotmail.fr or by a SoundCloud message.

If you think you can add something to any of my songs, want to sing them or make a remix etc, please drop me a note.

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All Tracks are available for Licensing.

All Tracks published on soundcloud, Spotify , YouTube and all musical platforms -without samples lyrics of real songs- are under license in the name of Éric Georgesco.
SACEM Licenced.

Every action is like a prayer, with devotion and intention.

Lost Tribe Sound is a record label that specializes in organic and exploratory sound. Lost Tribe Sound admires music that leaves its tattered edges proudly in place, acoustic instrumentation blended seamlessly with dirty mechanics, timeworn sound worlds rooted in the muck and the mire of the present. The sound generally falls along the lines of bizarrely rhythmic, beautifully decayed electro-acoustic music, often with a reverence for low-end. LTS focuses on full-length albums, with a strong commitment to well-made packaging. The aim is to unearth timeless music that pushes the envelope of modern composition while paying homage to the ancient.