Management- Theory Management 
hide@theorymanagement.co.uk
ant@theorymanagement.co.uk

All the links you need: linktr.ee/theallergies

The duo of DJ Moneyshot and Rackabeat have been delighting dance-floors and lighting up the radio airwaves since forming The Allergies and releasing their debut album in 2016.

Year in, year out, they’ve sharpened their skills on the turntables and in the studio, dropping one dynamite record after another. Clocking up ‘Album of The Day’ gongs, international ad and TV campaign spots, and Radio 6 Music A-list status, the pair show no sign of hitting the breaks.

After consecutive top 40 albums, the boys are getting ready to cut the ribbon on their next, BENEATH THIS SUN. And it’s another stellar showcase for their feel-good funk, soul sampling savvy, and heavyweight hip-hop.

This year they’ll be taking to stages, tents, fields, and cities, supporting the album with their ‘full-band’ live show. But, if you want to catch them in their element, check Moneyshot and Rackabeat cutting up the wax, too, as they take their DJ show to clubs and festivals, far and wide. From Space and Pikes in Ibiza to Glastonbury festival, they’ve shook stages and rocked spots.

So, if you like crazy turntable skills, hands-in-the-air beats, all mixed up with some classy crowd rocking music, then an Allergies double-decking DJ set will be right up your street.

“The Allergies music is big, bouncy and fat! Just how I like my funk” – Craig Charles, BBC Radio 6 Music 
 
For bookings contact: 
UK / Worldwide – luke@coalitionpresents.com
France – gauthier@furax.fr

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Goodgroove records is run by Slim (Goodgroove), paving the way for funk breaks, aiding the worlds DJ's in a quest to rock the dancefloor. 

Current projects include running www.ghettofunk.co.uk 
& Shindig Festival www.shindig-events.co.uk

BOOKINGS: will@gfmanagement.co.uk


Fronted by London-born Nigerian singer Eno Williams, Ibibio Sound Machine is a clash of African and electronic elements inspired in equal measure by the golden era of West-African funk & disco and modern post-punk & electro.


Booking Europe & ROW: owaine@freetradeagency.co.uk

Booking USA: phil@minttalentgroup.com

Management:
sam@verdigrismanagement.com

BOOKINGS: 
ed@freetradeagency.co.uk

North America, South America, Canada 
averymctaggart@gmail.com

DJ BOOKINGS:
UK, Europe, Asia
ali@warmagency.com

US & LATAM
bowen@paradigmagency.com
Press:

nikki@orienteer.us

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

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