Midway into the Abyss

Taken from the upcoming album 'Alden' forthcoming on Fluid Audio.

Music by Gilded (Adam Trainer & Matt Rösner)
Mastering by Ian Hawgood
Design by Daniel Crossley

www.fluidaudio.co.uk

Alden

Gilded - Forging Iron Amongst The Trees

Stream Hauschka's upcoming album 'Abandoned City', out 17 March 2014

Buy the album on iTunes: http://glnk.it/2fb
on Amazon: http://glnk.it/2fa
Or preorder it from the label: http://glnk.it/2f9

Hauschka - Stromness

3055

Ólafur Arnalds – 3055

April Rain

Ambient Dreamscapes for you to enjoy. Relax, unwind, meditate and chillout

DARK AMBIENT - MONUMENTAL

Composed, Played & Recorded By Madeleine Cocolas + Monolyth & Cobalt.                                                                                                                Mixed by Monolyth & Cobalt in October 2015.

Madeleine Cocolas : piano                                                                                                                                                                                     Monolyth & Cobalt : strings, breathes on tapes, electronic devices,  effects processors, loop pedal, amplified objects.

Month Seven Project (Madeleine Cocolas + Monolyth & Cobalt)

Buy Deforestation on vinyl or digital:
Bandcamp: http://smarturl.it/deforest-bc
Norman (UK): http://smarturl.it/deforest-norman
Darla (Distribution): http://smarturl.it/deforest-darla
Spotify: http://smarturl.it/deforest-spotify

Artist Website: http://kaelsmithmusic.com
Artist Facebook: https://www.facebook.com/MuteForest

Packaging:
• 180 Gram vinyl in a gatefold tip-on jacket w/resealable sleeve
• Lacquer cut by Roger Seibel at SAE Mastering 
• Mastered for vinyl and digital by Taylor Deupree
• Bandcamp DL code on card: formats: FLAC, 320K MP3
• Physical copies only receive a free download of the Reforestation EP, including remixes from Kiln, Ten and Tracer, Western Skies Motel, Mombi, Spheruleus, Porya Hatami, plus two bonus songs from Mute Forest.

In a seemingly ceaseless acreage near his childhood home in the Rockies of Colorado, Kael Smith (Mombi, Khale) takes a deep breath and listens critically to the forest. It is not the same sound he remembers as a youth, when he’d disappear for hours deep into these woods. No, the sound he hears today is unfamiliar and vapid. Muted, really.

Since Smith’s departure to the city of Denver; the Mountain Pine Beetle has moved into these woodlands and decimated the trees; devouring their insides and leaving empty husks in its wake. It is among these thinned out swaths a word keeps repeating back to him, over and over, incessantly…Deforestation. 

Painstakingly written, recorded and mixed at his home studio in Denver, 'Deforestation' (Out November 13th on Lost Tribe Sound) sprawls across nine sonorous and meticulously wrought tracks containing elements of minimal electronic, ambient and folk. Large cavernous beats, micro-ambient deconstruction and nylon guitar all swirl into a coherent palate left for Smith’s poignant, intimate words. 

Mastered specifically for vinyl by Taylor Deupree (12k), and with the additional step taken to create lacquers and metal stampers by Roger Siebel at SAE Mastering, 'Deforestation' sees a gatefold 180-gram release from Lost Tribe Sound that, like the material, takes no shortcuts. Both the album’s acetate and test pressing were scrutinized for anomalies on world-class vinyl setups at Arizona’s esteemed high-end audio dealer and vacuum tube specialists, Arizona Hi-Fi. Concluding the deluxe package and connecting intimately with the material within are stark, disintegrating images courtesy of renowned minimalist photographer Christy Romanick (Rivulets, Chihei Hatakeyam).

Deforestation

From God, To Kane, To Seth

Buy Album 

Mute Forest - From God, To Kane, To Seth

Leaving

Here my release track of my new album Metanoia. Thanks to all my followers 

Metanoia

Excerpt from Piano Day 2016

Recorded by Myles Mumford at Rolling Stock Recording Rooms

Eighty-Eight Days

A Hudson Cycle (Nico Muhly)

Buy Album:
williamryanfritch.bandcamp.com/album/ill-tides

Composer and songwriter William Ryan Fritch has created an enormous and diversely inspired catalog of music in his ten year career; it leaves many to wonder does the man even sleep, and how is this much creativity still pouring out of him. Lost Tribe Sound releases ‘Ill Tides’; Fritch’s 14th full-length album under his own name. The album is available digitally and physically as part of LTS’s new series Dead West, a series of limited cassette tape editions.

For some, the make-up of ‘Ill Tides’ will beg comparison to his 2013 soundtrack for the Oscar nominated film ’The Waiting Room’, or last year’s ‘Music For Film Vol I.’. Such examples do provide good context, but may sell this new material short. Whereas most film music requires delivering concise, mood setting pieces, ‘Ill Tides’ was not created for any particular film. Fritch's aim for each song on ‘Ill Tides' was to be just that, a fully realized song, not bound by the time constraints and half finished narratives of commercial work.

‘Ill Tides’ pours like a smokey, velveted glass of whiskey for the ears. Ten richly textured songs form the bedrock of the album, with Fritch opting for a minimal and purely instrumental sonic palette made up of soaring mournful strings, rolling harp melodies, waterlogged drum lines, and hazy waves of tape distortion. The overtly oceanic theme of ‘Ill Tides’ could either suggest these songs do indeed tell the tale of some journey across the black seas and sun-drenched coastlines, or simply be a reference to the distinct ebb and flow of the album's architecture. As with most of Fritch’s storytelling; one absolute interpretation is never the intended answer.

Rest assured, this is no neo-classical snooze fest. It holds it’s own against any of the best experimental rock albums out there. As for us at Lost Tribe Sound, this is music that we live and die for, set in a timbre that makes our heart beat wildly . ‘Ill Tides’ is a rugged, hand built vessel but make no bones about it, she’s seaworthy.

Ill Tides

At Odds

Buy Album

William Ryan Fritch - At Odds (from ILL TIDES)

Buy Album: https://seabuckthorn.bandcamp.com/album/turns

After 2016’s well-received EP,  'I Could See The Smoke', experimental guitarist Andy Cartwright (aka Seabuckthorn) returns with his new full-length album 'Turns' on vinyl, CD and digital with Lost Tribe Sound.  Cartwright immediately caught our attention with his commanding full-length album 'They Haunted Most Thickly' in 2015. With 'Turns', Cartwright further solidifies his anomalous position within the genres solo guitar music, American primitive, and modern classical. 

The vinyl and CD edition arrive in the ever stunning physically and sonically minded fashion that LTS has become known for. 'Turns' takes form with a lush 180 gram audiophile grade vinyl housed in a heavyweight reverse printed jacket (limited to 500). The lacquer process vinyl edition was masterfully cut by Paul Gold at Salt Mastering in NY. Each edition comes with a Bandcamp download coupon. Plus, 'Turns' introduces a new handcrafted panoramic CD design (limited to 150 editions). 

'Turns' is an album wrought with vertical forms, heavily cinematic in design and scope.  It’s an album built from the earth. With eyes closed, one can easily imagine heavy rusted spires rising and collapsing upon themselves, only to be rebuilt from the rubble in the same instant, ever clawing towards the sky, with the rumblings of massive tectonic plates shifting below.  That said, 'Turns' is far more of a cerebral experience than its predecessors. transitioning seamlessly between hypnotic long-form pieces, minimal harp-like ballads and the primal stomping world-builders that have become Seabuckthorn’s calling card. 

Cartwright wields his minimal, yet powerful arsenal in new and intriguing ways throughout 'Turns', comprised of various twelve string guitars, a well worn resonator guitar and heavy waves of lumbering percussion. Plus, for the first time ever, Cartwright invites an outside player, composer and fellow friend of rustic orchestration, William Ryan Fritch to play double bass on three of the songs. In addition, LTS is honored to have worked with visual artist Gregory Euclide (Bon Iver, Lubomyr Melnyk) on the incredible original cover artwork for 'Turns', and sound engineer James Plotkin who handled the mastering.

Turns

The Trail Already in My Mind

Seabuckthorn - The Trail Already In My Mind (from Turns)

Track 3 from Seafaring, released May 19th 2017.
https://n5md.com/discography/254/Last-Days-Seafaring

Fading Shore

Second Portrait

پیکر دوم/ شبانه‌ی لیلی به بازخوانی‌ی قیس
 گیسو به باد پیچیده بانوی قیس

اتود روی هفت‌پیکرِ اردبیلی

به رقص در زنجیر الهی

Second Portrait | پیکر دوم

Furious Friday @ Day by Day Project
http://listentolambert.com / lambi live:
15.11 Köln / Kulturkirche / http://bit.ly/2sP20yd 
16.11 Wuppertal / Börse / http://bit.ly/2ucQ8tp 
17.11 Bielefeld / Bunker Ulmenwall http://bit.ly/2vbzOXj 
18.11 Paris (FR) / Les Trois Baudets / http://bit.ly/2tM4W1N
22.11 Berlin / Funkhaus / http://bit.ly/2rVzm0M
23.11 Yverdon (CH) / Theat Benno Besson/http://bit.ly/2rVntYs
24.11 Amsterdam (NL) / Vondelkerk / http://bit.ly/2swRHPt
30.11 London (UK) / St.Pancr Old Chr / (Sold Out)
01.12. Athen (GR) / Plisskën Festival / http://bit.ly/1tJvEy1
22.12 Lübeck / Kulturwerft Gollan / http://bit.ly/2xZ8gpz
23.12 Hamburg / Elbphil / (Sold Out)

Lambert - Rage(Day by Day Project / Friday)

Interpretation from Ólafur Arnalds' piece "Film Credits" by Maarten Vos on cello.
www.maartenvos.com
www.instagram.com/maartenvos_
www.olafurarnalds.com
www.instagram.com/olafurarnalds

Maarten Vos, Ólafur Arnalds - Film Credits

Lost Tribe Sound is a record label that specializes in organic and exploratory sound. Lost Tribe Sound admires music that leaves its tattered edges proudly in place, acoustic instrumentation blended seamlessly with dirty mechanics, timeworn sound worlds rooted in the muck and the mire of the present. The sound generally falls along the lines of bizarrely rhythmic, beautifully decayed electro-acoustic music, often with a reverence for low-end. LTS focuses on full-length albums, with a strong commitment to well-made packaging. The aim is to unearth timeless music that pushes the envelope of modern composition while paying homage to the ancient.

William Ryan Fritch - At Odds (from ILL TIDES)

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