what is the sampling of the voice talking ?

jazz

Beth Hart And Joe Bonamassa- Your Heart Is As Black As Night

Hit the road jack - Ray Charles

excerpt from a long-form guitar + tape loop improvisation.
more information at: http://dustbreeding.com/466-fog

466 / driving over bridges through fog

I Can unfolds as a confession of love—an offering of heart and soul, also giving space to another when that love remains unreturned. It is one of the songs I carry deeply within me. Listen to it and have your moment—dance, sing along, dream, cry, or put it on repeat during a long walk.

A big thanks to Rupert Clervaux for always caring for my songs and mastering them with such devotion.

With Love,
Giñtarė Sãvastis

Sãvastis - I Can

blood orange - champagne coast (cover)

produced by me 
vocals and some additional guitar by @lissettetatianna

watch here : https://youtu.be/dZk61r-4sEg?si=EiA5tIcE1tqvJPVr

vodka beach (champagne coast cover)

Music Daniel Guillen
Mastered Sean Conrad
Photo Ana Cabaleiro

All Is Dream

Purchase

Lunaria - Playing In The Clouds (From All Is Dream)

You might recognize this song if you played the game Mafia 2 , there are a lot of old songs i would like to upload but i don't have the minutes , good songs that are not known , hope to have something for swing and jazz lovers in the future , cheers !

Benny Goodman - Sing Sing Sing

LP available now on Recital
http://www.recitalprogram.com/evangeline/

Loren Connors - "Voice Of The Ocean, Despair Not!" from Evangeline (R29)

Enitokwa's​​ new ​​work,​​ which​ r​eleased​ t​he ​​ultimate​​ ultra​ r​eality​​ Utopia ​​drone​​ album​​ "​2069"​​ i​n early ​​2016, ​i​s ​t​he​ third​​ part ​​of​ t​he​"​Tealightsound" ​​series​​ advocated​​ by​​ Kyoto's​ t​ea wholesaler,​​ Ujikoen,​​which ​​has​​ continued​​ since ​t​he​​ Edo ​​period.​​​ Sounds​​ of​​ nature, environmental,​​ electronic​​ and​​ prepared​​ piano​​ sublime ​t​ogether​​ as​​ a​​whole​l ​ike​​ a​​ miraculous ambient ​​music​​ picture​​scroll.

2016年初頭、最果ての超現実ユートピア・ドローンアルバム​“​2069”​​をリリースし たEnitokwaの新作は江戸時代から続く京都の茶問屋、宇治香園が提唱する ”Tealightsound”​​シリーズ第3弾。自然音、環境音と電子音、プリペアードピアノが 渾然一体に昇華した環境音楽奇観絵巻。

Ujikoen presents “Tealightsound” (http://ujikoen.co.jp/tealightsound/)

Artist: Enitokwa 
Title:  o.n.s.a.   
Label: non-entertainment-research / Ujikoen

Format: CD  (nercd003)   
Contents: 5 Tracks    42min. 41sec.

⚫︎15:01
⚫︎⚫︎23:28
⚫︎⚫︎⚫︎29:17
⚫︎⚫︎⚫︎⚫︎34:13
⚫︎⚫︎⚫︎⚫︎⚫︎42:41

Date of Release: Oct.6. 2017
Price: 1500yen ＋ Tax

Enitokwa: Electronics, Field Recordings and Mix
Shigeki Ieguti: Prepared Piano on Track 2 and 3
Mastered by Kabamix (LMD)

Produced by Enitokwa  
Executive Producer: Hirokazu Kojima (Ujikoen Co. Ltd.)

Drawing: Sakura Kondo
Photograph : Mai Narita
Design: Kei Sakawaki

©Ⓟ 2017 non-entertainment-research & Ujikoen Co. Ltd. All rights reserved.


Comment:

I think that ambient music is the music that does not limit how to listen. I hope this album will be familiar to each way of listening to music.

AMBIENT MUSIC= 環境音楽とは聴き方を限定しない音楽のことだと思っています。このアルバムを手にとって下さった方々それぞれの聴き方に馴染みますように今は祈るばかりです。

Enitokwa

Mr. Isao Tomita, a pioneer of synthesizer music, has left a word that "electronic and human beings are phenomena" as well as before life. That moment and eternity the dust of the universe gathers and eventually returns to the dust of the universe. Listening to Enitokwa's music, such feelings go round.

シンセサイザー・ミュージックの先駆者、富田勲さんが生前に、「電子音も人間も現象である」と言葉を残されています。宇宙の塵が集合し、やがてまた宇宙の塵へと戻る、その一瞬と永遠。Enitokwaの音楽を聴いて、そんな想いが巡ります。

Chee Shimizu

It is a sound richly containing theanine (sweet ingredient of tea), a gem that can taste slowly and lean heart. A documentary scenery sound reminiscent of the tea making process at Ujikoen is arranged in the whole story, and the virtuous thing with a frankly act is very refreshing.
Please try to entrust with peace of mind in "definite" works which extracted carefully every single drop.

It has been inherited the calmness from Keizan Temple constantly since 700 years ago.
How does the former pioneers feel the fragrance that Enitokwa brings up？

テアニン(お茶の甘み成分)を芳醇に含んだ音であり、心を傾けてゆっくりと味わうことの出来る逸品。宇治香園での製茶工程を想起させるドキュメンタリーな風景音が全編に配置されており、そこはかとない作為との妙がとても静涼です。 一滴一滴丁寧に抽出された"確実な"作品に安心して身を委ねてみて下さい。

径山寺から700余年 連綿と受け継がれる清閑な
営み
Enitokwaが立ち上らせる薫りはかつての先人達にどう映るのであろうか?

SUGAI KEN

The level to make it play after the storm. It was organic and quiet sequence that emerged and relieved feeling. I'd love to recommend the new work of Enitokwa which is completed!

嵐の後に再生させる境地。浮き出たのは有機的で静かなシーケンスと安堵感でした。完成されているEnitokwaの新作を是非!

ALTZ

o.n.s.a.

o.n.s.a.  (nercd003) DIGEST MIX

may 5th, 2018

...inner tension is a disease ~ let me give you medicine...

...artwork by my loved ones Coco and Daensen...

...carefully prescribed sedatives by Jonny Nash & Suzanne Kraft, Tommy Guerrero, Kutmah & Gonjasufi, Jerkcurb, Blonde Redhead, Connan Mockasin, Flughand, Ali Whales & Gustav Main, FloFilz, Slim & Ella Mae, Sleepdealer, Kava Kon, J.J. Cale, OPEZ, LOVING, Fanso, Kutiman, Lukas Endhardt, Ash Walker, Scott Gilmore, Everything But The Girl, Dusty Springfield, Oscar Peterson, Bassti & INAS, Maple Syrup, Wun Two, Skinshape, Eunice Collins, Shlohmo, Naran Ratan, Move D, Barnaby Carter, Ariel Pink’s Haunted Graffiti & Dam-Funk, Khruangbin, Michael Seyer, Boys Age, Tex Crick, Boom Clap Bachelors, Blundetto & Marina P, Mt. Fujitive, Brenky, o k h o, Bilo 503, Yellow Days, King Krule, BADBADNOTGOOD, Fantompower, Eden Ahbez, Kava Kon, Gabor Szabo, Domenique Dumont, Fantasy Guys, Buttering Trio, Poptartpete, Douglas Wood, Frankie Reyes, Infinite Bisous, Lucrecia Dalt, Vesuvio Solo, Desmond Cheese...

TASCAM DR-40

reflecting on a sunny afternoon

From the Ep Quilt Jams- digital release on June 29th.

cassettes available on bandcamp: https://elsahewitt.bandcamp.com/album/quilt-jams

Quilt Jams

Friendly

Bud Powell - Dance of the Infidels
Shabaka Hutchings - What’s the Orbit of Your Navigation?
Wiki - Stairwell Freestyle 
Gwilym Gold, Dave Okumu & Dan See - Mode
Skúli Sverrisson & Óskar Guðjónsson - Fragments
Hiroshi Yoshimura - Time after Time 
Lucinda Chua - Until I Fall [demo]
Ennio Morricone - Intervallo II [from Veruschka]
Dean Blunt - As Long as Ropes Unravel Fake Rolex will Travel
Eliza Legzdina - Pop-Eye
Talk Talk - The Rainbow Lucinda Chua & Charlie Fox - Wolf Choir
Chloë Sevigny in Surface by Michael Cleary
Lucinda Chua - Feel Something
Ratkiller - Unapologetea Part 1
Arthur Russell - Our Last Night Together
Ricky Eat Acid - This is as Close to Heaven as I Get
Nina Simone - Black is the Colour of my True Love’s Hair
Mansur Brown - Mashita
Lucinda Chua - Contamination for Voice [from Worst Gift]
Krzysztof Penderecki - Threnody to the Victims of Hiroshima
Lucinda Chua - Whatever It Takes [Live at Laylow]
Ratkiller - Unapologetea Part 2
Ennanga Vision - New Sunshine
Benjamin Clementine - Phantom of Aleppoville
Yo Yo Ma - Cello Suite No. 6, Sarabande by Bach
Lucinda Chua - An Avalanche [for Strings]

Strings Mixtape 2

Emily A. Sprague - "Piano 2 (Mount Vision)"

Taken from Water Memory / Mount Vision

smarturl.it/rvngnl58

©2019 RVNG Intl. // www.igetrvng.com

Water Memory / Mount Vision

Piano 2 (Mount Vision)

Emily A. Sprague - Piano 2 (Mount Vision)

Sol Oosel "En allégeance à l'inconnaissable - Une étude en chorégraphie pour le flux d'énergie"
LP & Digital © 2019 Umor Rex Records
www.umor-rex.org

En allégeance à l'inconnaissable - Une étude en chorégraphie pour le flux d'énergie

Buy LP or DL

Sol Oosel — Attunement For A Thunderstorm

Olivier Alary and Johannes Malfatti join forces on their collaborative album ‘u,i ’, a brilliant exploration of mediated modern communication and a timely release that strikes a powerful resonance with our recently heightened experiences of connection and isolation under pandemic conditions. ‘u, i ’ was recorded over VOIP (voice over internet protocol), using the technology as both creative tool and conceptual frame.

Recorded in Berlin and Montreal and the strange virtual space in between, ‘u,i’ was pieced together between 2017-2019, though its genesis dates back fifteen years, to when Olivier and Johannes began dreaming of a network-based studio that could bridge the 6,000 km geographical distance between them. When early public forms of VOIP such as Skype appeared in the early ‘00s, the pair quickly took to the platform to talk and exchange ideas. Whilst it enabled the building of both a friendship and musical collaboration, they quickly noticed its limitations. Poking fun at its often distorted and unintelligible transmission quality, they began accumulating recordings of its strange sonic by-products. As the pair increasingly used VOIP through the years, the musical potential of these recordings and the concept behind ‘u,I’ began to emerge. Spending more time together online than in the same physical space, they noticed their personal experience was widely shared. With contemporary lives increasingly atomised, social interaction is becoming more and more mediated. Meanwhile, an explosion of personal video feeds has given us access to millions of intimate lives online, a raw and fragile glimpse on human existence. This new paradigm gave Olivier and Johannes the idea that it might be possible to build the narrative of a whole life via disconnected fragments posted online.

A reflection on human existence glimpsed through the prism of VOIP, 'u,i' encapsulates our vaporized social existence via a multitude of disconnected ghostly fragments and offers a bittersweet celebration of our interconnection – simultaneously close and detached. Ultimately, the album itself is a dichotomy – it mourns this gap whilst at the same time recognising it as the sole reason for its existence.

Strings Mixtape 2

Lucinda Chua

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