Born on 21 June 1987 in Tbilisi, Georgian pianist Khatia Buniatishvili and her elder sister Gvantsa were introduced to the piano at an early age by their mother, an enthusiastic music lover. Playing four handed remains one of the sisters’ favourite activities.

Khatia’s extraordinary talent was recognized when she was very young. Aged six, she gave her début performance as soloist with an orchestra, and was subsequently invited to give guest performances in Switzerland, the Netherlands, France, Germany, Belgium, Italy, Austria, Russia, Israel and the USA.

Khatia prefers not to be regarded as a child prodigy: virtuosity for its own sake does not appeal to her. Above all, she embraces pianists from earlier generations such as Rachmaninoff, Richter and Gould. She admires her “favourite pianist”, Martha Argerich, for her uniqueness and, as a consequence, does not view Argerich as someone she should try to emulate. And since she regards herself as “wholly a person of the 20th century”, Khatia does not identify so much with pianists of today.

Khatia’s warm, sometimes sorrowful playing may reflect a close proximity to Georgian folk-music, which, she attests, has greatly influenced her musicality. Critics emphasize that her playing has an aura of elegant solitude and even melancholy, which she does not feel to be a negative attribute. “The piano is the blackest instrument,” she says, a “symbol of musical solitude”, which even a pianist must become accustomed to. “I have to be psychologically strong and forget the hall if I want to share it with the audience.”

During her studies at Tbilisi’s State Conservatoire, Khatia won a special prize at the Horowitz International Competition for Young Pianists in Kiev in 2003 as well as first prize at the Foundation to Assist Young Georgian Musicians competition set up by Elisabeth Leonskaya. At the 2003 Piano Competition in Tbilisi, she became acquainted with Oleg Maisenberg, who persuaded her to transfer to Vienna’s University of Music and Performing Arts. Winner of the Bronze Medal at the 12th Arthur Rubinstein Piano Master Competition in 2008, she was also distinguished as the Best Performer of a Chopin piece and as Audience Favourite.

Khatia Buniatishvili has given critically acclaimed solo recitals and chamber music concerts at such renowned venues as London’s Wigmore Hall, Amsterdam’s Concertgebouw and the Musikverein in Vienna. In 2008 she made her US concert début at Carnegie Hall (Zankel Hall), performing Chopin’s Second Piano Concerto. 

A BBC Radio 3 New Generation Artist for 2009-2011, Khatia regularly collaborates with BBC orchestras. In 2010 she receiveda Borletti-Buitoni Trust Award and has been nominated by Vienna’s Musikverein and Konzerthaus as a Rising Star for
the 2011/2012 season.

Upcoming engagements will see Khatia Buniatishvili perform with the San Francisco Symphony Orchestra , the Orchestre de Paris and the Munich Philharmonic with Paavo Järvi. Recitals will also take her to Berlin, Vienna, Amsterdam, Paris and the Wigmore Hall in London, with further appearances at, amongst other venues, the Verbier Festival, the Lucern Festival and the Schwetzinger Muisktage. 

Khatia Buniatishvili is fluent in five languages and lives in Paris.

Créé en 2017, les épisodes du format classique mensuels de Passion Médiévistes sont des interviews de jeunes chercheurs et chercheuses qui travaillent sur le Moyen Âge, les médiévistes. Le but de ce projet était à la fois de faire de la vulgarisation, d’apporter de la connaissance sur le Moyen Âge aux auditeurs et auditrices, mais aussi de mettre en avant les travaux de recherches actuels sur le Moyen Âge et le quotidien et des difficultés rencontrées par celles et ceux qui étudient l’histoire médiévale.

En plus de ce format classique, de nombreux formats existent pour explorer encore plus en détails le Moyen Âge (Super Joute Royale, Vies de Médiévaux, Rencontres, Hors-Séries, Jeux vidéo & Moyen Âge)...

Le projet général de Passion Médiévistes connaît un tel succès que sont nés ensuite Passion Modernistes en 2019 sur l’époque moderne, puis Passion Antiquités sur la période antique en 2021 (tous deux également disponibles sur toutes les applications de podcasts). 

Créé et produit par Fanny Cohen Moreau depuis 2017.

Retrouvez tous les épisodes sur mon site internet : https://passionmedievistes.fr/
Instagram : https://www.instagram.com/passionmedievistes/
Twitter : https://twitter.com/PMedievistes

Music tastemaker

Label: https://soundcloud.com/insiderec
Website : https://www.inside-records.com

Empire of the Sun, the visionary Australian electronic duo comprising Luke Steele and Nick Littlemore, have been making waves across the world with phenomenal live shows and anthemic smash hits for the last decade as one of Australia’s most successful musical exports.
With Steele's background in The Sleepy Jackson and Littlemore's founding role in PNAU, the duo embarked on a sonic odyssey that has captivated audiences worldwide. Since their emergence, Empire of the Sun has transcended boundaries, blending alternative electronica with mesmerizing visuals to create an immersive musical experience unlike any other.

Their seminal debut album, Walking On A Dream, which the musicians described as "a spiritual road movie" spawned iconic singles “Walking On A Dream” and “We Are The People”. The critically acclaimed second LP, disco-pop Ice On The Dune featured “Alive” and “DNA” and saw the band tour the world. Third LP "Two Vines," saw the band welcoming guests like Lindsey Buckingham, members of David Bowie's band from the Blackstar sessions, and Wendy Melvoin from Prince & the Revolution and featured singles “High And Low” and “Way To Go”.
Their chart success extends far beyond their native Australia, with their albums achieving multi-platinum certifications across the globe. In addition to their commercial triumphs, the duo has garnered an impressive array of accolades, including eight ARIA Awards, two APRA Awards, and an APRA Billions Award. With over 5.5 million albums sold globally and a staggering 7.6 billion streams, Empire of the Sun's impact on the music industry is undeniable, solidifying their status as icons of the electronic music genre. 8 years since their last LP, 2024 sees the dawn of a new era. The journey continues…this time we’re going through “Changes”.

Nowadays only music can save us from madness

Total Trax est LE podcast consacré à la musique de film, animé par un trio d’irréductibles passionnés : Rafik Djoumi, Olivier Desbrosses et Misteur D.

L.O.U.L is following