Another meditative jam with my friend...https://soundcloud.com/hadji-rumi

SchlafSchaf (Ahmed&LovvariJam)

About “Flickerstorm (Album Version)”
This track was inspired by the sounds of New Order and Echo & the Bunnymen that kept playing in my head under the moonlight.
I blended those influences with the dub and electronic elements I deeply admire, and it became the very first track I completed as Olttaoff.

Under my previous artist name, my works leaned more toward electronic downtempo. Over time, however, I realized that post-rock is an essential part of my identity, which led me to create this piece. In many ways, it feels like a return to my roots while moving forward.

It also marks a turning point in my process — shifting from hardware-based production to working fully in DAWs. The TR-909 featured on the artwork represents that transition, as well as a tribute to Roland, the iconic maker from my hometown in Japan.

Flickerstorm(Album Ver.)

Recorded in Modesto, Ca  Featuring Gibson 335 Electric Guitar solo. Flute solo. Steel Drum solo. Alto Selmer Saxophone solo. Fender Electric Bass. Roland Synthesizer Bass. Gibson L5 Electric Guitar Rhythm. Marimba Rhythm. Steinway & Sons Acoustic Piano Rhythm. Hammond Organ Rhythm. Drums full kit set. Percussion Tambourine, Timbales, Steel Drums, Tree Chimes.

Isla del Reggae Island

Isla del Reggae

BRIDGE

Original composition by Neno J., october 2025.
Nylon electro-acoustic guitar Cordoba Studio GK, Bass Ibanez, recorded directly using multi effect Hotone Ampero 100, Guitar Rig 5

Escape from rabbit hole

Song from the rock opera Five Thousand Sasquatch

Gold Colored Teacup

There is a picture by Carl Spitzweg this track refers to: https://en.wikipedia.org/wiki/Gnome_Watching_Railway_Train Also, there is a poem byJeff Gardiner (stonerjazz: https://soundcloud.com/user-911083679 ) that I reworked beyond recognition to answer to that picture. I herewith do apologize to both the maestros. An Akai Miniak, a Korg VT4, a Superlux D112/C and a Zoom R8 as well as Samplitude x8 software were complicit in the crime. Furthermore: Would anyone today still create a work of skill and art and not resort to AI? For this one, I played every instrument myself and you can hear my voice .... but the image is a self-warholized part of the original ......

poem: Jeff Gardiner and Jo Richter
sounds and composition: Jo Richter
image: Carl Spitzweg and Jo Richter

listening through
echo cavities, he
small and uninformed
seemed to know

in knotted root dreams
few and far between, he
unarmed and unharmed
was left behind in the waking

exponentially exposed
sleeps's leftover claim, he
felt grown, expanded
with sunlight pooling
trained heath
underneath

gnome

gnome - with stonerjazz

Written, Arranged, Performed, and Produced by Kyle Bolan
Art by Kyle Bolan

Lyrics:
We will be different like all the rest
A body to call my own
Nothing belongs, there is no property
Coming and going alone

We were supposed to be - Animal life
They all look like me - Animal life
The motion of thought is most similar
stimulant
Time and clothes are a construct
simulant

Water springs from the ground
We all find it, we all drink of it
We all taste it, pass the cup around

Someone passed through the backyard
Someone unknown
With heavy culture
With no home
Nothing belongs, there is no property
Coming or going weeakly aloane

Fruit on the branches - Animal life
Taking no chances - Animal life
The last story to be passed down
was forgotten, it stopped being said
Life springs all around, Death of the dead
July 24, 2025

Animal Life

An invocation for late October

(ya don't get this sort of thing doin' AI shit....it comes from the soul)

_______________________________________________________________________

Invocation of the Darkness

Old stuff, early two thousands.

*** Ianamar ***

É melhor não fazer nada, que poupamos energia
nesta vida condenada a aumentar a entropia.
Ao telefone com o Roberto, e deitada no divã,
eu vivo em conflito aberto com a minha querida mamã.
Ela quer tudo arrumado, mas é melhor que desista.
Eu não vou ser sujeitada à exploração capitalista.
Meu quarto de adolescente é um hino à revolução,
com cuecas fedorentas espalhadas pelo chão.
A mamã está chateada. E eu constato uma ironia:
Enquanto este mundo aquece, nossa relação já esfria.
Mas não é o que parece. Nunca quis que fosse assim,
e hoje eu peço-te desculpa por tu não gostares de mim.

Translator gets a little lost, specially in the last sentence, so here goes my attempt:

It's better to do nothing, so we can save energy
in this life constrained to increase entropy.
On the phone with Roberto, and lying on the couch,
I live in open conflict with my dear mom.
She wants everything tidy, but she would better give up.
I will not be subjected to capitalist exploitation.
My teenage bedroom is a hymn to revolution,
with smelly panties scattered across the floor.
Mom is upset. And I realize the irony:
While this world heats up, our relationship is already cooling down.
But it's not what it seems. I never wanted it to be this way,
and today I ask your forgiveness for you not liking me.

Ianamar

Wir lösen uns von der Doppelhelix und reisen zu den Ribosomen. We break away from the double helix and travel to the ribosomes.

Aegopodium RNA

Lots of selfmade, mostly bedroom- or cellarproduced tracks here, different styles because of different moods and music tools, often selfmade instruments, allways experimenting and in search of sounds and soundmaking stuff, harmonic or non-harmonic....and all free to listen and to download ...and if you want to use one of my tracks or try a collab, just ask, do it and tell me about it... all in terms of Creative Commons...
I have to make music every free minute, allways full of it, and, about time, I have a lot of toys to do this ... these tracks are my kind of relaxing and i will do it till the end of my time...
I hope, you like, what I do....You may find a lot, but no autotune and no AI, I swear...
You cannot OWN music, you only can MAKE it.... (something, Neneh Cherry said)... and so I do...
I never learned an instrument, I am an analphabet in music theory, but that's not important: 
I AM an instrument and there's always music inside me.... and I go on...
SC is my diary: The diary of my steps into the world of music since 2012....
if you want to know something about that: you're welcome!
One of my tracks is especially made for you... 
Try the playlists ; )

SchlafSchaf (Ahmed&LovvariJam)

Lovvarion