to the whole mix - so few sounds and low pressure, but the grooove is so damn deep and taking

so much lovely texture in this mix, really fantastic

For the extended Q&A & OG pi pi pi track game visit our website  ~~~~> pipipi.life <~~~~~

@loiflan

Introduce yourself? Pronouns? Where do you currently reside? 1 fun fact about yourself?

Hi! My name is Declan (he/him), currently residing in Melbourne/Naarm. I’m trying to learn Hungarian at the moment so I can apply for dual citizenship.


How did you get your DJ name? 

I was at a festival a few years ago and while sitting around the campsite talking shit a few friends started coming up with nicknames for me. They eventually went from Declan > Lecdan > Doiflan > Loifdan. Drop the dan and ‘LOIF’ was born.

Dream line-up?

In no particular order:
Objekt
Livwutang
Roza Terenzi
Dregs (LIVE)
Bambounou
Harold
Aphex Twin (LIVE)
CCL
Polar
DJ Sprinkles
Moopie
DJ Stingray

Second pick for your DJ name?

Probably something with the word ‘Tek’ in it.

What is the theme song of your life?

https://www.youtube.com/watch?v=1lyu1KKwC74&ab_channel=TheVerveVEVO

What is your favorite time of day?

4:20

Any advice to upcoming producers/djs?

I think probably the hardest part of getting into either practice is the steep learning curve (especially with producing). What I found most helpful was learning from other people. When I first started playing around with mixing and buying records I was lucky that a large chunk of my mates were all getting into it at the same time. I spent sooooo many days just endlessly mixing with friends and we would constantly share music and ideas and concepts, many of which still inform my style today. I doubt I would’ve stuck with it if it wasn’t for such a passionate and supportive group of people I was lucky to learn with. Similar can be said about producing - I have found collaboration to be endlessly helpful. Every single time I’ve worked with other producers/musicians/mixing engineers etc. I’ve picked up at least one or two techniques or ideas that have been essential in the way I make music going forward. Everyone has a different way of doing things and you can only benefit from getting a wide range of perspectives on how people practice their craft.

Also, don’t be too concerned about buying super fancy top-of-the-line gear - if anything learning on a less than ideal set up can be beneficial going forward. I would probably be a much worse DJ if I hadn’t started mixing records on cheap audio-technica turntables. By the same token, having a limited set up when producing (ie. a shitty laptop, 2 VSTs and a handful of samples) is limiting but allows you to learn the basics without being overwhelmed and will make the transition to more complicated gear and techniques much smoother in the future.

What would you like to see in the future for the dance community?

There’s a lot that would be good to see but I think more emphasis on safer spaces for dancers, performers and artists are incredibly important. Unfortunately in Naarm unwanted attention, sexual abuse and sometimes violence is a regular occurence in a lot of clubs where promoters and venue owners don’t put the necessary work into making sure this type of behaviour is stamped out. When these safe spaces are created it’s an incredibly powerful feeling knowing you are safe to express yourself and that everyone shares the same level of respect for one another. A new club that just opened in the CBD called Miscellania has done an amazing job in fostering this kind of environment, partly due to the fact that they trained friends to work on the door as security and ensure the right kind of people were coming in. Too bad it was only open for two weeks before we went back into lockdown :’(

LOIF - 6° Of Separation

@roza-terenzi has traversed continents, yet her sound as a producer is never quite of this world. Hailing from Australia and now based in Berlin, extensive touring and appearances at a host of electronic music’s most esteemed festivals and venues have only served to strengthen her skills as a producer, with releases on the likes of @dkmntl, @planeteuphorique, @kalaharioystercult, @buttersessions and her own @stepballchain somehow evoking both nostalgia and visions of the future through cosmic atmospherics and warm, alien grooves.

Likewise, her Patterns of Perception 95 is luminous, lush and vibrantly nostalgic: like a hazy, sun-bleached postcard from decades past, viewed very much in the here and now. Covering a lot of ground in terms of both tempo and energy - this mix floats effortlessly from downtempo to liquid DNB, from breaks to house and back again, showcasing her effervescent skill and versatility behind the decks. 
Featuring an array of forthcoming and unreleased material from friends, collaborators and Terenzi herself, the warmth in this uplifting selection stirs hope for the times ahead.

Links:
@roza-terenzi
https://www.instagram.com/rozaterenzi/
https://www.facebook.com/rozaterenzi/
https://ra.co/dj/rozaterenzi
@stepballchain

Patterns of Perception 95 - Roza Terenzi

@kiernan-laveaux is a boundless ball of chaos energy - an adventurous spirit, conducting the binary dissolving forces of our world that are reflected & transmuted through the unbridled passion contained within her DJing. The Cleveland artist's mission is "to channel love and understanding to dancers of open mind and spirit everywhere." Since 2014, her ethos of community building, personal autonomy, & transportative psychedelia has grown to encompass the multiversal creators of possible worlds everywhere, the In Training, Heaven is in You, & Disco Paradiso parties that traversed the wormhole of limitless expression & jouissance together in Cleveland from 2014-2018, & the Motherbeat raves that continue to manifest sporadically throughout our known universe. The music she plays is impossible to pin down in genre terms, but is unified by it's restless sense of ecstatic momentum, dissonant euphoria, & kinetic exuberance.

Her 80-minute mix for us this week is jam-packed with a little bit of everything, from peak time and head melting techno to heavenly electronics and Earth moving beats. The twisted rhythms and quick mixing style keep the whole thing moving at a real pace and move you ever closer to a transcendental state of dance floor psychedelia.

Dekmantel Podcast 385 - Kiernan Laveaux

If we were to pick one word to describe Ziggy Devriendt, AKA Nosedrip, it would probably humble. He runs a one-man empire out of the modest Belgian coastal town of Ostend, and his STROOM label is one of the most quietly brilliant outfits in Western Europe. A mixture of obscurer-than-obscure reissues and quirky new material makes for a label as unpredictable as it is essential, and Devriendt's unusual touch is all over it—he prefers to make up his own compilations and sequences instead of just repackaging old records, for example, which explains how important curation and putting songs together is to him.

So it's not a surprise that , in addition to being a music nerd supreme, Devriendt is also a remarkably good DJ, whose ear for oddball cuts translates well into intuitively danceable music. Judging from his RA Podcast, he's had trance on the mind—the mix features flighty beats that range from CJ Bolland and Psychick Warriors Ov Gaia to new-school practitioners like J-Zbel, plus a major highlight from Peter Van Hoesen that you might remember from Marcel Fengler's Berghain 05 mix and plenty of new material from Stroom. (He's also putting out a compilation of Belgian trance, which might explain the direction of this mix.) It's a three hour-ride that varies from jaw-dropping mixing to abrupt, almost shocking transitions that might startle you out of your chair. 

@ziggy-devriendt

Read more at https://ra.co/podcast/843

RA podcast

RA.843 Nosedrip

my dj set recorded on a radio station that I have now pulled ties with due to their failure to stand up for Palestine (whilst censoring pro-palestine artists. (you can't find the youtube streams or recordings of these online anywhere else)

free Palestine, from the river to the sea <3 

recorded live 30/08/22

hope you enjoy 

<3

Kia (live dj set @ ? ) 30/08/22

Nothing In Moderation With DJ Voices And Kia @ The Lot Radio 09 - 14 - 2022

@upsammy
Since the release of her debut EP ‘Another Place’ on Rotterdam's premiere Nous’klaer record label, upsammy has emerged as one of the most exciting contemporary electronic artists of our time. Known for her boundary-pushing vision of music and sound, upsammy’s string of releases on the likes of AD93, Die Orakel and Dekmantel have manifested into a back catalogue that give the sense and feeling of gallery of artworks. With a background in arts, it’s no surprise that upsammy works from a foundation of unbridled imagination. As is a common theme amongst many of my most admired artists, the power to present works that simultaneously champion both the weird and the functional is at the forefront of upsammy’s sound. It seems to me that the space between is where the magic happens - crystalline electronica, otherworldly ambience, hypnotic glitch and deconstructed club sounds morph to produce upsammy’s unique brand of contemporary, psychedelic idm. Her more recent and first long-player ‘Zoom’ showcases a somewhat softer side - warm crunchy textures, bouncing sub bass and at times-playful melodies are bound together with both quirky and functional rhythms. Zoom bestows upon us a beautiful and engaging collection of sounds which tell the story of both organic and digital realms. I once read a Bandcamp fan describe upsammy’s work as ‘fairytale idm’ and I couldn’t agree more. At the heart of every fairytale is a sense of magic, and everything upsammy does is just that. 

Alongside her productions, upsammy is an expert DJ who crafts brilliantly creative mixes and live sets with laser like precision - dynamic blends of experimental electronics weave between dreamy soundscapes, spacial percussion, psychedelic drum and bass and breaks - you can always expect the unexpected and this mix is no different! upsammy joined me live in the PBS studio on the 14th October 2022.

upsammy - PN 186

my dj set from @sustain-release-nyc 2022. (@kia-sydney)
 1-3am saturday night before wata igarashi @ the grove (an absolute honour)

a very special time <3

ps. the recording came out in mono/ there was some issues with it so at times its a little rusty, but you get the gist ;) thanks to joe buchan for mastering/ helping out with it!

ani/live One: Kia @ Sustain Release Year 8

Aired 01 December 2022, live on FBi Radio 94.5fm, Sydney
https://soundcloud.com/commandd

Pure Space :: Command D

A special one for #114 from a dear friend and renowned but noble talent, Montreal based @priori-ties. Head of the ever-impressive NAFF output (@naffrecordings), world class DJ & chameleon producer, he is constantly working on something new and exciting.. never missing a beat. 

One would only have to indulge in Priori's impressive back catalogue to attest to his consistent quality but evolution of style and creative flow. Seeing Francis play multiple times on his recent tour to Australia really cemented all of this for me.- one of the best in the biz! 

Thanks so much for being part of the series Francis <3

Downloads enabled

Animix One Hundred & Fourteen: Priori

Next up is one of our favourites, coming from the immensely talented, now Naarm based @katemiller! Head of the ever impressive @body_verse, she’s a super DJ and is always at the forefront of good music. 

This mix progresses from ambient percussive tones to breaky tech where Kate always finds a way to leave you astonished. Every time seeing you play it’s an absolute pleasure! 

Thank you so much Kate xx 

Watch on YouTube: https://youtu.be/YnmVcublK20

Kate Miller
Instagram: https://www.instagram.com/katerellim/
SoundCloud: @katemiller

Autumn23 LP054

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