I visited the Jewish Museum in Berlin a week ago and I felt overwhelmed since I walked in the first corridor.
The Memory Void, one of the symbolic spaces on the ground level of the Libeskind building, includes the installation Shalekhet (Fallen Leaves) by Menashe Kadishman. More than 10,000 faces with open mouths, cut from heavy round iron plates, cover the floor of the ground floor void.
Menashe Kadishman’s sculptures stir painful memories of the victims of war.
The soundscape you hear within the composition is a recording I made in the Void of people stepping on the iron plates.

10,000 fallen leaves

10,000 Fallen Leaves

Italian composer and pianist Luca Longobardi represents the generation of classically trained musicians who incorporate the language of contemporary electronic music into their pieces, which are furthermore strongly connected to the multimedia arts. Born in 1976, Longobardi studied classical music in Italy and New York and went on to earn his doctorate in digital audio restoration in Rome in 2011. His works reveal a strong interaction between classical and contemporary music. The experience he has gained as a theatre musician has increased his interest in the relationship between sounds and spectacle; he has composed music for ballets and films and accompanied installations and experimental art productions (Atelier de Lumières - Paris, Carrières de Lumières - Baux-de-Provence, Kunstkraftwerk - Leipzig). At his multimedia performances and in his recordings, strongly experimental electronic music meets pure, ethereal and simple-seeming piano playing that nevertheless relays deep emotions.