Recent Dates:
Friday December 26, 2025: Boxing Day Bash w/Silktits, Jodie D, and The Shamps @ The LittleJ erry, entru thru the backdu 10pm til late
Friday October 31st, 2025 DJ Shamps Halloween Spectaular!!!@ The Little Jerry, 10pm til late
Thursday July 30th, 2025 Condo Party goes Dinner Party w/the Shamps @ The Little Jerry 9pm-2am
Sunday July 13, 2025, EYES WIDE SHAMPS w/Ensoul and The 
Shamps @ The Jama (back alley entrance)
Sunday, September 23, 2023, Viiolent Relaxation w/Raf Reza & DJ Shamps @ The Little Jerry
Thursday, February 20, 2020, Soundbath 2 w/ Jan Afif, Shamps, Kaspr
The Embassy Bar · Toronto
Saturday January, 25, 2020, Functions On The Low w/Shamps, Kaspr, & KeesKees @  211 Augusta in Kensington Market (The Bunker), midnite 'til 6am.
Thursday December 26, 2019, The Little Jerry presents The Shamps w/opening set by Silktits-Boxing day Bass Bin Blowout. (-a special late nite gathering)!!! 10pm-???, 418 College Street, Toronto. 
Saturday November 2, 2019, Yummy All Nite Taste w/Raf Reza & The Shamps, 211 Augusta in Kensington Market (The Bunker), midnite 'til sunrise.
Saturday Sept 21, 2019-Pillow Talk 2 year Anniversary, The Return of The Shamps w/Ensoul and Tender Buttons, $5 before midnight, $10 after, 11pm-Sunrise, @ a mysterious basement in Chinatown, Toronto (TBA)(Vatican Basement)
Thursday Aug 1, 2019: DJ Lyla (Rub-a-Dub, Glasgow) and The Shamps, midnight 'til 7am. Hosted by The Pope of Kensington.  Private party, location TBA (Vatican Basement)
Saturday July 6, 2019. The Grand Stretch at Hi-Lo Bar, Toronto. -no cover, come dance if you dare...

Kenny Glasgow is a North American electronic music pioneer, a role he’s held for over two decades. Though the Canadian star has spent the last 5 years as the half of the acclaimed duo Art Department, functioning as a musical engineer, composer of both music and lyrics, and vocalist, he is now returning to his solo roots. Before he started touring the world, releasing influential full lengths, headlining major festivals and gracing the cover of taste making magazines with Jonny White, Kenny Glasgow already had a cult and loyal following dating back to the early nineties!

The jewel in his solo crown to date is ‘A Taste of the Low Life’, a stunning debut solo LP that was a dark and gritty fusion of electronic styles on No.19 Music, and fans will be delighted to know a follow-up is the works on the same label. Aside from this standout highlight, he also released a number of perfectly formed EPs on labels like Jinx, Roger Sanchez’s Narcotic and Family Recordings and came correct as part of Method Men and Unabomber with musical partner Mario J, racking up remixes for the likes of Strictly Rhythm and Azuli. Now he is back focusing on his solo career again and has plenty lined up for 2015.

Glasgow first became immersed in the scene as a promoter, putting on illicit warehouse parties in his native Toronto before progressing to become resident at acid house mecca The Buzz and later the world famous Industry Nightclub. It was there that he picked up a sense of what worked dance floors, both in terms of DJing and production. Always putting these lessons to great use whether solo or with Art Department, his own emotive, tortured sounding and unique gravelly vocals have very much become his trademark.

￼As such his forthcoming LP and other musical projects will likely bare these hallmarks, as will the music he releases on the new label he is setting up with cohort Mr White, under the banner title of Social Experiment. It takes its name from the club nights and mix series No. 19 Music have overseen and will focus on only the most compelling club focused music. Like the entirety of Kenny Glasgow’s career, this next solo chapter is to take him to the finest clubs and festivals around the world armed with a knowing and considered bag of music that will be put together in the sort of compelling ways only an artist of his standing can.

DJ/Producer Addy, is a veteran of the Canadian scene and has risen trough the ranks of Toronto's thriving underground. His sound is defined by originality, creativity, exceptional technique, universal appeal and an uncanny ability to read a crowd, thrusting every dance floor into a euphoric frenzy. A product of the 90’s rave movement and mentored by its founding fathers, Addy developed an innate talent through dedication, attention to detail and a willingness to experiment. As his notoriety grew over the years, Addy was propelled to the forefront of club culture, securing long standing residencies at top venues Including the GUVERNMENT)and billed at events alongside major international artists. Demand is also on the rise for Addy on the global stage, where he has performed at events in major cities across North America and Europe including international festivals like EXIT, and an annual residency at BPM festival. Consistent impressive displays have resulted in numerous requests for return appearances and new opportunities. Addy's sets are distinct and iconic, characterized by intelligent programming, live mixing, seamless transitions and the frequent incorporation of 3 decks. A unique and progressive sound, fusing uplifting melodic and instrumental elements from classics and rare groove with subtle dark undertones layered over tech and tribal bass lines and rolling drums. When not travelling, Addy devotes much of his time to the studio, collaborating with top names and breakthrough artists in the music industry. His productions have caught the attention of major electronic label bosses and A&R reps with tracks and remixes signed to Mark Knight’s Toolroom Knights, Steve Lawler’s Global Underground compilation and John Acquaviva’s Definitive to name a few. His ‘Slavedriver’ remix was charted by Balance Promo and featured in a BBC Radio 1 Essential Mix. Respected by his peers and adored by his fans, Addy continues to grow as an influential figure in dance music and a dominating force behind the decks.

No accurate depiction of electronic music culture would be complete without special mention of Deborah De Luca. Widely acknowledged as one of the most prominent flag-bearers for Techno globally and a regular fixture inside the world’s most distinguished DJ booths, Deborah has the unique ability to transfix crowds with her electrically charged, technically nuanced sets, fusing hard techno with minimal grooves and melodic soundscapes to absorbing effect. A pioneer in the use of social networks as a promotional tool, whilst somehow managing to retain a strong sense of discretion in her private life, Deborah is unrivalled in her determination and passion, earning every part of her current status as one of the most exciting talents to emerge from the international Techno scene over the past decade.
Born under the shade of the infamous Vele di Scampia – one of the toughest districts in Naples – the now-globally recognised DJ, producer and label head came from humble beginnings, forging her path to international success against unlikely odds. However this was to become her making. “You shouldn’t let anybody tell you what you can or can’t become”, she expounded in a rare interview, referencing her early livelihood as a nightclub dancer. “It’s true, in recent years I have gained popularity, but I am very grateful for the long journey it’s taken”. More than anything else, Deborah’s roots and her unwavering ethic are an integral part of the flourishing artist we see before us today.
Deborah spent the formative years of her musical career in Northern Italy, following a brief stint at fashion school in Modena. Cutting her teeth on the European club circuit, where she quickly realised music was her true calling, Deborah’s hard work and relentless determination eventually began to pay off and in 2013 she launched her very own imprint Sola_mente Records. Created as a platform by which to release her own music, free from creative pressure and external constraints, the label went from strength to strength and in November 2018, Deborah marked a decade-long career in the industry with the critically acclaimed release of her debut album ‘Ten’. A huge milestone for the Italian producer, ‘Ten’ represented an important rite of passage and a body of work that she would cherish indefinitely.

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