Had you on my dreams last night. 
You were wearing a green dress, black stockings and some beautiful black lacquered shoes. 
You were standing right next to an window and we were into an unknown room with me taking pictures of you. 
You were so beautiful. 💙

Specialise in Rnb Hip Hop House Dance Deep House NRG and Arabic 

Also provides zaffe/drums, bands and sound services 
For any enquiries: dj.tonez@hotmail.com

Management:
gabe@cloak-ent.com

Bookings:
AU/NZ: paul@proxyagency.co
UK/EU: Tom.jones@unitedtalent.com
US: Steve.gordon@unitedtalent.com & Marissa.loil@unitedtalent.com

contact: loumar.mayniel@gmail.com
management: tom.king@redmanagement.info & pasricha.robin@gmail.com
booking : david@codaagency.com
 
⭐

Right place, right time. It's an old cliché, but it's one that's been the definition of Dennis Ferrer's musical career. Just as the dance music world was heading into the world of afro-centric house, Ferrer was there. And then, when it began to embrace the mix of tech and soul, Ferrer was there again, leading the way with his impeccable productions. As Ferrer goes, it seems, so does electronic music. And, as someone who's never content to do the same thing twice, it's clear that he'll be staying on top for years to come.

Ferrer burst back into the consciousness of most dance music heads with the release of "Sandcastles," (Ibadan) his collaboration with Jerome Sydenham in 2003. But, to his credit, Ferrer didn't simply repeat the formula afterwards. He has continued to push a variety of genres all at once. It's clear that Ferrer isn't content to rest on his laurels: he's too busy dreaming up new ways to shock and delight audiences.

In the mid-90’s, Ferrer was crafting techno records as Morph and then had success in the Afro and gospel house scenes with releases via his Sfere label, an imprint he began alongside Kerri Chandler. But it's this past work that gives his new productions such resonance: unlike many of this house peers, Ferrer's techno experience has given him an edge that you can hear in his recent work.

"Son of Raw," (Ibadan) "Church Lady," (Defected) "Underground Is My Home," (King Street Sounds), "Touched the Sky" (King Street Sounds), “Transitions” (King Street Sounds), “P 2 Da J” (Defected),  “Sinfonia Della Notte” (Strictly Rhythm), “Hey Hey” (Objektivity), “Red Room” (Objektivity), “Underground” Nick Curly – Dennis Ferrer Remix (Defected), to name a few, have all been huge dance floor anthems and all show a different side of the Ferrer personality as well as his impressive range as producer and remixer.

Ferrer has brought his ‘anything goes’ approach to his label, Objektivity.  Celebrating its 8th anniversary in 2014, the imprint has thus far focused itself on vocals, featuring often unlikely turns from indie heroes like Ane Brun and Télépopmusik. Low slung and deep, Objektivity is a cutting-edge label in touch with its time, putting a uniquely American spin on the deep house revival that is currently making waves in Europe. Objektivity is a living, breathing thing - one that's set to drop bombs on the dance floor for years to come.

While Ferrer closes out 2013 with “Mind Ur Step” (Defected), “Mind Ur Dub” (Objektivity) and a remix of Coyu - “Salvation” (Noir Music), the best is yet to come. With a deep knowledge of the past and a constant push for the future, Ferrer remains one of the true greats of house music - a leader and innovator whose enjoying the buzz around him but keeping on pushing the limits. Stay tuned.

† 𝚍𝚊𝚛𝚔 𝚖𝚞𝚜𝚒𝚌 𝚏𝚘𝚛 𝚍𝚊𝚛𝚔 𝚝𝚒𝚖𝚎𝚜 †

// Spotify: https://open.spotify.com/artist/48nHO1cuTbpx4ELhChsxX1

Email: sidewalksandskeletons@gmail.com

2nd Soundcloud for rare unreleased S&S tracks and some of my guitar recordings: https://soundcloud.com/riot-without-reason

Lu Anne is following