Recorded with Kontakt pianos by Native Instruments. Added Borderland Granular on iPad/AUM and Make Noise Strega.

Photo by zenbytes (2022, Darss Peninsula, Germany)

Inspired by Naviar Haiku 484:
https://naviarlab.tumblr.com/post/714397407810617344/naviarhaiku484-misty-daydream

shore of my childhood - Naviarhaiku 484

Hardstyle Set 2.5 by Lucid Core

For this, I continued down the road paved by my 0605 & 0606 submissions, these being extensions of what I did for 0530 and the subsequent album of its evolutionary brothers and sisters.

Recorded, mixed & mastered 31 Aug 2023 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa.

Synths & effects

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This original version of "Please My Parching Tongue" was submitted as part of ​Disquiet Junto Project 0609: Speed Limit Pt 1. Record a track at precisely 60 BPM with the intention someone will subsequently rework it.

More on the Disquiet Junto at: disquiet.com/junto/
Discussion took place on https://llllllll.co/t/disquiet-junto-project-0606-three-to-one/63610
Artwork/photo by Jim Lemanowicz, 31 May 2017, Boston, MA, USA

Look for me at patreon.com/blisterpop - patrons get my albums for free!

A newer mix of this piece was included on the 2024 album All Roads Lead To Jimmy Lem
https://music.blisterpop.com/album/all-roads-lead-to-jimmy-lem 

This track was originally released under the artist name "Lumber Mart."

Music & art © 2017, 2025 Jim Lemanowicz

All Roads Lead To Lumber Mart

Please My Parching Tongue (disquiet0609)

id[A] - 2

Step 1: Pick a single percussion instrument.

Step 2: Record between 4 and 12 different short examples (roughly 20 to 60 seconds each) of playing that instrument. Imagine that each recording is by a different musician exercising a different aspect of the instrument. Make no deliberate attempt to match key or tempo or sonic quality between them.

Step 3: Imagine moving through space over the course of time, and encountering the sounds — overlapping somewhat — as you proceed. Arrange the recordings over the course of a track so that at least one and at most five of the examples are audible at any one time. To further the spatial movement, each could fade in at the beginning and fade out. They might, as well, move from position to position within the stereo field.

Step 4: If you wish, consider adding a noise bed underneath the entire piece to sew all of the pieces together, to provide a sense of the space one is moving through.

Eight Important Steps When Your Track Is Done:

Step 1: Include “disquiet0612” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0612” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your track in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0612-drum-vector/

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #DisquietJunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Step 8: Also join in the discussion on the Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.

Note: Please post one track for this weekly Junto project. If you choose to post more than one, and do so on SoundCloud, please let me know which you’d like added to the playlist. Thanks.

Additional Details:

Length: The length is up to you. How long a walk do you want to take the listener on?

Deadline: This project’s deadline is the end of the day Monday, September 25, 2023, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, September 21, 2023.

Upload: When participating in this project, be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is always best to set your track as downloadable and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution, allowing for derivatives).

For context, when posting the track online, please be sure to include this following information:

More on this 612th weekly Disquiet Junto project, Drum Vector (The Assignment: Walk the listener through variations on the same percussive instrument), at: https://disquiet.com/0612/

Thanks to Mahlen Morris for having proposed this project.

About the Disquiet Junto: https://disquiet.com/junto/ 1

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0612-drum-vector/

Tin drum ( DIY drum sample maker ) - disquiet0612

Holy shit, none of you is ready to get that much of distortion Bass!!!

Ultra Frenchcore Set 2!!! By Lucid Core

Here's my special mix from my best Uptempo sets!!

Best Uptempo Set 1 by Lucid Core

The instruction was "Think about how a shadow might be expressed in sound.". Here in my recording I feature the reverb channel from a recently recorded guitar piece. In order to make it sound like a shadow I used an envelope follower that would modulate the sends of the signal feeding into the reverb. This has as an effect that the original sound appears to reflect into the reverb. I also pitched the resulting signal down by an octave so it sounds more dark.

Best Uptempo Set 1 by Lucid Core

Lucidcore