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Carli is an immensely talented, constantly genre defying and very charming dj/producer from Sweden. We've gotten to know him as one half of Staygold, Savage Skulls and Marcus Price & Carli . We’ve seen him occupy dj booths in Miami, London and Stockholm. We’ve heard him produce everything from filthy grime to saccharine disco. We’ve had the pleasure of tagging along on a musical journey that has swayed back and forth between dodgy warehouses in Västberga and glittery super clubs on Ibiza; from aggressive beats for the street to dreamy pop productions for la-la-land. Carli comes equipped with an effortless eclecticism that only the most talented can pull off, matched with a tempo that demands unconditional love for music combined with less than zero interest in nostalgia.

As you might be able to tell, it’s impossible to speak about this guy in a sensible way. Were we to begin listing his many collaborations, we’d soon end up in a namedropping session which would have Victor Ward, main character of Bret Easton Ellis’ Glamorama, losing his breath. We’ll just mention a few projects that have occupied Carli Löf’s life over the last year: A string of irresistible singles with Marcus Price, a couple of brilliant productions on Rebecca & Fiona’s debut album and then a few international club smashers together with Crookers as Dr. Gonzo. Alright, we should probably mention that he's also the guy behind some of Robyn’s fiercest beats of late.

We could also tell a more or less classic story in which hip hop and rave culture collide right in the middle of a young Swedish electric boogaloo whiz kid’s cerebral cortex - but we’d rather stay in modern times for now. Here we find a dance music genius who turns everything he touches into pure club gold. Please note how Carli will use the cheesiest, most bombastic sounds of modern pop music and turn them into strange, crooked underground funk. Next time he’s in a studio or a dj booth, he’ll make the most obscure dance rarities sound like they were made for the Billboard charts. And in the midst of it all, we’ll find Carli Löf in full control.


There's retarded people, and then there's me. FUKIN RETARDED

Henrik Toresson and Mikael Norstedt started recording together in "Lekis", a Swedish kind of kindergarten. Recordings ranging from the (luckily) unaired radio show 'galant', death/black metal attempts, political punk songs and entire cassette tapes full of farts to impersonations of Svullo and Axl Rose.
In our late teens we started a new project, the idea of recording improvised pop-songs and only using first takes made songwriting a new and exciting task, it also in hindsight occurs to be incredibly brave since both of us always had and have been serious with music and musicianship.
In between playing smooth jazz, progressive metal, indie pop, garage rock and brave attempts to cover works of Frank Zappa along with drummer legend and childhood friend Filip Fjellström, our increasing interest in recording led us to invest in our first 'real' device, a Fostex VF-08 Digital multitracker, later replaced by the big brother VF-16. With a bunch of cheap microphones and little to none knowledge we started to experiment and learn.
We often started out with the drums, basically 610 would just try to play something for one to four minutes, then we added bass and guitars, keyboards and other noises and finally vocals, often with improvised lyrics. 
One album would take us two or three sessions to complete, and during the first year we made 10 of them and sold to our friends for 20 spänn.

the somewhat dadaistic outlet for the duo was as honest as it was misunderstood, and these recordings were often of pretty poor quality in most aspects.. but the naive force was and still is what's most interesting and awesome. And even though it proved difficult to impress or even reach any listener who didn't know or care about our workflow, we still wanted to, and some of the songs were actually really cool.. We ultimately decided to put together a live band in 2003 i think? 
The lineup consisted of 610 (Mikael), vocals and paraphernalia, Toresco(Henrik), Electric guitar and sometimes flute, José Colah/Don Colaps/Teddy Strap-on/Donpa C/Danne Molin/Daniel Molin, drums, his younger brother Scott Hole/Brett Burner/Krister the Fister/Sebbe Molin/Sebastian Molin, electric guitar, Biggen/Dockan/Stenen/Lindströmarn/Birger Lindström, Bass guitar and Döds-svante/Synt-svante/Shaunte Hoshi/Horman/Svante Hellberg.
We recorded the "best of" of our favourite songs with the band and released the Album "Vulgo Cube" in 2006?
We did bizarre and applauded live performances mostly at Old McLovis and Spinnrocken in Södertälje, but a few out of town shows i can remember now was Kulturkentauren in Kristianstad, Mayday Club at Sticky Fingers in Göteborg, Vårdinge by Folkhögskola in Yllehooden and Klubb Agaton in Uppsala.
Though we never disbanded, geography, studies, starting families, generally growing up and participating in various other music acts led to a halt in production, and songs started to take another form as we'd only meet once or twice a year, and for the last album "theseguysdisguisetheskies", comparably  few improvisational elements were kept.
Mikael started his one-man-project "The Person" and joined as a live drummer and later member of the genius cult band "Bondage Fairies" and Henrik started "Svarta Stugan" and did lots of session work including substituting as bass-player for a tour with Bondage Fairies in 2012.
after too many years in the storage, a taste of the works of 610Toresco is now available for you to experience.

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