From the '17 CD "Autumn's Soul". Played on a Tony Vines Artisan guitar in dropped D tuning, capo #2.
In composing this tune, I definitely had the feeling of someone waiting for a loved one, not knowing if that person would arrive. Wondering, hoping......never sure. An image of a lonely train station as the setting for this uncertain and fragile moment. 
Thanks for listening!

WHILE I WAIT FOR YOU

From the new album: Blink Twice - Other Locations [Expanded Edition]

https://moodexhibit.bandcamp.com/album/blink-twice-other-locations-expanded-edition

Other Locations was originally released in 1996 on the German record label Broken Seal. It was the first CD release from Blink Twice and the label's second release.
At the time there was a zine culture in electronic music, where artists would send their cassettes through the mail to different underground music zines for review across the globe. It was really the only way to get one's music heard.
After putting out numerous cassettes in the early to mid 1990s, Blink Twice had earned a reputation as a unique dark ambient artist in America.
www.discogs.com/artist/48238-Blink-Twice

The dark mysterious sound of Blink Twice resonated in European countries, with favorable reviews in the Slovakian zine Crewzine, the Belgian leading electronic magazine Side-Line, Phosphor, and Wounded magazine from Lithuania. Blink Twice was also featured in American industrial magazines Outburn and Industrial Nation, as well as sonic-boom
sonic-boom.com/review/blink.twice-1.html

The sound of Blink Twice earned comparisons to artists like early Delerium, Dead Can Dance, Nightmare Lodge, SPK, and some of the Cold Meat Industry roster from Sweden such as Raison d'etre, Morthound, and Deustch Nepal. Although generally classified under the genre of "dark ambient", Blink Twice utilized much more melody and percussion than most ambient. Many tracks display the melodic layering and tribal percussion that are showcased in some current Mood Exhibit material.

"Other Locations" is finally available here on the Mood Exhibit Bandcamp page, Robert Salchak's official distribution for all his music.
It includes a large selection of bonus material from the era (1993-1996) that was either never released or only available on cassette.

Hidden as the last track is an epic nearly 15 minute tribal ambient excursion that can only be described as Dead Can Dance era Spiritchaser" (1996) meets Delerium era "Spheres I"(1994)

It is an essential historic document for followers of Mood Exhibit, as well as any fan of dark ambient/neoclassical/tribal/cinematic sounds.

Blink Twice - Subsistence

Mood Exhibit - Towards Content

Original lyrics and vocal performance by the wonderful @diamondlajolie

[ d o w n l o a d a b l e ]

Wasichschreibenmuss (Featuring diamondlajolie)

Next Journey

Made in #Ableton; Re-Release

Video;
https://youtu.be/r7OznW1BiXI?si=dkrB_ZdX9e2oEQUs

Genres;
#Electronic
#Pop

Tense Souls

Wonder Winterland

Music : Fin Valentin & PJ Project
Lyrics : Fin Valentin

Bass & lead vocal: Fin Valentin
Drums: Max Christensen
Keybord : Kim d Blanc ( PdB Orchestra )
Guitar & 2 vocal: PJ Project

En flad ti'er

Billeder W/ Hit Med Pengene

Boris Rogowski – The Darkness of Future Past
(out on piano and coffee records on November 7, 2025)

Jonas Burgwinkel—drums
Viktorija Kukule—vocals
Roland Muenchow—flute
Boris Rogowski—keyboards, (bass) guitar, percussion, programming, vocals
David Schuette—cello
Isabelle Seemann—vocals

Press info:
Somehow, Boris Rogowski’s The Darkness of Future Past manages to go from Renaissance and Baroque influences and minimalist piano pieces via Ambient all the way to arena-sized pop music. It has no right to work, but it works perfectly. I don’t know how.
If I had only one word to describe its general mood, I would call it haunting. And the album itself is haunted, too, by the ghosts of the past, of classical composers (Orlando DiLasso, Eric Satie and Alfred Schnittke explicitly, many others lurk in the shadows) and more recent musical specters. It’s called The Darkness of Future Past, and yes, that’s a Twin Peaks reference… but let’s not make too much of it, there are no real connections (I think!) except for a general love of mystery, darkness and beauty.

In contrast to Rogowski’s 2023 album The Waste Land that was largely defined by a good amount of classical rigor, consistent chamber instrumentation and a complete lack of vocals, The Darkness of Future Past is almost loose: We have long, winding instrumental pieces that straddle Ambient (The Past, Like a Strange Bird), Minimalism (The Bloom and the Flutter) and Jazz noir (the title piece). They are humming with sounds and melodies that always seem in a state of either synthesis or decay, giving way to one another or sticking around in the form of eerie echo loops that build up a dreamlike musical structure always on the verge
of collapsing into itself.
Those long-form soundscapes, some of which feature ominous spoken Journal Entries, alternate with solo piano pieces that sound like at least three different instruments—but were, in fact, all recorded with an old upright built in 1906 by some regal German manufacture. The audaciously titled Gymnopedie No. 4 wears its influence on its sleeve—and delivers on its promise: Rogowski’s love, respect and understanding of the original works of Eric Satie shine through in every note. Similarly, the other piano pieces, from the tiptoeing Sleeping Dogs to the dreamy, improvisational One Lonely Autoresponder Message, feel a bit like memory palaces—reminiscent of music that has always been around, but at the same time very much their own beasts.
And then, of course, we have the songs: Nothing Wrong is strikingly beautiful, its sparse musical arrangement serving as the perfect bed for Rogowski’s falsetto and the ghostly choir backing it. breatheINbreatheOUT is downright scary, like a field recording of some strange initiation rite: The words ‘breathe in, breathe out, it’s all right/mankind is no longer your kind’ are delivered in a moody croon that seems to channel the later Scott Walker.
And then, just when you think you have finally figured out how this album works, it leaves you with Them!, a monolithic sound colossus that begins as a shoegaze-y electro pop song and develops over 6 minutes into an arena-sized hymn with an otherworldly female voice lamenting ‘What a lonely world’ over and over. Rogowski did much of the work on The Darkness of Future Past in a desert cabin near Joshua Tree—maybe he passed Coachella on his way back; that, at least, would be a good explanation of the sound of Them!

There is a very clear and distinct consciousness of the past, and there are projections into the future that are as nebulous as they are frightening. The Darkness of Future Past has the power to conjure up mysteries, to shed just the right amount of light on them and keep us intrigued—without ever giving them up or serving us easy explanations. The beauty of the music itself remains a secret, one that Boris Rogowski as its composer seems hell-bent on protecting. After all, no-one needs to know who killed Laura Palmer.

Journal Entry #2—The Bloom and the Flutter : DiLasso, Schnittke, Goats, Ghosts

Toprak Oldum

Inside My Mind, Inside Yours (instrumental)


Loo(p)cy is a project by Italian multi-instrumentalist Lucia Caiazza. She began studying classical piano then she fell in love with  electric guitar, becoming a rock guitarist and singer during her teenage years and beyond.  During the  last 8 years, Loo(p)cy has released 11 albums, alone and collaborating with other musicians.  Her style has evolved into electronics, noise, post rock with oniric soundscapes.

https://loopcy.bandcamp.com/

https://youtube.com/@luciacaiazza?si=xh1sUtf36R4m7Yrt