Melody’s Enemy is the moniker of British electronic music producer and DJ Andy Haeffele. 

Beginning as a duo with Morgan Jones the pair were a somewhat unorthodox pairing in modern Techno having honed their craft within the drum and bass scene, releasing and performing for many of its best labels such as Playaz, Ram and Metalheadz.

A reconvergence in 2015 saw them form Melody’s Enemy - a project designed to channel their shared ethos of ruggedness and “golden-era” d&b aesthetic into modern, cutting-edge techno. 

They were quickly spotted by Dense & Pika, and began releasing on their ground-breaking Kneaded Pains imprint. Surging forward ever since the pair have delivered a series of critically-acclaimed ep’s on Kneaded Pains, Phobiq and Of Unsound Mind.

Already respected for their production, Melody’s Enemy have since collaborated with Dense & Pika and Drumcode’s Vinicius Honorio on killer releases “From Nothing” and “Thrillseekers” respectively as well as crafting “Reach” alongside Balthazar & Jackrock - released on Terminal M and a mainstay in sets from Monika Kruse.  

They also teamed up with Croydon’s-favourite-son Skream to craft a 2 track EP that was quickly snapped up by Alan Fitzpatrick for release on We Are The Brave.

The Melody's Enemy sound was soon spotted by the respected Octopus Records head SIAN. A series of releases followed as well as a DJ residency on SIAN's popular Twitch channel.

2020 saw Morgan leave the act to focus on other business interests and Melody's Enemy as a solo act was born.

An In-demand producer and remixer, Melody's Enemy has gained extensive and continued support from names such as: Adam Beyer, Carl Cox, Arjun Vagale, Chris Liebing, Dubfire, Tiga, Ramiro Lopez, Enrico Sangiuliano, Huxley and more.

Not just a producer Melody's Enemy is an experienced & accomplished performer with a DJ set incorporating live loops, percussion and unique sound pallets to compliment the cutting-edge music selection.

1985 is a platform for forward thinking electronic music basing it's roots in 170 / 85 BPM and beyond.

Demos ----> 1985demos@gmail.com

Hard Drum & Bass since 2003. Creator of the Filthcast.

German techno duo Kaiserdisco is making waves in the international electronic music scene with their unique blend of energetic beats and infectious melodies. Comprised of Frederic Berger and Patrick Buck, the duo has released a string of successful tracks on renowned labels such as Drumcode, Suara, and Tronic, among others.

With over a decade of experience, Kaiserdisco has become known for their dynamic DJ sets and productions that seamlessly fuse classic techno sounds with modern elements. Their signature sound has earned them support from some of the biggest names in the industry, including Carl Cox, Adam Beyer, and Sven Väth.

In addition to their music, Kaiserdisco is also recognized for their commitment to sustainability and eco-friendliness. They have implemented various green initiatives in their touring and production processes, such as using biodegradable products and minimizing waste.

Overall, Kaiserdisco's unique sound and dedication to sustainability make them a rising force in the techno world.

Uun's techno blends widescreen grayscale imagery with propulsive dancefloor pressure. Whether crafting what Hardwax dubs "straight ahead techno juggernauts" or deep, introspective tools, his work is grounded in a masterful command of atmosphere and texture. 

Uun developed his interest in fringe sounds as a guitarist and drummer in his hometown of Kansas City before shifting his attention to electronic music in 2012. This led him to relocate to Detroit, where he spent seven years pushing deeper into the underground techno scene, refining his production and performance methods. Between the Midwest and  several periods in Berlin—another city he's found a deep connection to—he's honed a style that's allowed his music to nimbly navigate between different subgenres, "quietly infiltrating" the genre from multiple angles at once. 

Uun's sound and his ability to mold it into a variety of forms has captured the attention of lauded techno labels like Mord, Semantica, and Soma. On his own Ego Death imprint, he pushes past genre confines and deeper into his music's underlying themes, exploring existentialism, duality, and the role of the artist in the modern era. His first full length, 2022's Derealization, interrogated dreams through rebuilding memories of liminal spaces, and on his latest Ego Death release, 2024's Platform Decay, he laces his tracks with a poignant criticism of social media-driven cultural homogenization while doubling down on his own uncompromising sound. 

As a live performer, Uun distills years of his studio practice into cathartic sets that build off his productions while pushing them into exploratory new territory. His live show has taken him to legendary clubs like Berlin's Tresor, Tbilisi's Khidi, Detroit's Movement Festival, and Brookyln's Basement, and alongside the decade-plus of releases under his belt, it's safe to say Uun's infiltration of techno might not be so quiet for much longer.  


Booking Info - antonia@altaragency.com
Contact - uunegodeath@gmail.com

Mathis Mootz, the mastermind behind The Panacea, is a prolific electronic musician and DJ from Germany. Mootz has released 11 full-length LPs, 45 EPs and 12" Records on a variety of labels incl. PRSPCT Recordings, Sonic Groove, L/B Recordings, Intransigent Recordings, Freak Recordings, Kniteforce, Ant-Zen, Ambush, Yellow Stripe Recordings and most noticeably the legendary Position Chrome record label which he owns. Since 1996 Mootz has performed at countless events all over the world and continues to push the boundaries of his furious drum & bass into industrial techno and hardcore territory.


BOOKINGS: 
fabio@thrustagency.com (World)

If there’s an artist to successfully traverse the treacherous divide between drum and bass, breakbeat and techno it’s Christopher Jarman’s prevailing alias, Kamikaze Space Programme. With roots indebted to the music he released on labels like Renegade Hardware under his Raiden alias, his abstract, field recorded, industrial and broken admission into the annals of electronica has seen his music backed, supported and released by the heaviest of renowned labels - namely Luke Slater's Mote Evolver, Mord to Osiris Music, Mord and Mote Evolver, WNCL, to the freshly minted Eomac’s Eotrax and further afield on Trust via Kamikaze Space Programme’s electro-minded wares. 

Having proved himself a razor-sharp edge of meticulous drum and bass production when rising up through the ranks of the genre’s definitive platforms, Kamikaze Space Programme’s hybrid sound, has joined the dots through a constellation of labels inhibiting a grey zone between UK club music and steely brutalist industrial textures. 

An accomplished session musician and avid field recording artist, Jarman’s music by and large is made up of foley sound design and sonic experimentation using bespoke apparatus and homemade microphones. Capturing internal resonances and electromagnetic radiation of objects, re-amplified or organic, classic hardware dub mixing completes the Kamikaze Space Programme aesthetic. Having worked with BBC Radiophonic Workshop and Rotterdam’s Re:Vive initiative too, there’s no denying Jarman of his credentials, with his repute as a formidable DJ and live act backed by his place in heavy weight line ups across the globe, be they at Berghain, Kompass Klub or Dommune to performing at festivals like Atonal, Krake and Kiev’s Next Sound.

Other collaborative projects, furthermore, have found their way through Simon Shreeve (aka Mønic, of Downwards and Kryptic Minds fame) to his Osiris Musik collaboration with Adam Winchester (Appleblips) under the moniker, Dot Product. He’s also proved a deft hand in the remix by taking on productions by Planetary Assault Systems, Emika and The Exaltics to NY’s The Horrorist.

Encompassing the most brutal of industrial sound design alongside intrinsic field recordings and the sleeker, low tempos and frenetic energy of jungle, breakbeats and drum and bass, Jarman’s ability to maneuver between genre and style sees the music of Kamikaze Space Programme defy classification while spiralling from one nether-spectrum of sound to the next.

Lu Salut is following