Time is Away is the London-based duo of Elaine Tierney and Jack Rollo, renowned for their exquisite sound curation that touches on a deep variety of styles.

"turn on arabic radio oscura" is an edit we've been playing for a while, blending the works of Muslimgauze and SSIEGE to create a new contextualisation of both worlds.

We've produced a limited edition of 60 transparent dubplate vinyl records, each with handmade flower design covers.

All profits will be donated to the Delia Arts Foundation, which is dedicated to supporting children and musicians in Gaza and other conflict areas around the world.

Free Palestine!

Time Is Away - turn on arabic radio oscura (Muslimgauze & SSIEGE)

Path

APPX:16 Eternal Game by @teleself

Available at: https://appendixfiles.bandcamp.com/album/appx-16-eternal-game

Credits:
Written and produced by Jordan Nason
Mastered by Ike Zwanikken
Artwork by Amos Turner

Eternal Game

all around you

Teleself - all around you [APPX:16]

The intro track off the forthcoming album, 'Me, With You' by @jonnnah – a gentle collaboration with Pavel Milyakov (@buttechno)

Still Here, Playing Gtr (feat. Pavel Milyakov)

Detox № 51 - cpuover

Post Ambient Lux by @igordyachenko

Pre-order digital & special edition 12" lathe cuts: https://appendixfiles.bandcamp.com/album/appx-lp01-post-ambient-lux

Tracklist:
01 – Melted Reality (4:17)
02 – Spectral Tracing (feat. Corell) (3:55)
03 – Emitting (4:34)
04 – Receiver (feat. mu tate) (2:40)
05 – Deviate (4:09)
06 – Sensors (3:52)
07 – Soft Liminal (3:07)
08 – Involved (feat. Nick Malkin) (3:45)
09 – Submerge (4:04)
10 – Sign (4:08)

A LP from experimental sound artist Igor Dyachenko. Featuring contributions from Corell, mu tate, and Nick Malkin the album is a masterclass in textural precision and sonic exploration. With artwork by Yaro Svyatykh and design by Amos Turner, Post Ambient Lux unfolds as one of the most appendix.files-coded releases to date—a record equally concerned with process, perception, and the emotional charge of deep listening.

The album finds focus in its opening track, Melted Reality—a trickling digital stream that gives way to a tidal swell of noise. It's followed by Spectral Tracing, featuring Corell, where this momentum disintegrates and reforms—sonic matter in flux, with molecular fragments melting, colliding, and dissolving again. On Emitting, shimmering vistas seem to generate in real time, like catching up to the edge of the universe and witnessing the raw formation of particles, dust, and energy—enormous and infinitesimal at once. Tangible references dissolve in an instant a million years long. This is an album for the deep thinker and deep listener—as much philosophical as it is sonic. If science fiction were rewritten with the restraint of contemporary minimalism, and stitched into a Craig Green silhouette, this is what it would sound like. On Deviate, the machinery of this imagined space clicks into motion—a dimensional garment assembled in precise layers, operating in intricate order to maintain equilibrium in a liminal zone.

Flipping the disc, we first hear Sensors—where rhythmic consistency hints at orientation, and a sense of direction begins to emerge. Though distractions abound, the path remains porous. Enter Soft Liminal—a moment of surrender where you begin to trust the chaos, and even find nourishment in it. That state of perpetual near-emergence begins to feel less like tension, more like clarity. Involved, featuring Nick Malkin, introduces a familiar tone breaking through the fog—an anchor within the blur—offering reality not as imposition, but as option. Then comes Submerge, inviting a full descent into liquid data, vast fields of signal moving through the nervous system. The closing piece, Sign, gathers these moments with a sense of quiet coherence. This is the wisdom of ambience—a kind of Tao for experimental sound—philosophy rendered as aesthetic, as method, as both catalyst and control.

Post Ambient Lux

Digi + Special 12"

APPX:LP01 Igor Dyachenko – Post Ambient Lux (previews)

Amb22

'In the absence of desire, everything disappears, and by merging with the world, we attain serenity'

composed & mastered by Dima Kibosh

aureole of meditation (extended)

s cycle is a sun wheel
a finger tip knows to hover
rotary dials the alphabet
and back spells a swing return.
This key warns a habit,
a rite opening up in practice:
flower that comes back as flesh

*

Wire worms up
grows back a hole
needless to pierce the night
into melting stars of blur.
The heat of light
shines in the after rain and
the sky of an eye forever soars.
Pupil echoes a lightning
bug’s glowing sound.
It bursts and
it fades and
it bursts and
yes—pupil reflects
what approaches

*

Rooftop footsteps
dust ice on deck.
Underneath
plank and bones
we are hidden passengers.
Down we hear
the reverse of an alarm.

*

Curtain of static.
Behind
the flickering surface of
laughter
bounces on mirrors
and lands on mouth.
Laughter
feeds
back.

- Marta Núñez Pouzols 

Geoff Schilling and Nathan Taylor: keyboards, effects, microphones
Dan Partridge: bowed saw (B3)
Glyn Maier: mastering
Joe Bastardo: design and layout
All proceeds to Carolina Abortion Fund (NC, USA)

ENM-10-II / SFRC004 

Laughing (ENM-10-II / SFRC004)

Living Room n°88 ~ @user-195275547

q. pls introduce yourself…
Hello, we are forest.exe (Sven and Silvan). We run a label that focuses on ambient, avant-garde and experimental music. It is called Jurassic Ambient Records. The name is inspired by the Jura forests in Switzerland, where we live and grew up. We create our own mixes and also release guest mixes as well as music from friends and anyone interested. We started about four years ago. Over time, we gradually moved away from technoid sounds and club culture, and began experimenting and mixing together within the genres of ambient, experimental and drone, where we felt more at home. For us, it is essential to connect music with the wellbeing in nature, which is also the origin of everything.

q. is there a story behind the mix?
This time we created the mix with Ableton in Sven’s home studio, nestled near the Jurassic forest — not, as we usually do, in a rehearsal room with a Pioneer setup. It was a warm and luminous day at the very beginning of summer. Surrounded by nature, we let the atmosphere guide us, working spontaneously and intuitively. Instead of CDJs, we wanted to explore a new approach, giving ourselves more time and space to shape the flow. This allowed us to engage more deeply with each track and to sculpt the transitions with greater precision.
The result is a mix that feels reduced and calming, almost dreamlike, yet still carries a quiet strength. It mirrors the uncertainties and concerns we feel about the world, and the question of how we might navigate through them. We dedicated an entire day to the process, with pauses, a few beers, and long conversations about the value of music and the character we wanted this mix to embody.

q. what’s the best way to enjoy your mix?
Step into the forest, put on your headphones, leave the world behind and sink into natural, calming sounds. You might wander along the paths and lose yourself in the embrace of nature, or sit quietly on a tree stump, listening to the mix while observing the subtle life unfolding around you. This is, in essence, what our name forest.exe is meant to evoke.

q. describe a favourite object in your living room...
Silvan: My favourite object in my living room is a handmade ceramic piece with an organic, natural design. I discovered it in Krakow last year during my visit to the Unsound Festival.
Sven: Hehe… epic indeed. My favorite object in my living room is a triptych of three Japanese woodblock prints. In the first, several farmers brandishing katanas burst forth with fierce cries. In the second, a lone farmer leaps dramatically over a waterfall, sword in hand. And in the third, a bear flees from the oncoming attackers. The imagery is raw and powerful, yet strangely inspiring. I don’t know the artist or when the pieces were created — but stumbling upon them in an antique shop felt like a stroke of fortune, as if they had been waiting there for me.

q. are you working on any projects right now (music or not music)?
We are both working on new music, though it often takes a lot of time — which can be challenging, since we both work more or less full-time as social workers, and Sven also has children. Still, we meet regularly to create ambient mixes, discuss musical developments, and continue shaping our vision for the label. Through it, we keep releasing new mixes as well as music (EPs) from ourselves and from other artists.
What we love is that this project has been with us for quite some time, and we can move at our own pace — deciding how much energy to put in, or when to slow things down. That way, it never becomes stressful, because we are not chasing success, but rather sharing our musical principles and offering others a fresh listening experience. We are also searching for a spot in the forest where we can record outdoor mixes, letting nature inspire our music even more directly.

Living Room n°88 ~ forest.exe

Ambient electronic soundscapes for your pleasure, relax, chillout and enjoy.

Path

Lucas Dupuy