Love this track. Would like to know more about your use of SuperCollider for this

Estudo de gravação de campo, piano e síntese.  (abril 2021)
Gabriel Dargains.

Olho pra janela descontando o tempo..

Counting Out

Window Recording was composed in social isolation during the ongoing pandemic crises 
recording sounds from my apartment window. Most of its sounds were treated and 
transformed in Csound environment and mixed in Reaper. It deals with the paradox situation 
of been inside my apartment and trying to reach the streets, other people and social life. It’s a
self imprisonment trying to be safe and at the same living imaginable social activities such as 
standing in front of a square, a museum, a bar, a forest, a port. The title is a reference to field 
recording art and a mutation of its ideas, practices, and goals. Listen with headphones.

window recording.wav

Site recording of 'Partials' at Miguel Abreu Gallery, New York, October 13, 2021–December 4, 2021 . 
" ... at stake is an explicit refusal of the pervasive notion that sound, over and above the other senses, is a universally immersive and unmediated experience. Instead, 'Partials' takes off from the knowledge that our sense of sound is always incomplete, differential, phenomenally distinct and materially pliable... " More: www.marinarosenfeld.com/partials

'Partials'

Fist part of an audio essay I did for Patricia Reed's Value and Noise: Inhabitation at High Dimensions, CCC Master Symposium
on March 30th 2022.
Full recording of the event is available here: https://www.youtube.com/watch?v=CobTgRY1w3Y

In both this and part II I use soundclips from the following sources:

On Part I
J.-P. Caron and Gustavo Torres: 
~Ø (não-vazio) música para sons de suportes tecnológicos não gravados e/ou gravados com o próprio processo de gravação 
Full album: https://seminalrecords.bandcamp.com/album/no-vazio-mpsstnggcoppg

On Part II

J.-P. Caron: Breviário 
Full album https://estranhasoccucoes.bandcamp.com/album/brevi-rio

Aka Mortuário: C32
Full album https://seminalrecords.bandcamp.com/album/c32

Dehors: Dehors
Full album https://seminalrecords.bandcamp.com/album/dehors

Dehors (live)
https://www.youtube.com/watch?v=TWVoXeoJ4so
Full album of the tour : https://archive.org/details/dehors_minitour2016/

Exemplifying Anonimity part I

Excerto da faixa terramuda (I), parte do álbum Terramuda, lançado pelo selo Música Insólita. Ouça, apoie e baixe o álbum completo em: https://musicainsolita.bandcamp.com/album/terramuda

Excerpt from the track terramuda (I), from the album Terramuda, released through Música Insólita. Listen, support and download the full album at: 
https://musicainsolita.bandcamp.com/album/terramuda

---

Composição e produção por Lucca Totti
Masterização por Paulo Dantas
mar.--dez./2021
Lançado mai/2022 pelo selo Música Insólita


Composition and production by Lucca Totti
Mastering by Paulo Dantas
mar.--dec./2021
Released may/2022 through Música Insólita

Terramuda

terramuda (I)

terramuda (I) (excerto - álbum lançado pelo selo Música Insólita)

tplgy.1: our rituals, not as brutal as theirs (live at Audio Rebel)

recorded live in Bristol, not mixed, raw file, bootleg stylings

Bristol New Music Festival
recorded by A. Gardiner (anniegardiner.bandcamp.com)

April 2024
credits
released May 28, 2024

Matana Roberts: banter, soprano saxophone, sing speak

Kindred spirit witnesses: vocals and good vibes

Ph. cr.: M Roberts: Palestine Solidarity Bristol 4/27/24
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I am You - Dr. Refaat Alareer

…Look in the mirror:
The horror, the horror!
The butt of your M-16 on my cheekbone
The yellow patch it left
The bullet-shaped scar expanding
Like a swastika,
Snaking across my face,
The heartache flowing
Out of my eyes dripping
Out of my nostrils piercing
My ears flooding
The place.
Like it did to you
70 years ago
Or so.

I am just you.
I am your past haunting
Your present and your future.
I strive like you did.
I fight like you did.
I resist like you resisted
And for a moment,
I’d take your tenacity
As a model,
Were you not holding
The barrel of the gun
Between my bleeding
Eyes.

…The very same gun
The very same bullet
That had killed your Mom
And killed your Dad
Is being used,
Against me,
By you.

Mark this bullet and mark in your gun.
If you sniff it, it has your and my blood.
It has my present and your past.
It has my present.
It has your future.
That’s why we are twins,
Same life track
Same weapon
Same suffering
Same facial expressions drawn
On the face of the killer,
Same everything
Except that in your case
The victim has evolved, backward,
Into a victimizer.
I tell you.
I am you.
Except that I am not the you of now.

I do not hate you.
I want to help you stop hating
And killing me.
I tell you:
The noise of your machine gun
Renders you deaf
The smell of the powder
Beats that of my blood.
The sparks disfigure
My facial expressions.
Would you stop shooting?
For a moment?
Would you?

All you have to do
Is close your eyes
(Seeing these days
Blinds our hearts.)
Close your eyes, tightly
So that you can see
In your mind’s eye.
Then look into the mirror.
One. Two.
I am you.
I am your past.
And killing me,
You kill you.

I AM YOU

“Ciranda das Mulheres - por dentro e por fora da 9a. Mostra de Música Leão do Norte”. Peça radiofônica por Janete El Haouli e Julio de Paula, resultado da residência artística de criação radiofônica realizada entre os dias 9 e 13 de outubro de 2017, em Caruaru, promovida pelo SESC Pernambuco. O trabalho de escuta das paisagens sonoras da cidade de Caruaru, bem como dos ambientes de debate, oficinas e performances da mostra, estimulou a criação da peça 'Ciranda das Mulheres" como um 'retrato sonoro' ou um 'cinema para os ouvidos'. Fruto de imersão no universo das cantoras, compositoras e pesquisadoras, as cenas foram construídas em planos acústicos que fluem de forma onírica a partir de falas, entrevistas, depoimentos, cantos, oficinas, seminários, concertos. 

A peça conta com participação colaborativa de Agda Moura, Ana Carolina Murgel, Anastácia Rodrigues, Badi Assad, Bia Marinho, Camila Yasmine, Cátia de França, Ceumar Coelho, Déa Trancoso, Diego Janatã, Djuena Tikuna, Gabi da Pele Preta, Inaicyra Falcão, Janete El Haouli, João do Pife, Juçara Marçal, Letícia Bertelli, Marcela Bertelli, Maria Helena, Marlui Miranda, Mawaca, Ná Ozzetti, Nathália Fragoso, Regina Machado, Renuzia Neta, Riá Oliveira e Sofia Freire.

Citações musicais (fragmentos): "Akoj té" (tradição Ikolen-Gavião. arr.: Magda Pucci), "Assovios do Soyeteh” (tradição Paiter Surui – adapt.: Marlui Miranda), "Bará" (Juçara Marçal), Cântico para Yemanjá" (tradição afro-brasileira. adapt.: Maria Helena), "Ciranda" (Paulo Coelho e Cátia de França), "Eremona” (tradição Mekragnoti/Kayapó – adapt.: Marlui Miranda), "Frevo e Ciranda" (Capiba), "Iyá Awó" (Inaicyra Falcão), "Moça Namoradeira" (Lia de Itamaracá), "Oração do Anjo" (Ceumar e Mathilda Kóvak), "Pássaros, Mulheres e Peixes" (Alessandra Leão e Xico Sá), "Quando eu lembro do dia de hoje" (tradicional do moçambique de Justinópolis), "Saudação para os donos da casa em Uruá" (Déa Trancoso), “Suíte Afro-Recifense - Cântico de Oxum” (José Amaro dos Santos), "Waves" (Badi Assad). Com poemas de Ágda Moura e Djuena Tikuna em depoimento sobre a liderança feminina no cotidiano de seu povo.

Paisagens sonoras captadas na Feira de Caruaru (Sulanca), no Distrito de Murici e na Procissão de N. S. Aparecida, Paróquia de N. S. Aparecida, bairro de Rendeiras.

Pesquisa/referência: "Cartografias da canção feminina: compositoras brasileiras no século XX (Ana Carolina Murgel).

'Ciranda das Mulheres' by Janete El Haouli and Julio de Paula

lowtide

undertow

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Processos Criativos @ USP

terramuda (I) (excerto - álbum lançado pelo selo Música Insólita)

Lucca Totti

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