Name: Lovebirds @ Amber Muse / Riga Sept 22 2017 by lovebirds
Duration: 2 h 28 min 24 s
Description: crazy jägermeister-ladden night in riga - hope some of the amazing energy comes across!

Tracklist: https://mixmag.net/feature/folamour-dj-cover-mix-house-soul-italo-disco

@folamour showcases the full spectrum of his tastes in his exclusive Cover Mix

Tracklist

The Cover Mix: Folamour

Live from the Junkyard at Lost Village 2021

📹 Video: https://www.youtube.com/c/LostVillage

🕸 Website: https://lostvillagefestival.com/

🌲🔮🌲

Live from the Village - Breakbot

ESSENTIAL MIX - JAN 2009
Uploaded on 17.01.10 and exclusive to SoundCloud. Available for the first time without voiceovers and jingles,12 months on from original Radio 1broadcast on 17.01.09.


EMAILSHOT A FEW DAYS AHEAD OF MIX BEING AIRED:
2009 kicks in for me this weekend with my first gig of the year for Udio (1st birthday) at The Gramaphone Club in Shoreditch, London on Friday night, which coincides with the airing of my only just completed in the nick of time Essential Mix on Radio 1, made up of 43 tracks in just under 2 hours.

Given that the 5th anniversary of my DJ comeback has only just passed, I decided to take the opportunity to make the mix totally representative of this period, with all the selections being amongst the biggest tracks I’ve played since I made my second debut at Music Is Better in Manchester.

Five years represents a significant package of time, a fixed point from where I can reflect on what’s been a continually snowballing sequence of events, set in motion when Danny Webb asked me to appear in Manchester on that December night back in 2003.

There were less than 100 people there that night, but they were the right people, and I was taken aback by the response to my return, both on the night itself and during subsequent days, when people who were there began to post on the forums. I’d never expected all the feedback be so totally positive!

I’d figured that I’d play that night, using the combination of laptop and reel-to-reel for the first time, then go away and think about what worked and what didn’t before I made my next move. I would never have believed that things could come together so immediately, it was as if I’d hit a completely unexpected hole in one, especially when two of the people who were there, Ralph Lawson, DJ from Back To Basics in Leeds, and one of my fellow DJ’s that night, Richard Hardcastle (Solid State) from Society in Sheffield, both asked me to play at their nights no sooner had I finished my spot.

One thing kept leading to another and, in Sheffield, I was approached by Tony Daly to play at the now legendary Tyneside Cinema party in Newcastle, a bespoke event where he took on the substantial risk of presenting me in a city I’d never DJ’d in previously (unless you count the 1983 TV appearance on The Tube, which was filmed in the Tyne Tees studio). Then, of course, there was London, where Steve Kotey and Bill Brewster booked me for their parties, bringing me to the capital within the first few months of my return for Ouch and Low Life.

The bookings kept coming, and I found myself driving up and down the country on an increasingly regular basis. Later in 2004 I was approached by Sav Remzi, from Tirk / Nuphonic, with the idea of putting together an edits album, which would be issued the following year as ‘Credit To The Edit’. This would help bring my name to the attention of people outside the UK. There was soon a need to step things up further, now that I was receiving enquiries from Europe, and so began a fruitful relationship with my agent, Matt Johnson (Matty J), who’s done a wonderful job of representing me during recent years.

The last few months have been, to say the least, manic for me, with 25 flights, including 6 long haul, taking me to gigs in the US, Japan, Australia, Brazil and Europe. From a personal perspective I still find it remarkable the way everything has developed, pretty much organically, since I made the decision that I was going to be a DJ once again – had I concocted some sort of comeback masterplan, it could never have worked out anything like as well as it has. It’s definitely been a case of ‘from small acorns’.

It still never ceases to amaze me that people from another continent are interested in my DJ past. Back in the early 80’s, before I went into retirement for 20 years, the furthest I travelled (with the exception of the appearances I made in the South of England as part of The Hacienda Review in late ’83) was to places like Birmingham and Nottingham, when I played at All-Dayers, so to find myself in clubs on the other side of the world is pretty nuts!

Anyhow, I’d like to wish everyone all the best for 09. Big thanks to all the promoters who booked me and everyone who danced to the tunes I played during ’08 in Adelaide, Barcelona, Belfast, Berlin, Birmingham, Blackburn, Brighton, Bristol, Dublin, Dundee, Edinburgh, Fukuoka, Glasgow, Hamburg, Leeds, Lisbon, Liverpool, London, Los Angeles, Manchester, Melbourne, Milan, New York, Newcastle, Nottingham, Paris, Porto Alegre, San Francisco, Sao Paulo, Sheffield, Sydney, Tokyo and Warsaw. Also the festivals and special events that I appeared at - Bestival (Isle Of Wight), Big Chill (England), Camp Bestival (England), Garden Festival (Croatia), Ibiza, Lovebox (England), Notting Hill Carnival (England), Rockness Festival (Scotland), Sonar (Spain) and the Southport Weekender (England).

Hope to see you soon.

Greg


FORUM POST DURING FOLLOWING DAYS:                                                        
Thanks for all the positive words. The feedback has been pretty phenomenal, far exceeding what I’d hoped for, especially on the BBC page, where I’d expected that some people would criticize the amount of older music included - the Radio 1 audience is used to current stuff ('in new music we trust'), so I’d anticipated a more mixed reaction. What’s particularly pleasing is that they were all made without the people seeing what each other wrote (they all came online at once, having been checked first by whoever moderates the BBC pages, I presume for swearing etc following the Ross / Brand controversy).

You always hope something you've done will be well received, but the response to this has blown me away.

Greg


ANSWER TO POST RE MIXING PROCESS:                                                      
It was quite a laborious process. Before I could start the actual mixing part I had to edit every track to a coherent length of around two and a half minutes average, inclusive of in and out points. I had a pool of about 90 tracks that fitted the criteria I'd set (a representative selection of the biggest tunes I've been playing during the past 5 years). It wasn't as straightforward as just editing the 43 tracks I ended up featuring - in order to have the necessary options once I started to piece the mix together I needed to have all the tracks at my disposal, just as I would have if I was out deejaying in a club, so the only thing to do was edit all 90 to the required length, even though I knew that only half would make the cut .

Once that was finally done they were all taken across into my laptop, enabling me to vari-speed them via PCDJ whilst I recorded across to my home computer into Cool Edit Pro, where I put the mix together track by track, before adding overdubs (fx, samples, textures) in a similar way to what I do live using the Revox (reel to reel).

I could quite easily have spent another day, tweaking bits here and there and adding more overdubs (the older I get the more finicky I become), but I had a deadline to work to, so, as it moved ever nearer, it became a race against time, with me doing as much as I could before the cut off point arrived.

Greg
                       

Greg Wilson - 2009


ESSENTIAL MIX (by greg wilson for bbc radio 1 2009)

Smooth French selector Myd delivers an uplifting mix of feel-good floor-fillers from across the worlds of house, disco and French touch.
Recorded live from our marathon 2024 Official Opening Party, Myd had the Wild Corner moving from start to finish, and now you can relive the action.
@myd

Myd - Live At The Wild Corner 2024

Czy zastanawialiście się kiedyś jakby brzmiała kultowa muzyka z czołówki Klanu w wersji Afro House? Ja też nie, ale jakoś tak wyszło. Zainspirowany przeróbką muzyki z serialu Plebania duetu Ikarvus, postanowiłem spróbować swoich sił z klasykiem Ryszarda Rynkowskiego. Nie wiem czy Polska Muzyka jest na to gotowa, ale oddaje ten utwór w Wasze ręce. Ciekaw jestem jak będzie się sprawdzać na parkietach nad ranem!

Wspieraj Twórców oryginału:
https://www.empik.com/zycie-jest-nowela,p1084180059,ebooki-i-mp3-p
https://www.empik.com/szukaj/produkt?author=ryszard+rynkowski
https://www.ebilet.pl/muzyka/piosenka/ryszard-rynkowski
Foto: Hanna Prus

E.F.G.:
https://www.facebook.com/efgsounds
https://www.instagram.com/efgsound/
https://soundcloud.com/e-f-g
https://open.spotify.com/artist/2lwtcoA5cYTyvp3uyPYbk5

Ryszard Rynkowski - Życie Jest Nowelą (E.F.G. Bootleg)

Jack the wiggly worm latin tech house inspiration with Jacko the boss mc.

Jack - Grandpafunk

DOWNLOAD HERE: https://www.dropbox.com/s/3dnmhd9ufeoxy35/Episode%20%2327_%20COEO.mp3?dl=0

Munich duo COEO delivers our first podcast of 2017, a delightful blend of disco cuts and deep house jams to get the feet a-tappin'!

Get their Disco Volante EP on Razor-N-Tape Reserve here!
Juno: http://bit.ly/2iIbXMf
Piccadilly: http://bit.ly/2hR3iaI
OYE Records: http://bit.ly/2ianPTu

Tracklist:
Anton Klint- Conga Lover (Tiago Remix)
Essex Rascals- Startled
Coeo- Like It Is
Hotmood- Rare Sex
Sam Irl- Suave
Melchior Sultana- Paradise
Jamie 3:26- Testify
Beckie Bell- Music Madness (Tom Noble Remix)
Cassius- Go Up (Butch Remix)
Schnitzel Cuts- Hey Mister (DS Rework)
Voilaaa- Spies Are Watching Me
Number One Ensemble- Back To Heaven (Edit)
Azul Y Negro- Mar de la Tranqulidad (Dj Steef Edit)
Büchsenöffner Vol. 1- B$B

Deep&Disco / Razor-N-Tape Podcast

DOWNLOAD

The Deep&Disco / Razor-N-Tape Podcast Episode Episode #27: COEO

crazy jägermeister-ladden night in riga - hope some of the amazing energy comes across!

Lovebirds @ Amber Muse  / Riga Sept 22 2017

The latest edition of our Poolside Etiquette mixtape series is a special one indeed. We're honoured to be joined by French prodigy and all-time office favourite @Folamour for a journey in jubilant jazz and feel-good funk. 

In case he wasn't already on your radar, Bruno Boumendil is probably the hottest disco selector globally right now. In 2019 alone, he's released his second debut album, launched his very own 4MYPPL party + mixtape series and managed to break the internet with that Gimme Gimme Gimme! moment during his iconic Boiler Room set at FLY Open Air.

Sticking to his guns, Bruno brings his signature blend of soulful disco and space jazz to our longest serving mixtape series. It's safe to say we're counting down the days to catch him live when he returns next year to our favourite festival on the calendar, Pitch Music & Arts.

Plug in and enjoy the slick and sweet sun-drenched sounds of the man of the people, Folamour.


Full track-list available now via https://barneycools.com/blogs/lifestyle/poolside-etiquette-guest-mixtape-24-ft-folamour

Barney Cools | Poolside Etiquette Guest Mixtape 24: Folamour

Tracklist:
1. Bustin' Loose - Midnight In The Big Smoke (Toy Tonics Edit Series)
2. BPlan & Fab_o - Di Vino (Toy Tonics Edit Series)
3. Rhode & Brown & Tilman - Spencer 
4. Aroop Roy - Reach N' Search
5. Kapote - Jaas Func Haus (Art Of Tones Remix)
6. Paul Older - Confusione (Toy Tonics Edit Series)
7. Pinduca - Vamos Farrear (Daniel Haaksman Edit)
8. Dasco - African Power
9.  Delfonic & Kapote - Illegal Jazz Vol. 2
10. Magou - Sampled Dreams (Toy Tonics)
11. Cody Currie & Joel Holmes - Blue TV Screen
12. G.Benson - On Broadway (Mercury Edit)
13. Bustin' Loose - New York (Toy Tonics Edit Series)
14. Beard in Dust (Discomania Edit)
15. Bronx Dogs - Tribute to Jazzy Jay (DJ Harvey lost edit)
16. Unknown Edit
17. Amon Düül - Spaniards & Spacemen (Kapote Edit)
18. Chain Reaction - Changes (Jellybean Benitez Remix)
19. Paul Older - La Strega (Toy Tonics Edit Series Test)
20. Joachim Witt - Herbergsvater (Kapote Edit)

TOY TONICS PODCAST NR 41 - Kapote (Live recorded DJ Set @ Toy Tonics Jam, London)

Breakbot @ Salle Wagram for Cercle

Lovebirds, the dynamic duo of Sebastian Doering and Daniel Klein, have been shaping the dance music scene since their debut in the vibrant 90s. Their influence spans diverse projects, from Kneedeep to Kiez Kids, leading to their current musical endeavor - Lovebirds. Their journey has resulted in a repertoire of timeless classics.

Their 2011 masterpiece, a collaboration with Stee Downes titled "Want You In My Soul," stands as a testament to their extraordinary talent. This hit single resonates so deeply with listeners that it has become an anthem, with weekend spins across the globe since its release.

The unique LOVEBIRDS' sound is steeped in soul and depth, eliciting rich emotions. Their reach is expansive, garnering over 60 million Spotify streams, despite not targeting the mainstream audience.

Trading Hamburg for Berlin in 2015, they forged numerous new relationships, broadening their sound to a more diverse, live interpretation of dance music. Their foundation in the black music of the 70s and 80s is evident in their diligent efforts to transpose the depth of that era into contemporary soundscapes. Their studio, a treasure trove of coveted analog production gear, mirrors a museum.

Renowned for their B2B DJ sets that bridge diverse genres and eras with pure joy, LOVEBIRDS prioritize crowd connection, guiding listeners on a captivating journey through a spectrum of sound - from house and disco to Italo, new wave, yacht rock, and 80s pop, and everything in between.
Their 2011 masterpiece, a collaboration with Stee Downes titled "Want You In My Soul," stands as a testament to their extraordinary talent. This hit single has never stopped creating unforgettable moments on dancefloors across the globe eversince.

The unique LOVEBIRDS' sound is steeped in soul and depth, eliciting rich emotions. Their reach is expansive, garnering over 60 million Spotify streams, despite not targeting the mainstream audience.

Trading Hamburg for Berlin in 2015, they forged numerous new relationships, broadening their sound to a more diverse, live interpretation of dance music. Their foundation in the black music of the 70s and 80s is evident in their diligent efforts to transpose the depth of that era into contemporary soundscapes. Their studio, a treasure trove of coveted analog production gear, mirrors a museum.

Renowned for their B2B DJ sets that bridge diverse genres and eras with pure joy, LOVEBIRDS prioritize crowd connection, guiding listeners on a captivating journey through a spectrum of sound - from house and disco to Italo, new wave, yacht rock, and 80s pop, and everything in between.
bookings: charlie@circuit.tours
australia & NZ: james@watartists.com

i dont use the messenger here

Lovebirds @ Amber Muse / Riga Sept 22 2017

lovebirds

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