Traditional gregorian chant "O filii et filiae" (15th century), sung by roman-catholic monks.

Instrumental and arrangement by Patrick Lenk.

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Chant of the Mystics Vol. 1

O Filii Et Filiae

Performance of the Gregorian Salve Regina coupled with Josquin DesPres's cantus firmus motet in my own performance edition. 

The motet is a marvel of musical craftsmanship: not only does it utilize the Gregorian chant in its entirety in the Alto voice, but its structure is a strict double canon throughout: Soprano/Alto sing one strict canon; Tenor/Bass sing a different strict canon. Performed by Voces Novae et Antiquae under my direction May 16, 2004, in Philadelphia, PA.

The performing edition is also available from me directly: <info@robertamross.com>

Background from Wikipedia:

The *Salve Regina,* also known as the "Hail Holy Queen," is a Marian hymn and one of four Marian antiphons sung at different seasons within the Christian liturgical calendar of the Roman Catholic Church. The *Salve Regina* is traditionally sung at Compline in the time from the Saturday before Trinity Sunday until the Friday before the first Sunday of Advent. "Hail Holy Queen" is also the final prayer of the Rosary.

The work was composed during the Middle Ages by German monk Hermann of Reichenau and originally appeared in Latin, the prevalent language of Western Christianity until modern times.

(Premier pars:)
Salve, Regina, Mater misericordiæ,
vita, dulcedo, et spes nostra, salve.
Ad te clamamus exsules filii Hevæ,
Ad te suspiramus, gementes et flentes
in hac lacrimarum valle.
Eia, ergo, advocata nostra, illos tuos
misericordes oculos ad nos converte;

(Secunda pars:)
Et Jesum, benedictum fructum ventris tui,
nobis post hoc exsilium ostende.
O clemens, O pia, O dulcis Virgo Maria.

Hail, holy Queen, Mother of Mercy,
hail our life, our sweetness and our hope.
To thee do we cry, poor banished children of Eve;
to thee do we send up our sighs,
mourning and weeping in this valley of tears.
Turn then, most gracious advocate,
thine eyes of mercy toward us;
and after this our exile,
show unto us the blessed fruit of thy womb, Jesus.
O clement, O loving, O sweet Virgin Mary.


Wikipedia link

Salve Regina (Gregorian chant & Motet by Josquin DesPres; ed. Robert A.M. Ross [1984; rev. 2004])

Crux Fidelis
Gregorian Chant (Sacred Scripture)
Consortium Vocale / Alexander Schweitzer

Gregorian chant, in its all-embracing spirituality and poetry, appeals to the deeper levels of the human heart. Monks in the Middle Ages composed and performed this music as an integrated part of their daily occupation with Sacred Scripture. Throughout the centuries Gregorian chant has enriched and deepened the liturgy of the church, and has been a source of inspiration in every period of European music history. Under the leadership of Alexander M. Schweitzer, Consortium Vocale presents chants from the five Sundays of Lent, Palm Sunday and Good Friday, recorded in the medieval church at Ringsaker in Norway.

Album: EXAUDIAM EUM - Gregorian Chant for Lent and Holy Week (2L43SACD)
Recording venue: Ringsaker Church, September 2006
Original source: DXD (352.8kHz/24bit)

Consortium Vocale: Crux Fidelis (gregorian chant)

Inviolata Integra Et Casta Es Maria (Gregorian Chant By Chant Group Psallentes)

Tantum ergo

Alcuni tra i più celebri canti gregoriani accompagnati dall'orchestra sinfonica. Un repertorio intramontabile in una versione ricca di fascino, sonorità e suggestioni.

Jesu dulcis memoria, di B. di Chiaravalle

Canti per la celebrazione eucaristica. L'opera contiene, oltre ai canti dell’ordinario della Messa, anche alcuni brani incentrati sulle tematiche dell’Anno della Misericordia. 

BLOG »» https://www.paoline.it/blog/liturgia/555-una-messa-per-il-giubileo-della-misericordia.html

Dio ha tanto amato il mondo, di Marco Frisina

01 - Kyrie Eleison      00:00:27 
02 - Gloria                 00:02:33 
03 - Sanctus              00:05:44 
04 - Agnus Dei          00:07:50

Gregorian Chant - Benedictine Monks - Church Music

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