힘껏 사랑하자(Demo)

Footprints

Kalimba, synths, samplings, sequencings, field recordings, virtual instruments by 루시드폴
Piano 조윤성
Electric Bass 황호규
Drums 신동진
Clarinet and saxophones 손성제
Percussions 파코 드 진
1st Violin 주연경
2nd Violin 배창훈
Viola 대일김
Cello 정승원

All sounds captured or created by 루시드폴 @ 고요연구소
Produced and engineered by 루시드폴 @ 고요연구소
Mastered by Taylor Deupree @ 12k mastering

*Partly recorded by 김영선 (Assistant 장규완) @ 악당 이반 스튜디오

** 본 녹음에 사용된 칼림바는 대한민국 산림청에서 제작한 국내산 느티나무 칼림바입니다. 악기 협찬에 도움을 주신 산림청 관계자분들께 깊이 감사드립니다.

Express your pain

All sounds captured or created by 루시드폴 @ 고요연구소
Produced and engineered by 루시드폴 @ 고요연구소
Mastered by Taylor Deupree @ 12k mastering

With your eyes open

연인

너를 향하고 있어

Shiver(cover)

Suncycle (Frozen)

Cleaning the vault. It's soundcloud lmao. I can post whatever I want.
Follow la familia: 
https://soundcloud.com/xyzpleads
https://soundcloud.com/fumenahh
https://soundcloud.com/djdownstem

high tide low tide

piano sound diary 0823 w/noise

This piece places a quiet piano performance against a subtle background of noise textures.
I sampled and layered two types of noise:

Gray noise (shaped from white noise with EQ, softened into a fog-like presence)

Pink noise (a warm, grounded layer that slowly emerges in the second half)

By combining these two noise sources, the background gains both depth and atmosphere,
like a shaded canvas on which the piano can unfold its diary-like reflections.

Today’s piano sound diary 0823 w/noise
was created by sampling and blending two different kinds of noise.

piano sound diary 08/23/25 w/noise

The synthesizer, the Jin-Gyul tree (citrus sunki hort. ex Tanaka), and myself - this piece is an improvised combination of the three. I ran sounds from the software 'Fundamental' through various settings according to a probabilistic algorithm and recorded them. I took the electrical signals of a citrus tree and converted them into MIDI notes, recording them thereafter. I realized that the tree was different from other random signal generators. It was very sensitive to, and interacted with the various stimuli around it. Its patterns differed completely from one day to the next. It would be completely silent for tens of seconds, before suddenly bursting into chatty sounds. It was impossible to predict what sounds it would produce - something that you cannot expect from machines. I took the MIDI notes thus acquired and recorded them in the voices of virtual instruments. I finished the recording by layering on my own sounds - sounds that I improvised while I listening to these sounds I had already recorded. 

/ Lucid Fall


신시사이저와 진귤 나무(Citrus sunki hort. ex Tanaka), 그리고 저까지- 셋의 즉흥 연주가 합쳐진 곡입니다. ‘Fundamental' 이라는 소프트웨어의 소리를 여러 가지 세팅의 확률 알고리즘에 따라 녹음했습니다. 그리고 진귤 나무의 전기 신호를 받아 미디 노트로 기록했습니다. 나무는 여타 다른 랜덤 시그널 제네레이터와 다르다는 걸 알았습니다. 주변의 여러가지 자극에 매우 민감하고 상호적으로 반응했기 때문입니다. 이틀에 걸친 연주 패턴도 서로 완전히 달랐습니다. 신호를 내고 싶지 않을 때엔 몇 십초 넘게 가만히 있다가 갑자기 수다스럽게 소리를 낸다든지, 기계에선 기대할 수 없는 패턴으로 연주를 했습니다. 이렇게 녹음해 둔 미디 노트를 몇 가지 가상 악기 음색으로 구현했습니다. 저는 이렇게 녹음된 음악을 들으며 여러 레이어의 소리를 즉흥적으로 덧입혀 녹음을 마무리 했습니다.

/ 루시드폴