And When The Sky is Was Opened - Antigone
Lustration Eleven- Mike Parker
Human - nthng
It Never Ends - nthhg
Cirklon Bells - Slam
Leather - Shifted
Through the Mines of Khazad-dûm - Ntogn
A Future Not Materialized - Schacke
Issues - Angioma/BLANKA (ES)
8-12 - Kameliia
Bellmarsh - Ryan James Ford  
Chauhattar - Amotik/Tina Ramamurthy
A Love Dream - Ignez
Nexus 6 Replicant (N6MAA10816) - Objectør & Lilith.

Come and trip it as ye go on the light fantastic toe

Djing since 1992, First Track released 1995.

All kinds of electronic music are lovley welcome ❤️‍🔥

IMPROVISED LIVE TECHNO
Psychedelic / Groove / Techno
Berlin | Germany


If you love techno, you can't vote right. On a real techno floor, you can be free no matter who you are, if you respect the freedom of all others. Right politics stand for the opposite. if you want this culture to sustain, please get informed and stand up against this oppression.  
So FCK AFD! and be loud against all the populist, right-wing parties around the globe.  They promise you a better future, but history can teach you better. <3

🌎 Booking & Contact:
Kenji.Tanaka@loft.contact

View, Watch, Listen:
www.instagram.com/kenji_tanaka_official
www.youtube.com/@KenjiTanaka_LIVE
www.kenjitanaka.bandcamp.com

My Family: "BonkerSquad"
👉www.soundcloud.com/maldaneben
👉www.soundcloud.com/vaianamusic
👉www.instagram.com/bonkersquadberlin

Meet me here 2025:
01.03.25 BonkerSquad Salöön Berlin
06.04.25 Sisyphos Berlin
16.05.25 Rosa Greifswald
17.05.25 Secret Rave
24.05.25 Choose Jonny Knüppel Berlin
31.05.25 Accension Festival
27.06.25 Fusion Festival Tanzwüste
26.07.25 Coucool Festival France
03.08.25 Garbicz Festival Poland
16.08.25 Compact Madnass Festival Germany
22.08.25 Entropie Festival Germany
27.09.25 Exit Hamburg
11.10.25 Monopol Basement
18.10.25 Südpol Hamburg
02.11.25 Sisyphos Berlin
21.11.25 Jonny Knüppel Berlin
06.12.25 tba Rostock 


My approach to my music: 
I love loopy and trippy techno. When dancing, I love to let go of everything around me and enter into a deeper dialogue with myself. At this stage, I am 100% in tune with myself. This works for me when the groove drives me and the elements I hear are interesting but not too intrusive. That's exactly what I love to create on the floor.

To achieve this and also to create the necessary element of surprise, I combine different loops randomly and blindly. Since I never know exactly what will happen, I am also surprised and inspired by it. 

If you want to see how it works check out my youtube channel. www.youtube.com/@KenjiTanaka_Official




My instruments:
-Drums (TR8S)
-Bass (Modular)
-Rumble Bass (TR8S)
-Atmos (Fieldrecorder, Drumrack, Ableton)
-Synth 1 (MicroMonsta 2)
-Synth 2 (Polysix VST, Ableton)
-Vocal Samples (Ableton)
-Misc Samples (TR8S)


More nerdy Information:
For each of these instruments, I have prepared about 30 different loops, most of them 1 bar long.
Using the Streamdeck and a self-built ‘Max for Live Tool’, I can select a completely random loop for each instrument with the push of a button. The tonality can be set. To make sure it’s not completely random, I can choose between different categories, such as chords/arpeggiator.
I can control the complexity of the loop using controls.

All instruments run through Ableton (RME Fireface UCXii). With the help of ‘Launchcontrol’ and 2x ‘Midifighter Twister’, I can control all the parameters that are important to me. Filters, reverb, random delay and pitch effects glue everything together.

When playing, I rely on my intuition. I can sense what should happen 2-4 bars in advance. If I feel like I want to hear a new chord pattern, I press a button and let myself be surprised. If I like it, I develop it further. If I don’t like it, I move on.

Since the whole structure is improvised, I am correspondingly excited before the gigs. Because almost nothing can be planned in advance. My biggest clue is whether I dance. If I get myself to move and get lost, I am happy with what happens.

Come and trip it as ye go on the light fantastic toe

Lucie Barras