https://www.thesouthernreview.org/issues/detail/Spring-2024/268/

TSR Spring 2024 Audio Gallery

https://www.thesouthernreview.org/issues/detail/Spring-2024/268/

No one really knows how the scrolls of the Library of Alexandria were stored and filed, but this poem mentions one possibility. The Russian poet Osip Mandelstam died in the Gulag in 1938.

“The Library of Alexandria” by David Wojahn

https://www.thesouthernreview.org/issues/detail/Spring-2024/268/

This poem is inspired by a poem by Borges that I've always loved. His poem is a sonnet; mine is a little longer.

“To a Minor Poet in the Greek Anthology” by David Wojahn

https://www.thesouthernreview.org/issues/detail/Spring-2024/268/

“The Sketchbook (IV)” is the final section of a four part poem reflecting the artistic and personal three-part braid of its protagonists. “The Sketchbook (II)” appeared in a previous issue of The Southern Review.

"The Sketchbook (IV)" by David St. John

https://www.thesouthernreview.org/issues/detail/Spring-2024/268/

God is far from infallible, kind, and unequivocally holy in Nazifa Islam’s Sylvia Plath found poem “The Wind Whipped Tears into My Eyes.”

“The Wind Whipped Tears into My Eyes” by Nazifa Islam

https://www.thesouthernreview.org/issues/detail/Spring-2024/268/

When the electricity fails, the world transforms in Catherine Pierce’s “Abecedarian for the Power Outage.

“Abecedarian for the Power Outage” by Catherine Pierce

https://www.thesouthernreview.org/issues/detail/Spring-2024/268/

A blazing new poem tears through decades of inherited silences to understand what unmade a father's embrace in Cindy Tran's "Blank Verse."

“Blank Verse” by Cindy Tran

"Marking Time" by Til Punto

"Order" by Til Punto

"Palace Guards" by Til Punto

"Ornithomancy" by Maureen Alsop

"Eromancy" by Maureen Alsop

"Necromancy" by Maureen Alsop

Rasaq Malik Gbolahan’s "Here, God" is an elegiac poem for every homeland wrestling with unrest and war. It's also a memorial, a way of remembering the victims of this unrest and war.

https://www.thesouthernreview.org/issues/detail/Spring-2025/272/

“Here, God” by Rasaq Malik Gbolahan

"Stutterfied" by Adam Giannelli

"Emotionally Self-Aware Adoptive Parent: Contract for Service" by Nik Chang Hoon

"She-Bear" by Evgenia Nekrasova trans. Marianna Suleymanova

The Southern Review is one of the nation’s premiere literary journals. Hailed by Time as "superior to any other journal in the English language," we have made literary history since our founding in 1935. We publish a diverse array of fiction, nonfiction, and poetry by the country’s—and the world’s—most respected contemporary writers.

Established at Louisiana State University, The Southern Review immediately became a literary tastemaker. The launch of The Southern Review came about "On a bright Sunday afternoon in late February, 1935," when Louisiana State University’s president drove his black Cadillac to Robert Penn Warren’s house in Baton Rouge to invite him, his wife, and their friend Albert Erskine on a drive to discuss creating a magazine of "distinctive character and quality." Cleanth Brooks and Charles W. Pipkin were consulted; both joined the editorial staff. The Southern Review’s first series ran 1935 to 1942 before closing due to the war. In 1965, the journal was revived under the editorship of Lewis P. Simpson and Donald E. Stanford, who launched the second series to great acclaim. LSU Press became The Southern Review’s publisher in 2011, allowing the journal to undertake new initiatives, such as reaching readers through a digital version in addition to the print quarterly.

“The Wind Whipped Tears into My Eyes” by Nazifa Islam

The Southern Review/LSUP

Related tracks