Name: lovebirds@cabaret voltaire,edinburgh by lovebirds
Duration: 1 h 50 min 14 s
Description: had a great night dropping all these old skool tunes in edinburgh - the energy was really amazing! hope this comes across a little here ;)

I need to find out the name of this song 😍

Live recording of Danielle Moore Dj'ing and providing her inimitable vocals this summer at Beat, Leeds.

Danielle Moore (Crazy P) Loft Party Session

ESSENTIAL MIX - JAN 2009
Uploaded on 17.01.10 and exclusive to SoundCloud. Available for the first time without voiceovers and jingles,12 months on from original Radio 1broadcast on 17.01.09.


EMAILSHOT A FEW DAYS AHEAD OF MIX BEING AIRED:
2009 kicks in for me this weekend with my first gig of the year for Udio (1st birthday) at The Gramaphone Club in Shoreditch, London on Friday night, which coincides with the airing of my only just completed in the nick of time Essential Mix on Radio 1, made up of 43 tracks in just under 2 hours.

Given that the 5th anniversary of my DJ comeback has only just passed, I decided to take the opportunity to make the mix totally representative of this period, with all the selections being amongst the biggest tracks I’ve played since I made my second debut at Music Is Better in Manchester.

Five years represents a significant package of time, a fixed point from where I can reflect on what’s been a continually snowballing sequence of events, set in motion when Danny Webb asked me to appear in Manchester on that December night back in 2003.

There were less than 100 people there that night, but they were the right people, and I was taken aback by the response to my return, both on the night itself and during subsequent days, when people who were there began to post on the forums. I’d never expected all the feedback be so totally positive!

I’d figured that I’d play that night, using the combination of laptop and reel-to-reel for the first time, then go away and think about what worked and what didn’t before I made my next move. I would never have believed that things could come together so immediately, it was as if I’d hit a completely unexpected hole in one, especially when two of the people who were there, Ralph Lawson, DJ from Back To Basics in Leeds, and one of my fellow DJ’s that night, Richard Hardcastle (Solid State) from Society in Sheffield, both asked me to play at their nights no sooner had I finished my spot.

One thing kept leading to another and, in Sheffield, I was approached by Tony Daly to play at the now legendary Tyneside Cinema party in Newcastle, a bespoke event where he took on the substantial risk of presenting me in a city I’d never DJ’d in previously (unless you count the 1983 TV appearance on The Tube, which was filmed in the Tyne Tees studio). Then, of course, there was London, where Steve Kotey and Bill Brewster booked me for their parties, bringing me to the capital within the first few months of my return for Ouch and Low Life.

The bookings kept coming, and I found myself driving up and down the country on an increasingly regular basis. Later in 2004 I was approached by Sav Remzi, from Tirk / Nuphonic, with the idea of putting together an edits album, which would be issued the following year as ‘Credit To The Edit’. This would help bring my name to the attention of people outside the UK. There was soon a need to step things up further, now that I was receiving enquiries from Europe, and so began a fruitful relationship with my agent, Matt Johnson (Matty J), who’s done a wonderful job of representing me during recent years.

The last few months have been, to say the least, manic for me, with 25 flights, including 6 long haul, taking me to gigs in the US, Japan, Australia, Brazil and Europe. From a personal perspective I still find it remarkable the way everything has developed, pretty much organically, since I made the decision that I was going to be a DJ once again – had I concocted some sort of comeback masterplan, it could never have worked out anything like as well as it has. It’s definitely been a case of ‘from small acorns’.

It still never ceases to amaze me that people from another continent are interested in my DJ past. Back in the early 80’s, before I went into retirement for 20 years, the furthest I travelled (with the exception of the appearances I made in the South of England as part of The Hacienda Review in late ’83) was to places like Birmingham and Nottingham, when I played at All-Dayers, so to find myself in clubs on the other side of the world is pretty nuts!

Anyhow, I’d like to wish everyone all the best for 09. Big thanks to all the promoters who booked me and everyone who danced to the tunes I played during ’08 in Adelaide, Barcelona, Belfast, Berlin, Birmingham, Blackburn, Brighton, Bristol, Dublin, Dundee, Edinburgh, Fukuoka, Glasgow, Hamburg, Leeds, Lisbon, Liverpool, London, Los Angeles, Manchester, Melbourne, Milan, New York, Newcastle, Nottingham, Paris, Porto Alegre, San Francisco, Sao Paulo, Sheffield, Sydney, Tokyo and Warsaw. Also the festivals and special events that I appeared at - Bestival (Isle Of Wight), Big Chill (England), Camp Bestival (England), Garden Festival (Croatia), Ibiza, Lovebox (England), Notting Hill Carnival (England), Rockness Festival (Scotland), Sonar (Spain) and the Southport Weekender (England).

Hope to see you soon.

Greg


FORUM POST DURING FOLLOWING DAYS:                                                        
Thanks for all the positive words. The feedback has been pretty phenomenal, far exceeding what I’d hoped for, especially on the BBC page, where I’d expected that some people would criticize the amount of older music included - the Radio 1 audience is used to current stuff ('in new music we trust'), so I’d anticipated a more mixed reaction. What’s particularly pleasing is that they were all made without the people seeing what each other wrote (they all came online at once, having been checked first by whoever moderates the BBC pages, I presume for swearing etc following the Ross / Brand controversy).

You always hope something you've done will be well received, but the response to this has blown me away.

Greg


ANSWER TO POST RE MIXING PROCESS:                                                      
It was quite a laborious process. Before I could start the actual mixing part I had to edit every track to a coherent length of around two and a half minutes average, inclusive of in and out points. I had a pool of about 90 tracks that fitted the criteria I'd set (a representative selection of the biggest tunes I've been playing during the past 5 years). It wasn't as straightforward as just editing the 43 tracks I ended up featuring - in order to have the necessary options once I started to piece the mix together I needed to have all the tracks at my disposal, just as I would have if I was out deejaying in a club, so the only thing to do was edit all 90 to the required length, even though I knew that only half would make the cut .

Once that was finally done they were all taken across into my laptop, enabling me to vari-speed them via PCDJ whilst I recorded across to my home computer into Cool Edit Pro, where I put the mix together track by track, before adding overdubs (fx, samples, textures) in a similar way to what I do live using the Revox (reel to reel).

I could quite easily have spent another day, tweaking bits here and there and adding more overdubs (the older I get the more finicky I become), but I had a deadline to work to, so, as it moved ever nearer, it became a race against time, with me doing as much as I could before the cut off point arrived.

Greg
                       

Greg Wilson - 2009


ESSENTIAL MIX (by greg wilson for bbc radio 1 2009)

had a great night dropping all these old skool tunes in edinburgh - the energy was really amazing! hope this comes across a little here ;)

lovebirds@cabaret voltaire,edinburgh

When it comes down to taking things to the upper reaches of soul-felt house music, Roy Davis Jr is right up there with his Chicagoan mentors DJ Pierre, Farley Jackmaster Funk, Marshall Jefferson, and Lil’ Louis – people that all of us working here in our Farringdon bolt hole hold the utmost respect for. These dudes sewed the seed for house music and for the parties that take place all over the world every day. Aside from that, Davis Jr has very much built his own thing with a career that was sprouted back in the 90s and continues to the present day with ever strong releases - his 2013 album, Destroy and Rebuild which served as a statement of a new chapter for his work, continuing on with the innovation that has kept him up there in our books, included. 

Simply put, he does it for the right reasons: the love and the life, both of which he used as inspiration for this neat and exclusive promo mix that we're happy to be serving up to you today. It's a full 90 minutes of Roy Davis Jr vibes and its warming us up nicely for his set in Room One this Saturday where he'll join Move D and Craig Richards in Room One.

Tickets / Info: http://bit.ly/fabric0706

Roy Davis Jr - fabric x Do It Because I Love 2 Mix

Unadulterated summer sleaziness with added flashes of funk and disco drops.  Lose your mind and your ass will follow...

Ralph Lawson - Sounds Like Summer

this is a set that became a bit legendary after it was uploaded to the betalounge site. my friend convinced me to play a set only with my own, at that time 95% unreleased productions. i thought maybe not everybody here knows it so i decided to upload it!

Lovebirds exclusives @ betalounge Jan 19 2008

Live recording from the main stage at the 2012 Garden Festival, Croatia.

Crazy P Soundsystem at The Garden Festival 2012

this is the recording of a great evening in dubai this november! please excuse the usual mixing problems caused by alcohol and euphoria!

tracklist:

fred everything/				circles2
session victim	/			haunted house
daniel steinberg/			joy & happiness
daniel mehlhardt	/		groove eimer
6th bourough project/ts monk/	candidate for love
crazy p			/		the hit
homework		/		rally racket club
first choice		/		love thang (genius of time)
lovebirds			/		the path
terrence parker		/		loves got me high (m romboy)
sade				/		love is stronger than pride (karizma)
tim vita & oliver gehrma	/	i´ve got a new world
session victim			/	we wanna thank all our friends
chopstick & jonjohn		/	listen
klic					/	bump
daniel paul			/	outer space (meitz)
ronnie dyson			/	is it all over your face
genius of time			/	houston we got a problem  
session victim			/	good intentions
sbstrkt				/	hold on (m mayer edit 1st version)
lovebirds				/	keep comin
francis disco inferno		/	sun up
sandy rivera			/	come into my room instr
phoenix				/	if i ever (buffalo bunch)
lood					/	shout-n-out
believers				/	who do u believe
novakowski			/	magenta
konstantin sibold 		/	leif
duke dumont			/	the giver
HNNY				/	for the very first time
kyodai				/	breakin
lauer					/	trainman (tensnake)
tom trago				/	use me again
johnny d & nicky p		/	smoke
dolle jolle				/	balearic incarnation (terje)
lovebirds				/	WYIMS
lovebirds				/	lost
dead rose	music / alycia myers	/i wanna thank you edit
spence				/	get it on			
medlar				/	floor
//

Lovebirds @ 360 dubai 09-11-2012

Recorded live at Music is 4 Lovers' monthly "Sunday is 4 Lovers" FREE rooftop party on the beach at FIREHOUSE in Pacific Beach, San Diego.

DOWNLOAD >> http://bit.ly/2ngdHjX <<

Next up...
Sunday is 4 Lovers w/ Joeski
Sun Oct 13
NO COVER!
RSVP >> eepurl.com/grCg9f <<

Sunday is 4 Lovers w/ Francesca Lombardo
Sun Nov 10
NO COVER!
RSVP >> eepurl.com/grCg9f <<

More live mixes >> bit.ly/2sFZKLe <<

Stay connected w/ Music is 4 Lovers:
Blog: www.Musicis4Lovers.com
SoundCloud: @Musicis4Lovers
Label SoundCloud: @MI4L
Beatport: bit.ly/2rEu9fi
Traxsource: bit.ly/2Lf0aTq
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Facebook: bit.ly/2DNnG2y
Twitter: bit.ly/2pwjUoY
Instagram: bit.ly/2G5Pelu
YouTube: bit.ly/2DLXS73

Live at Sunday is 4 Lovers

>> DOWNLOAD <<

Crazy P Live DJ Set at Sunday is 4 Lovers [Musicis4Lovers.com]

SlothBoogie Records and Merch : https://slothboogie.bandcamp.com/

We welcome the Berlin resident @Lovebirds to the hot seat this week... He's supplied us with some delightful selections effortlessly blended together in his trademark laid back style. We've always been fans of his musical taste and productions so its great to hear what he put together especially for our mix series.

The world might be falling to pieces around you right now but at least it'll sound lovely for the next hour. Enjoy your weekends folks and look after each other!

Next SlothBoogie Party : https://www.residentadvisor.net/events/1396262

Support SlothBoogie

SlothBoogie Guestmix #227 - Lovebirds

House #Saladcast 775 | St Germain
FCommunications / Blue Note / Parlophone
St Germain, France

'St Germain' is the stage name of Ludovic Navarre and based on the story of the Count of St. Germain, a mysterious and eccentric man from the 18th century who claimed to be several hundred years old.
St Germain is among the leading French masters to have established the 'French Touch': the 'French Traxx EP' and 'Motherland EP', both released in 1993, introduced his style: a mix of deep house, jazz and lounge; sampling and real instruments playing side to side.

Navarre's album Boulevard was released in July 1995 and has sold over one million copies[4] worldwide. His United States debut, Tourist, was released in 2000 and sold 300,000 copies in the USA and four million copies worldwide.[4] Bob Marley, Toots & the Maytals, Miles Davis and Kool and the Gang are among Ludovic's early influences. He composed his first work under the name of Sub System with friend Guy Rabiller. He has released EPs under a number of aliases, among them Deepside, LN'S, Modus Vivendi, Nuages and Soofle.

St Germain is not associated with the Saint-Germain-des-Prés Café compilation series, though his song "Deep in It" is featured on its "Volume 1".

His song "Rose Rouge" was featured in the official movie trailer for Joss Whedon's 2013 Much Ado About Nothing.

His eponymous album, released on 9 October 2015, was recorded with the participation of African musicians, the album features traditional Malian instruments such as kora, balafon and n’goni, that mingle with electric guitars, pianos, saxophones and electronic loops. The first single, “Real Blues”, sets the voice of Lightnin’ Hopkins to the beat of wild, fiery drums and percussion.

The original single sleeve is decorated with a 3D mask conceived by Urban Art creator Gregos, known for his smiling and frowning faces stuck on walls throughout Paris and Europe.

St Germain was included in the line-up for Coachella 2016.

More info:
https://www.facebook.com/StGermainOfficial/
https://www.instagram.com/stgermainofficial/
Photo Credit: Charlotte Vasseinex

Tracklist
01. Callendz - Villa Vibe (Original Mix)
 02. Blacky - That Thing (Original Mix)
 03. Blaq Keyz - Tell Me How (Original Mix)
 04. Bonzaro - Every Single Sound
 05. Buddynice - Days Of Pain (Nostalgic Mix)
 06. CijoUnderground - Hold On (Original Mix) 
07. Coolar - Chillas (Deep House) 
08. St Germain - Rose Rouge (Atjazz Galaxy Aart Remix) 
09. St Germain - Alabama Blues (1965 Mix) 
10. St Germain - Walk So Lonely 
11. St Germain - So Flute (Ludovic Navarre Amapiano Version 2020)
 12. Caiiro - Tanzania (Original Mix) 
13. Phaze Dee - Deepest Luv (Original Mix)
 14. St Germain - Rose Rouge (Jovonn Oldskool 90s Remix)

House Saladcast 775 

St Germain

House Saladcast 775 | St Germain

Lovebirds, the dynamic duo of Sebastian Doering and Daniel Klein, have been shaping the dance music scene since their debut in the vibrant 90s. Their influence spans diverse projects, from Kneedeep to Kiez Kids, leading to their current musical endeavor - Lovebirds. Their journey has resulted in a repertoire of timeless classics.

Their 2011 masterpiece, a collaboration with Stee Downes titled "Want You In My Soul," stands as a testament to their extraordinary talent. This hit single resonates so deeply with listeners that it has become an anthem, with weekend spins across the globe since its release.

The unique LOVEBIRDS' sound is steeped in soul and depth, eliciting rich emotions. Their reach is expansive, garnering over 60 million Spotify streams, despite not targeting the mainstream audience.

Trading Hamburg for Berlin in 2015, they forged numerous new relationships, broadening their sound to a more diverse, live interpretation of dance music. Their foundation in the black music of the 70s and 80s is evident in their diligent efforts to transpose the depth of that era into contemporary soundscapes. Their studio, a treasure trove of coveted analog production gear, mirrors a museum.

Renowned for their B2B DJ sets that bridge diverse genres and eras with pure joy, LOVEBIRDS prioritize crowd connection, guiding listeners on a captivating journey through a spectrum of sound - from house and disco to Italo, new wave, yacht rock, and 80s pop, and everything in between.
Their 2011 masterpiece, a collaboration with Stee Downes titled "Want You In My Soul," stands as a testament to their extraordinary talent. This hit single has never stopped creating unforgettable moments on dancefloors across the globe eversince.

The unique LOVEBIRDS' sound is steeped in soul and depth, eliciting rich emotions. Their reach is expansive, garnering over 60 million Spotify streams, despite not targeting the mainstream audience.

Trading Hamburg for Berlin in 2015, they forged numerous new relationships, broadening their sound to a more diverse, live interpretation of dance music. Their foundation in the black music of the 70s and 80s is evident in their diligent efforts to transpose the depth of that era into contemporary soundscapes. Their studio, a treasure trove of coveted analog production gear, mirrors a museum.

Renowned for their B2B DJ sets that bridge diverse genres and eras with pure joy, LOVEBIRDS prioritize crowd connection, guiding listeners on a captivating journey through a spectrum of sound - from house and disco to Italo, new wave, yacht rock, and 80s pop, and everything in between.
bookings: charlie@circuit.tours
australia & NZ: james@watartists.com

i dont use the messenger here

lovebirds@cabaret voltaire,edinburgh

lovebirds

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