Spotify: https://open.spotify.com/artist/3ZT6CL1pYRz20xt5BEhJpL
Apple Music: https://music.apple.com/us/artist/ashot-danielyan/551761240

Ashot Danielyan in the social media:
» Telegram: https://t.me/ashotdanielyancomposer
» VK: https://vk.com/club219373443
» Instagram: https://instagram.com/ashot_danielyan_composer?igshid=YTQwZjQ0NmI0OA%3D%3D&utm_source=qr
» YouTube: https://www.youtube.com/user/ashotdanielyan
» Facebook: www.facebook.com/ashot.danielyan.composer

All Ashot Danielyan Albums: https://ashotdanielyan.bandcamp.com/

» Ashot Danielyan Royalty Free Music: https://audiojungle.net/user/ashot-danielyan-composer/portfolio

Composer: DANIELYAN ASHOT MAKICHEVICH (IPI NAME 00855552512), UNITED STATES BMI.

Silence

Spotify

Ashot Danielyan - Silence

Another collaboration with Kayll Frappier and again she added such a wonderful heartfelt touch to one of my pieces.... We had some trouble finding the right sound, so I thank Lyod and Science Teheran for advice :-)

It's sort of sad but "still" we hope you enjoy it on this rainy Saturday :-)

checkout Kaylls music here: 
https://soundcloud.com/kayll-frappier

http://www.maassen-music.com

Dirk Maassen with Kayll Frappier - Still (with Cello) - pls. find me on spotify....

'Disappearing' is a piano piece that flows like a calm river in the night, carrying with it our memories, hopes, and vanities.
Life is a long goodbye, a dissolution in time.

It will be release in the rest of streaming platforms on december 1.

Best Regards!

Disappearing

A Waste Land Companion is, as its title implies, an addendum to Boris Rogowski‘s
album The Waste Land which was released in February 2023 on Piano and Coffee
Records. A meditation on the infamous eponymous 1922 poem by T.S. Eliot, The
Waste Land traces its psychological journey through a barren world in search of lifegiving
water as well as its physical journey through London on the zenith of
Modernism.

During the recording sessions for the album—whose sound is characterised by the
interplay between a string quartet, flute and a collection of specifically created,
deeply warped and tape-weathered samples—over 20 pieces were recorded.
Rogowski had originally intended to use all of them in chronological order, beginning
with the famous part about April being the „cruellest month“. However, it turned out
that a shorter playlist and a strictly musical order worked better for the album.
Rogowski decided to focus on the string-centred pieces to give the album a dreamlike,
hypnotic pull. However, as he valued the shorter, piano-based pieces just as
much, the idea for a companion (mini) album was born almost immediately.

It was a most sensible decision: Chamber gems like „The Hyacinth Girl“ and „A
Wicked Pack of Cards“, mixing English folklore with nods to Richard Wagner’s Tristan
and Isolde, might have gotten lost between the dark, monolithic soundscapes of the
album. Here, however, framed by works for solo piano and harmonium, they are
allowed to shine. A Waste Land Companion begins and ends with two piano pieces
only loosely connected to T.S. Eliot’s poem: „Dear Jessie (to Jessie Laidlay Weston)“ is
an ethereal miniature in reverence of the brilliant English medievalist whose book
From Ritual to Romance, a historical examination of the King Arthur legend, greatly
influenced Eliot while working on The Waste Land. „Universe on a shoestring“ is even
serener, a kind of exhalation after a long and arduous journey. It was the last piece
Rogowski composed during his concluding writing session in the mountains of the
island of La Palma. Here, close to the GTC, the world’s largest optical telescope, the
universe seemed closer than anywhere else on earth—and the grim world of The
Waste Land already a distant memory.

Bandcamp

Unreal City II

Along the ethereal path, silence becomes a guide, revealing secrets hidden in the shadows and memories concealed beneath the surface of time. Each step resonates like a breath drawn from unseen worlds, where echoes are molded into symbols and the eyes learn to see beyond. The journey ends not in darkness, but in a radiance of stars so silent they seem eternal, reminding us that the key has always been hidden in silence itself.

Luthrae

written and performed by luca longobardi

avalaible on Bandcamp at: http://luca-longobardi.bandcamp.com/track/residue-solo-piano-version

Residue (solo piano version)

I'm still here (Piano solo Version)

Home

It's what we don't see, when everything else is illuminated. 

Enjoy your summer, folks. 

Artwork: http://www.sxc.hu/profile/porah

Darkness is not the opposite of light

Standing Still (piano and strings edit)

<a href="http://www.gooshe.net/?p=5885">دربارۀ فابریتسیو پاترلینی، بیشتر در گوشه</a>

فابریتسیو پاترلینی - تیرگی در تقابل با روشنی نیست

Italian composer and pianist Luca Longobardi represents the generation of classically trained musicians who incorporate the language of contemporary electronic music into their pieces, which are furthermore strongly connected to the multimedia arts. Born in 1976, Longobardi studied classical music in Italy and New York and went on to earn his doctorate in digital audio restoration in Rome in 2011. His works reveal a strong interaction between classical and contemporary music. The experience he has gained as a theatre musician has increased his interest in the relationship between sounds and spectacle; he has composed music for ballets and films and accompanied installations and experimental art productions (Atelier de Lumières - Paris, Carrières de Lumières - Baux-de-Provence, Kunstkraftwerk - Leipzig). At his multimedia performances and in his recordings, strongly experimental electronic music meets pure, ethereal and simple-seeming piano playing that nevertheless relays deep emotions.