Poem by Vassily Borodin (3 July 1982 — 9 June 2021) written in 2018.

Music composed by cyril scheer in 2018.

Performed, recorded, mastered by The Same Ensemble:
Sasha Elina, voice;
cyril scheer, piano, bowed handbell.

11 and 12 June 2021.

Cover picture by Vassily Borodin.

Sadness Happens from Within

Sadness happens from within (Печаль бывает изнутри), poem by Vassily Borodin

Ephemeral

Burning Head الرأس المحترقة

it doesn't have to be anything (2021)

Uranium Wonder

A reconstruction of my dj set for the @futura-artists listening session at Arkaoda, Berlin in October 2021. On invitation of Nazanin Noori (@nznnsmmnr) for @eosfrankfurt.

Website link: https://eosradio.de/archive/jessica-ekomane/apr-2022

Playlist:

Chris Watson - Waiting
Tim Shaw - Sub-aquatic Life in Mudbanks. Jarrow Slake, South Tyneside, UK
Luc Ferrari - Presque Rien N°4, La Remontée Du Village
Horacio Vaggione - 24 Variations
Carl Michael Von Hausswolff - Swingers
Colin Stetson - Nobu Take
Jasmine Guffond - GPS Dreaming
Lucy Railton - Fortified Up
David Toop - You could touch him but he wasn’t there
Bohren & der Club of Gore - Midnight Radio Track 4
Tashi Wada with Yoshi Wada and Friends - Double Body
John Bischoff - Next Tone, Please
Salutation Akazéhé par Deux Jeunes Filles
Brian Eno - 2/2
Robert Ashley - The Airline Ticket Counter (Scene 5)
Speaker Music - African American Disillusionment With Northern Democracy Continues to Smolder in Every Negro Who Has Settled Up North After Knowing Life in the South
Dion Workman / Mattin - S3
Carsten Nicolai - Time…Dot
Asa-Chang & Junray - Hana
Rully Shabara & Wukir Suryadi - Abu
Sahib Shihab - Om Mani Padme Hum
Kevin Drumm - The Loop B

EOS radio mix - 28.04.2022 (Nazanin Noori invites Jessica Ekomane)

"بتّي سهرانة"
أغنية من التراث التونسي - الكاف. 

المكان يشبه اسمه، الكاف تشبه اسمها الذي استلهم من فينوس؛ إله الحب والجمال.. على مرتفعاتها الغضّة، ولدت أغنية "بتّي سهرانة"، تمامًا حيث دُفن ألمُ فراق الحبيب في قلب امرأة كافيّة. الحبيب الذي كان يقدم من الجنوب لبيع القمح والشعير، ربما ظلّ في جنوبه ورحل. بيد أن الحبّ الذي طُمر بين سنابل القمح لا زال ينبض في الأغنية. 
#مينا

"مينا" | مشروع موسيقي عالمي يحفر في أرض الذاكرة، يستخرج منها الجمال، ويبحر بها نحو ميناء جديد يجمع بين الفلسطينية تريز سليمان والبرتغاليين روي فيريرا، هلدر كوستا، أندريه أوليفيرا والمغنية صوفيا برتغال.

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“Mina” 
Um projecto musical internacional que"
mergulha fundo nas profundezas da memória, vem à tona para inspirar a sua beleza e
embarca novamente, a caminho de um novo
".porto
Mina junta as vozes da cantora portuguesa Sofia Portugal e da cantora palestiniana Terez Sliman aos três músicos portugueses Rui Ferreira, Hélder Costa e André Oliveira.

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The place looks like its name, and the place Al Kaf (a city in northern Tunisia) resembles its name which was inspired by Venus; the goddess of love and beauty. On its tender mountain heights, the song “Betti Sahrana” was born, just where the lover’s pain was buried in the heart of a woman from Al Kaf. The lover, who came from the south to sell wheat and barley, may have wandered back to his south, and never returned. Love, however, which fostered within the barley spikelets remains beating in the song today.

“Mina” 
An international music project that deeply"
excavates the land of memory, inspires beauty
".from it, and sails towards a new port
Mina brings Portuguese singer Sofia Portugal and Palestinian singer Terez Sliman together with three Portuguese musicians - Rui Ferreira, Hélder Costa and André Oliveira.

Facebook: https://www.facebook.com/minaworldmusic
E-mail: mina.worldmusic@gmail.com


Mina - Betti Sahranah | مينا - بتّي سهرانة

Eurorack Modular Synthesiser 
 Video Art with the Dancer Ayman Safiah
watch full Video on youtube :
https://www.youtube.com/watch?v=Z5ekLYgWhU4

Dawn

O:V:
https://soundcloud.com/minaroot/perched-remembering

Mina Root - Perched Remembering (Senglar Rmx)

Lottie Sadd (she/her) is an interdisciplinary composer-performer making immersive sonic performances and installations. Informed by ideas of ritual, her holistic practice is broadly concerned with exposing the processes of creation. Sadd experiments primarily with long-form and improvised sound works, moving image, and text, inviting audiences to step outside an object-centric art experience and into these dynamic processes. She is particularly interested in smallnesses, exploding the minutiae of things and ‘writing a lot about a little’. Recently, she has been developing her embodied practice involving vocal (non-verbal and verbal) and bodily performance, responding to feminist mythologies of ‘monstrous’ women, and re-imagining corporeal and empathetic approaches to communication.