The Sea is the first piece composed by Pablo Pareja for jazz quartet. It's the result of an inspiring and magical jazz vocal seminar in Izola, Slovenia in 2019. Love and hope but also solitude and longing are present in this song; a musical analogy of everybody's journey through life.

The Sea

Dreams vol. 1

Mithridatism

This track released for the open remix project by :zoviet*france about his new soundwork "Hidden-by-the-Wall" commissioned by Green Croft Arts as part of its Collision and Conflict project.

More on :zoviet*france:
soundcloud.com/zoviet-france/sets/hidden-by-the-wall-open-remix?fbclid=IwAR23eVCF-8yRxJ3BPAw3kh5poKlArMhxfqr8chJf62vwLgqG1_yf2JoEYXo

More on Collision and Conflict:
www.greencroftonthewall.com/collision-and-conflict

The recordings are made available under creative commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) (creativecommons.org/licenses/by-nc-sa/4.0/)
Inside Ice Wind Fence, Oak Leaves Dropped Into Horsetail Ponds At Walltown Sur Rêve Par philippe neau est concédé sous licence via une licence Creative Commons.

Hidden by the wall (3)

RR29D - Xenomorph Jazz Ensemble - Glitches Grew

As if things were not turning experimental enough with the last release we decided to push the limits further. This album is about jazz, obviously... but with a twist. Or should we say with a glitch? 

Massively influenced by the whole jazz/prog-rock/psyche scene of the 70's, this could be the soundtrack for an Inspector Harry movie where he's trying to take out rogue Xenomorphs in his flying Ford Mustang - or is it Steve Mac Queen?  

In short we're in 2073 and you're about to enter that clandestine bar near the Weyland-Yutani tower, but not before  dropping this new designer drug the replicant gave you at the entry... or something like that.”

RR29D.6 - XENOMORPH JAZZ ENSEMBLE - Electronic Masada

Annie Hall returns to Sheffield’s Central Processing Unit label with an EP entitled Memories That Never Happened. This record represents the producer’s third time on CPU after 2016’s Tenured Positions and 2020’s Fum, and it is also the latest release in a busy couple of years for Annie Hall which have also seen her drop EPs on 20:20 Vision, Orson Records and Random Island. The momentum Annie Hall has built up in recent times carries through to a dynamic collection of productions which bring enough heft in the beats to keep the dancefloor happy while also including all manner of details in the production.

Memories That Never Happened begins with the title-track, a twitchy yet wistful cut which perfectly matches its name. There’s bite to the broken-beat electro pulse, growling bass and robotic declamations of “it’s Annie”, but the makeup of the track is simultaneously rather rose-tinted, particularly when some chemtrails of a synth lead enter later on. The overall effect is as thoughtful as it is stimulating, akin to the halcyon productions of Daniel Avery.

If ‘Memories That Never Happened’ is somewhat plaintive, following jam ‘Problematic Tape Recorder’ has the bit between its teeth from the get-go. The beat crashes and snaps, and when played off shimmering stabs of synth it all adds up to a Wip3out rush that nods to both the old Rephlex Records sound as well as contemporary practitioners like Nightwave. Once again the synth lead is used lightly here, more an augmentation to the beat than the centrepiece - another demonstration of Annie Hall’s ability to write with focus even when the overall intent is to move bodies in the club.

The energy of ‘Problematic Tape Recorder’ is spun in an unusual direction on ‘Subsequent Experiments’, the first track of Memories That Never Happened’s B-side. This cut may be the quickest on the record, but this does not mean it shouts the loudest. Indeed, ‘Subsequent Experiments’ may be the most ornate production here, full of shadowy sonics and a deconstructed beat running at D&B speed. A kind of shadowrealm version of Planet Mu’s early drill & bass explorations crossed with UVB-76’s darkside post-Metalheadz excursions, this one is an eerie thrill.

After the busy ‘Subsequent Experiments’, Annie Hall slows down to take the EP’s home straight at mid-tempo. On ‘Unparalleded Comfort’, keyboard stabs slide over a rhythm that’s at once driving enough for the dancefloor and nuanced enough to allow little half-melodies of synth to flit around above. It’s a fitting closer for this EP, almost playing like an amalgamation of the elements which made the rest of Memories That Never Happened so appealing.

Annie Hall returns to Central Processing Unit with Memories That Never Happened, an EP of masterful productions which will delight both clubbers and home-listeners.

RIYL: µ-Ziq, Pessimist, Nightwave, Mark, Drexciya

Memories That Never Happened

Annie Hall - Memories That Never Happened

free improvisation/trumpet/guitar/violin, electronics, coding.

state - A[z]/1

Abstracted

Absent Mind

The FM Tapes

Res 06 (feat. Fasme)

pithy song title

ambient dubby bliss out, 
renoise, lausanne, july 2025

Lucidrift Through Branded Air

Melbourne label Daisart gets Huerco S. on remix duties for some grainy, soft-touch downtempo.

'picnic' is out February 11th on Daisart.

Buy: bit.ly/2VzzAbt

@huerco_s
@daisart-press

Lucidrift Through Branded Air

Universal Cleaner

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