From me 2 You!

the personal bangers

The Essentials:  Average White Band

A Love of Your Own

Pottery Pie

Brazil

Hollies

The Air That I Breathe (2008 Remaster)

Head Hunters

Watermelon Man

Love Apple

Call Me When You Want Me

'No More Lies', out now on Brainfeeder: thundercat.lnk.to/no-more-liesSo

Drunk

Walk On By (feat. Kendrick Lamar)

Out now on Mr Bongo

http://www.mrbongo.com/products/o-amor-o-sorriso-e-a-flor

In the summer of 1958, a singer-guitarist from Bahia in the north of Brazil called João Gilberto created a musical revolution when he joined with Bossa Novas seminal songwriting team, the gifted composer Antônio Carlos Jobim, and the poet and former diplomat, Vinicius de Moraes, to record the songs that would launch this cool, futuristic new music for a confident new era.

Bossa nova, "The New Way", was influenced by modern classical music (Villa-Lobos, Debussy), jazz and samba-canção. Gilberto brought an unprecedented guitar style and a hushed, understated form of vocal expression that defined the movement and changed the course of music history.

Amor, o sorriso è a flor (Love, a Smile, and a Flower) is the second in the trilogy of formative bossa nova albums released by João Gilberto between 1959 and 1961 (Chega de Saudade being the first).

These albums are quite literally the aesthetic and musical blueprints for a genre that would exert an irresistible worldwide influence on popular music.

João Gilberto - O Pato

first single from debut LP, 2nd, out now.

For more platforms: http://smarturl.it/iunjv1

Label: https://www.dpimusic.com/grace-ives

Grace Ives never pursued music in the traditional sense like many of her peers. Instead, it followed her like a common thread that connected her various dwellings over the past few years. Whether living in Brooklyn with her parents, or in Baltimore while briefly studying at MICA, or the three years following at SUNY Purchase, Grace made music irrespective of setting or ambition. She made pop songs inspired by the sounds of Brittany Spears and Rihanna while surrounded by “punk-er” friends in Maryland, bought and MC 505 to emulate the sound of MIA while surrounded by guitar noodling when the cult of Mitski still loomed large over the SUNY Purchase campus, and opened so many shows to audiences of one, maybe two, that she cannot even think to count. But along the way she won people over, almost literally one-by-one, until audiences began to grow in number. Now, living in Astoria, Queens, Ives regularly leaves home with a blue Ikea bag full of her musical equipment to play shows all over the metro area—to audiences of increasingly insatiable fans.

As for her writing process, her melodic ideas simply do not leave her alone. She is always singing. Much of her work stems from simple and relatable nuggets of experience. It is almost as if putting her thoughts to a melody are a way of processing the world as she sees it unfold around her. These humble origins of her ridiculously catchy songs are, she says, result of a “keep it simple, stupid” approach, one that she pulls off with the fire-y confidence of artists such as Bratmobile or Minutemen.

As Grace would have it: “I’m a man of few words, or just the same words over and over again. Everything about me is very laid back, my music is just supposed to be fun, danceable. I write songs so that they get stuck in people’s heads. I follow a formula. Butterfly is two notes, Mansion is six. I’m trying to keep it minimal, just so I can get this idea out and listen to it. I just try to crank these out, not so I can do something else, like sleep, drink, or go to a party, but so I can do more. I’m relatable, I shop on a budget, I’m your friend, and I want to write songs for you… to dance to. And I’m a great cook—I make a killer bolognese.”

Label

Mirror

Mr. Brown Eyed Soul

My Dream

'No More Lies', out now on Brainfeeder: thundercat.lnk.to/no-more-liesSo

'It Is What It Is', out now on Brainfeeder: https://thundercat.lnk.to/it-is-what-it-isSo

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Fair Chance

Fair Chance (feat. Lil B & Ty Dolla $ign)

We've been listening to all of the Radiohead discography during quarantine, and we fell in love with this song all over again. This is our rendition of it.

Exit Music For a Film (Radiohead cover)