Pavel Milyakov & Lucas Dupuy - Heal

Time is Away is the London-based duo of Elaine Tierney and Jack Rollo, renowned for their exquisite sound curation that touches on a deep variety of styles.

"turn on arabic radio oscura" is an edit we've been playing for a while, blending the works of Muslimgauze and SSIEGE to create a new contextualisation of both worlds.

We've produced a limited edition of 60 transparent dubplate vinyl records, each with handmade flower design covers.

All profits will be donated to the Delia Arts Foundation, which is dedicated to supporting children and musicians in Gaza and other conflict areas around the world.

Free Palestine!

Time Is Away - turn on arabic radio oscura (Muslimgauze & SSIEGE)

Path

Room

Flutes of doom

Air x

Deep gtr

APPX:16 Eternal Game by @teleself

Available at: https://appendixfiles.bandcamp.com/album/appx-16-eternal-game

Credits:
Written and produced by Jordan Nason
Mastered by Ike Zwanikken
Artwork by Amos Turner

Eternal Game

all around you

Teleself - all around you [APPX:16]

The intro track off the forthcoming album, 'Me, With You' by @jonnnah – a gentle collaboration with Pavel Milyakov (@buttechno)

Still Here, Playing Gtr (feat. Pavel Milyakov)

Detox № 51 - cpuover

Amb22

'In the absence of desire, everything disappears, and by merging with the world, we attain serenity'

composed & mastered by Dima Kibosh

aureole of meditation (extended)

Living Room n°88 ~ @user-195275547

q. pls introduce yourself…
Hello, we are forest.exe (Sven and Silvan). We run a label that focuses on ambient, avant-garde and experimental music. It is called Jurassic Ambient Records. The name is inspired by the Jura forests in Switzerland, where we live and grew up. We create our own mixes and also release guest mixes as well as music from friends and anyone interested. We started about four years ago. Over time, we gradually moved away from technoid sounds and club culture, and began experimenting and mixing together within the genres of ambient, experimental and drone, where we felt more at home. For us, it is essential to connect music with the wellbeing in nature, which is also the origin of everything.

q. is there a story behind the mix?
This time we created the mix with Ableton in Sven’s home studio, nestled near the Jurassic forest — not, as we usually do, in a rehearsal room with a Pioneer setup. It was a warm and luminous day at the very beginning of summer. Surrounded by nature, we let the atmosphere guide us, working spontaneously and intuitively. Instead of CDJs, we wanted to explore a new approach, giving ourselves more time and space to shape the flow. This allowed us to engage more deeply with each track and to sculpt the transitions with greater precision.
The result is a mix that feels reduced and calming, almost dreamlike, yet still carries a quiet strength. It mirrors the uncertainties and concerns we feel about the world, and the question of how we might navigate through them. We dedicated an entire day to the process, with pauses, a few beers, and long conversations about the value of music and the character we wanted this mix to embody.

q. what’s the best way to enjoy your mix?
Step into the forest, put on your headphones, leave the world behind and sink into natural, calming sounds. You might wander along the paths and lose yourself in the embrace of nature, or sit quietly on a tree stump, listening to the mix while observing the subtle life unfolding around you. This is, in essence, what our name forest.exe is meant to evoke.

q. describe a favourite object in your living room...
Silvan: My favourite object in my living room is a handmade ceramic piece with an organic, natural design. I discovered it in Krakow last year during my visit to the Unsound Festival.
Sven: Hehe… epic indeed. My favorite object in my living room is a triptych of three Japanese woodblock prints. In the first, several farmers brandishing katanas burst forth with fierce cries. In the second, a lone farmer leaps dramatically over a waterfall, sword in hand. And in the third, a bear flees from the oncoming attackers. The imagery is raw and powerful, yet strangely inspiring. I don’t know the artist or when the pieces were created — but stumbling upon them in an antique shop felt like a stroke of fortune, as if they had been waiting there for me.

q. are you working on any projects right now (music or not music)?
We are both working on new music, though it often takes a lot of time — which can be challenging, since we both work more or less full-time as social workers, and Sven also has children. Still, we meet regularly to create ambient mixes, discuss musical developments, and continue shaping our vision for the label. Through it, we keep releasing new mixes as well as music (EPs) from ourselves and from other artists.
What we love is that this project has been with us for quite some time, and we can move at our own pace — deciding how much energy to put in, or when to slow things down. That way, it never becomes stressful, because we are not chasing success, but rather sharing our musical principles and offering others a fresh listening experience. We are also searching for a spot in the forest where we can record outdoor mixes, letting nature inspire our music even more directly.

Living Room n°88 ~ forest.exe

stream / download: 
https://lyrambient.fanlink.tv/suffering-in-silence

Follow me: 
► Spotify: https://open.spotify.com/artist/2yTJYxhglamTW9F83R8wSV?si=QLNn910WRt61nfzkwzPVgg
► Tiktok : https://tiktok.com/@lyrambient
► Instagram : https://instagram.com/lyrambient/
► Soundcloud: https://soundcloud.com/lyrambient
► Twitter/X : https://twitter.com/lyrambient
► Follow to my Spotify playlist: https://open.spotify.com/playlist/4tLMn3E3zalbrXzcydAFPu?si=49d1c0f03a1e4328

suffering in silence

Dark ambient Dreamscapes for you to enjoy. Relax, unwind, meditate and chillout

DARK AMBIENT - THE DARK BELL TOLLS

Hanuš is out now from @stereoscenic :
https://dreone.bandcamp.com/album/hanu

Digipack with a hard-book style cover, 7mm spine. Glass-mastered CD with paper inner-sleeve is held in a printed sleeve (3mm spine) glued to the inside of the book. Edition of 100.

Also streaming:
Spotify 
https://open.spotify.com/album/4kT5pNtEoedBdqYe37pgJ6

Amazon Music
https://music.amazon.com/artists/B08QYPYMMQ

Hanuš is a holistic collection of remembrance and reflection of my late friends John and Jacob, both of which are the names of the main characters in the film Spaceman which coincidentally became a deep inspiration while writing, recording and forming its concept. The overall theme of the Dreone project (as some may already know from Driftdown Procedure) is that the souls and spirit of my fallen companions live within the systems of a sentient spacecraft and its humanoid manifestation/android, the notion of which allows me the mental freedom to explore the cosmos through music and be a bit more experimental with my sound. This album in particular is about them traveling together through the echoes of memories and the loneliness of space to witness the beginning and end of everything, leading the listener to acceptance through catharsis. 

Gear used on this album includes, Arturia Mini and Microfreak, Arturia Pigments, Tascam 414 MKII tape loops, Luftrum Bioscape, ESP LTD MH-400 B Baritone guitar, Collision Devices Blackhole Symmetry, and Bitwig.
music & artwork by Bryan Hilyard 
with special guests AJK and Brian Stegmann 
mastering by Andrew Klimek 

Path

Lucas Dupuy

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