FKTML is Rif Kif Dubman's latest creation, a raw and hypnotic dubstep track that invites listeners to embrace the present moment. Without lyrics, the song speaks volumes through its bass-heavy rhythms and haunting melodies. According to Rif Kif, FKTML which stands for "F**k Them All" is his way of rejecting anything that doesn’t belong in the here and now. It’s a sonic declaration of inner peace, a moment of pure, existential clarity wrapped in deep, resonating beats.
This track is not just music; it’s a statement a reminder to let go of the noise and focus on the peace within.

Bio of Rif Kif Dubman :
Born and raised in the Rif mountains of northern Morocco, Rif Kif Dubman is a genre-blending DJ and producer who has carved out his own unique space in the global music scene. Proudly calling himself "the only Black man of the Rif," he challenges stereotypes in a region known for its European-like appearances, bringing a fresh perspective to Moroccan identity.
Rif Kif started his journey in the underground music scene, blending dub, reggae, dubstep, and downtempo into a hypnotic soundscape that reflects his roots and his vision of peace. In the 2010s, he was part of the multinational collective MasterOp Federation, where he honed his craft before embarking on a solo career. Over the years, he has traveled the world, carrying the sounds of the Rif, his dub-infused beats, and his message of unity and self-expression to audiences everywhere.
Through his music, Rif Kif Dubman has created what he calls his "Peace Universe," a sonic refuge where listeners can escape, reflect, and connect. His tracks are not just music they are experiences, deeply rooted in his heritage and his journey as an artist.

FKTML v.1

Yamalki
A mind-expanding fusion of Malhoun poetry and warped electronic sound design. Chopped-up samples, hypnotic rhythms, and Hadri’s fearless manipulation of sound create a hallucinatory sonic experience.

pSYKOK is a groundbreaking DJ duo from southern Morocco, blending trap, dark trap, trip-hop, dark techno, electronica, and drum & bass, all infused with a deep psychedelic essence.
At the decks, Salah Hadri is one of North Africa’s most daring DJs—a fearless innovator who takes risks and pushes sonic boundaries. His sets are unpredictable, hypnotic, and electrifying.
Beside him, Mahmoud Hamdi, a multi-instrumentalist and trumpet virtuoso, brings an organic, melodic touch to their electronic soundscapes. Sometimes, Hamdi plays live alongside Hadri, creating immersive, real-time fusion sets where traditional and modern sounds collide.
Their music reshapes Arab, North African, and African sounds, transforming them into dark, psychedelic electronic journeys unlike anything heard before.



Yamalki

🌊 Rider in the Summer Storm 🌴
BlueDay is back with a refreshing summer version of their iconic track, Rider in the Storm. Dive into an electrifying vibe where deep house and house music intertwine to create the perfect soundtrack for your summer nights.
Let yourself be carried away by vibrant rhythms, captivating melodies, and an energy that captures the essence of summer storms. A track to enjoy under the stars or on the dance floor. 

Rider in the Summer Storm

"CYAN" is a sonic hallucination.
DA-PHONK crafts a slow-burning, hypnotic track where shimmering synth waves collide with sharp phonk beats.
The track feels like driving endlessly through neon landscapes lost between dreams and code, between liquid light and solid shadows.
Cold but sensual, minimal but obsessive, "CYAN" is a meditation on repetition and resonance.
Where beats echo like heartbeats… but wired.

CYAN

An AI that learns, envies, cries, but never loves. A punchy, glitchy electro hit about the absence of feeling in the machine.

Lyrics :



Ghost in the Shell


"Moins, c’est moi" is a poetic manifesto dressed as a lo-fi lullaby. Through fragments of story and soft-spoken verses, Anissa Boualem explores the strange beauty of choosing less. It's about the weight of things, the illusion of accumulation, and the quiet joy of space. Inspired by the minimalist philosophy, this song is both tender and sharp, absurd and wise a meditation wrapped in analog warmth. A whispered anthem for those who breathe better with less.

Lyrics : 
[Outro ]
J’ai connu un homme qui collectionnait des posters.
Des centaines. Mais il n’avait pas de murs.
Il disait : “Un jour peut-être, j’aurai l’espace.”
J’ai trouvé ça beau. Et triste.
Moi, j’ai préféré garder le vide.

[Couplet 1]
J’ai trop voulu :
des livres, des chaussures, des preuves,
des clés de rechange pour des portes qui n’ouvraient rien.
Et chaque chose prise… me pesait.
des clés de rechange pour des portes qui n’ouvraient rien.
Et chaque chose prise… me pesait.
Je croyais que plus = mieux.
Mais mieux, c’est souvent : moins.

[Refrain]
Moins, c’est moi.
Quand j’en ai trop, je perds la foi.
Moins, c’est droit.
Quand j’ai peu, je vois pourquoi.

[Couplet 2]
Un jour j’ai acheté sept réveils.
Je croyais que j’allais mieux dormir.
Je me suis réveillée… dans le silence.
Et là j’ai compris :
j’avais juste besoin… d’une nuit. Pas d’un bruit.

[Pont]
J’ai vendu mes idées… une à une.
Pas pour de l’argent.
Pour de la place.
Et dans cet espace,
j’ai entendu une chanson que j’avais oubliée.

[Refrain final]
Moins, c’est moi.
Quand je respire, c’est que j’ai froid.
Mais pas de peur.
Juste… moins de poids.
Et dans ce vide — j’ai trouvé ma joie.

[Outro]
J’ai tout réduit…
et j’ai grandi.

Moins, c’est moi

7. Lost, Kindly (3:02)
The most melancholic groove of the album. It’s about getting lost not in pain, but in kindness. A song to cry gently to.

Lost, Kindly

An instrumental peak. Agogosax and Midi14 deliver an exceptional duet, saxophone and bass circling around Rhodes chords and a subtle jazz pulse. A request to stop time, voiced through instruments instead of words.

Blue

Pause Me

Industrial metallic percussion, acid riff cutting through smoke, raw warehouse sound

man on acid.

pipes.

Dark techno ritual, echoes of Finnish myth, acid weaving into mysticism.


sorceress louhi.

Gipsy Universal - Coke and Champagne

Lotus Pastel is one of those rare artists who seem to exist slightly outside of time. Her origins remain undefined, with brief chapters spent in Tokyo, Seoul, and Tangier before finally settling in Paris. This rootless journey shapes her music: delicate, ethereal, and quietly fearless.

With a voice both fragile and luminous, she creates songs that feel like secret confessions, half-whispered and half-sung. Her sound drifts between dreampop, poetic electronica, and intimate pop, always tinted with surreal imagery and a sense of soft resistance.

In 2025, Lotus Pastel unveiled not one but two striking albums. "Ma Vie, L’Univers" opens like a diary scattered in the wind: playful and dreamlike on tracks such as "La Machine à Café a Pété", tenderly reflective on Je suis là…, and cosmic in its collaborations with Dark Earl (L’Univers) and OldNEO (Echoes of a Myth). Later that year, "Ici, Daba et Ima" expanded her palette, weaving Franco-Japanese moods (Yuki no Shita), Moroccan shades (Daba, Sous le bleu de Chefchaouen), and fragile nocturnes (Que la nuit m’oublie).

Lotus Pastel does not chase anthems, she builds atmospheres. Each release is less an album than a landscape, pastel skies, blurred edges, words floating like fragments of a dream. And in that liminal space, she is already carving her own place in tomorrow’s music scene.

Ghost in the Shell

Lotus Pastel

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