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GG Allin - Die When You Die

Bolt Swallower

Following countless years of personal hardships, studio disasters and times of music industry indecision, New Orleans’ own EYEHATEGOD, with much relief and excitement, are proud to announce the release of their brand new full-length! Entirely assembled and financed by the band, the self-titled, eleven-track long player will be released on May 27th by their partners at Housecore Records in North America, May 26th by Century Media in Europe, Australia and New Zealand and May 21st by Daymare in Japan.

Comments vocalist Mike IX Williams, “I have to say I don’t believe we’ve lost nary a step in the creation of this album and we think these newer songs are a killer combination of classic EYEHATEGOD mixed along with our best production, mixing, engineering and songwriting in thirteen years. The main and total tragic break in the chain, was obviously last year’s death of our great friend and drummer Joey LaCaze. However, his original drum tracks made it onto the final master recordings and we’re fucking psyched about that… As for working with Housecore, it was a no-brainer. We’ve always been a family, and will always remain a family.”

Adds Housecore founder Philip H. Anselmo, “Being a part of the new EHG record is a dream come true. I’ve known, supported and loved the guys for almost as long as I’ve been playing music myself, and it is our pleasure here at The Housecore Records Compound to have ‘em aboard. And I gotta mention, having heard the new record, this is the EYEHATEGOD record every true fan has been waiting for…. Hail!”

As a band that helped create a genre as well as equate a city with a sound, EYEHATEGOD has always remained humble anytime words like “legend” were thrown around to describe them. The thing with legends is that they grow stronger in time and over the years, word of mouth has been kind to the band. EYEHATEGOD is bigger now than they ever have been in their twenty-five plus years as a band. Pretty impressive seeing as they haven’t released a full-length album in almost fifteen years. Most people who know the band have a story to tell or they heard a story about the guys. Whether it was them playing nothing but feedback to a bewildered White Zombie crowd during their opening stint for the arena metal band in the mid-nineties, being banned from a certain venue for attacking a promoter with a barstool or cleaning  out entire small towns of their drug supply, these stories spread  throughout the metal community over the years, usually through a game of one-up-manship, establishing them as one of the most notorious bands around.

Certainly not the first band to be surrounded by myth and lore, EYEHATEGOD’s staying and growing power ultimately comes from the music. No one riffs like Jimmy Bower and Brian Patton. Drummer Joey LaCaze grooved and held it together with numerous bass players throughout the years, doing so impeccably with Gary Mader over the past decade. Singer Mike IX Williams has always been able to encapsulate the ruins of life through his lyrics and vocal delivery.  All combined, the music is the most genuine, distressing cacophony of sound around.

“Black Sabbath mixed with Black Flag with a little bit of Skynyrd and the element of blues thrown in there,” Bower once said of the band’s sound. In 2014 that style might sound somewhat commonplace. In 1988 it most definitely was not. The band’s second album, 1993’s Take As Needed For Pain is the pinnacle album that other bands of this genre to this day try to reach. Today, EYEHATEGOD sounds as fresh and innovative as ever. When the band released its first new track in over a decade, “New Orleans Is The New Vietnam,” it was clear that nothing about the band had changed. They were touring more than ever and used that time and energy to work on an album’s worth of songs. At the end of 2012 they were ready.

The recording process for Eyehategod started with producer Billy Anderson back in the fold (he recorded 1996’s Dopesick). The session saw both producer and band not quite on the same page and at the end, the album was unfinished. A few months later, the band reconvened at longtime friend Phil Anselmo’s home studio with producer Stephen Berrigan (Down). Both Anselmo and Berrigan helped draw out the missing pieces to one of underground metal’s most anticipated albums in years.

An unexpected tragedy occurred shortly upon returning home from a recent five-week European tour in the Fall of 2013: Joey LaCaze passed away due to respiratory failure. An outpouring of condolences and tributes spread online. Enough can’t be said of the loss felt by the band, family and friends. Fortunately, LaCaze’s drum tracks were captured by Anderson and appear on the album, creating the definitive tribute for the member of the band who encapsulated best just what EYEHATEGOD was all about; seriously not taking yourself too seriously. New Orleans native, Aaron Hill (Mountain Of Wizard, Missing Monuments), took over for Joseph LaCaze without missing a beat, both figuratively and literally. The band hit the road after wrapping up the record and plan to embark upon their most exhaustive touring schedule to date.

EYEHATEGOD:
Mike IX Williams – vocals
Jimmy Bower – guitars
Brian Patton – guitars
Gary Mader – bass
Aaron Hill – drums

http://www.eyehategod.ee
http://www.facebook.com/OfficialEyeHateGod
http://www.thehousecorerecords.com

EYEHATEGOD - "Robitussin And Rejection"

Eyehategod-New Orleans Is The New Vietnam

Agent Orange - Too Young To Die

Aus Rotten - Sexist Appeal

What've you been doing on this track, Lucas Toledo? Recording, Mixing, Mastering and Produced by Lucas Toledo www.lucastoledo.me

Cover interpreted by Los Lügers.
Everything recorded live but vocals in 2008.

❤️  Free download ❤️

GG ALLIN | Bite It You Scum

All Credits Go To
GG Allin & Orange Records Ltd.


GG Allin - Don't Talk to Me

descendents. bikeage

performed by: Crass, from the album: The Feeding of the 5000

~Banned from the Roxy (1978)~

Banned from the Roxy... O.K.
I never much liked playing there anyway.
They said they only wanted well behaved boys,
Do they think guitars and microphones are just fucking toys?
Fuck 'em, I chosen to make my stand,
Against what I feel is wrong with this land.
They just sit there on their overfed arses,
Feeding off the sweat of less fortunate classes.
They keep their fucking power cause their finger's on the button,
They've got control and won't let it be forgotten.
The truth of their reality is at the wrong end of a gun,
The proof of that is Belfast and that's no fucking fun.
Seeing the squaddy lying in the front yard,
Seeing the machine guns resting on the fence.
Finding the entrance to your own front door is barred
And they've got the fucking nerve to call it defence.
Seems their defence is just the threat of strength,
Protection for the privileged at any length.
The government protecting their profits from the poor,
The rich and the fortunate chaining up the door.
Afraid that the people may ask for a little more
Than the shit they get. The shit they get.
The shit they get. The shit they get.
The shit they get. The shit they get.
The shit they get. The shit they get.
DEFENCE? SHIT, IT'S NOTHING LESS THEN WAR
AND NO ONE BUT THE GOVERNMENT KNOWS WHAT THE FUCK IT'S FOR.

Oh yes they say it's defence, they say it's decency,
Mai Lai, Hiroshima, know what I mean?
The same fucking lies with depressing frequency,
They say "We had to do it to keep our lives clean"
Well whose like? Whose fucking life?
Who the fuck are they talking to?
Whose life? Whose fucking life?
I tell you one thing, it ain't me and you.
And their system, christ, they're everywhere,
School, army, church, corporation deal.
A fucked up reality based on fear,
A fucking conspiracy to stop you feeling real.
Well ain't got me, I'd say their fucking wrong,
I ain't quite ready with my gun, but I've got my song...
Banned from the Roxy, well O.K.
I never much liked playing there anyway.
GUNS.

Banned From The Roxy

05 Black Flag-Depression

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GG ALLIN | Bite It You Scum

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