Download / Stream:
https://antent.lnk.to/inmydreams

Follow Tre Flip:
@3treflip
open.spotify.com/artist/4b6yY9OX4LJMkAKYTGuYna
instagram.com/3reflip/
twitter.com/3TreFlip

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@antent
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released by @dreamscapeyt

in my dreams w/ Tre Flip

http://www.juno.co.uk/products/studio-ost-scenes/598372-01/

Bent Light

Music Daniel Guillen
Mastered Sean Conrad
Photo Ana Cabaleiro

All Is Dream

Purchase

Lunaria - Playing In The Clouds (From All Is Dream)

Move D - Soap Bubbles

GRANT004 is released world-wide on Friday 25th May.

Preorder > lobsterrecords.co.uk/products/grant004

A1 Spiritual Path
A2 Mediate
B1 The Other Man
B2 Capital Road

US artist Grant now located in France returns to his self-released white label series with an ever more expansive EP of deep, rolling house.

With a firm grasp for 80’s Chicago and Detroit House tased with 90’s deep house tropes, GRANT004 finds him on deepest ever form, with swirling luscious pads, snippet vocals and thudding percussion sinking us further down into the depths.

Spiritual Paths takes us soaring down cloud-filtered lanes of scuffed 909’s, shrouded pad-work and classic acid lines. Mediate holds a more firm groove and tinkering lines of melodic percussion, shifting and swaying from the edges of a pink-lit, smoke-filled 5am club haze.

Riffing off of all things Chicago, The Other Man is a testament and homage to the personal and intimate power of classic deep house. As a subtle finish to proceedings is Capital Road. An early morning workout with white morning sunlight filtering through the shades.

GRANT004

Grant 004 - Clips

Albrecht La’Brooy’s Analogue Attic imprint welcomes Citizen Maze onto its roster with the four-track ‘Serenity In The Woods’ EP.
Australian duo Albrecht La’Brooy have been steadily carving out a name for themselves over the past few years with their jazz-inflected take on deep house via the likes of Apollo/R&S, Night Tide and of course their own Analogue Attic imprint which has become a home for their own output as well as fellow Australian artists like Sleep D, Rings Around Saturn and more. Here though we see the label offer up the inaugural EP from Melbourne’s Adam McCoy aka Citizen Maze.
Leading on the package is the ten-minute ‘Natural Playground’, embracing the labels signature field recording background aesthetic whilst stirring in organic drum grooves, fluttering pads and jazzy sax licks throughout. ‘Glade Hollow’ follows with bumpy, off-kilter drums and ethereal chords at its core whilst horn lines and twinkling synth melodies wander across its eight-minute duration.
‘Moonlight Sanctuary’ opens the flip-side, edging into darker territories with murky dubbed out synth flourishes, robust drums and tension building strings before title-track ‘Serenity In The Woods’ rounds out the package, laying focus on a snaking sub bass groove, metallic percussive shuffles and expansive atmospherics.

Release date : 17th August 2018

https://soundcloud.com/analogueattic

Serenity In The Woods EP

LISTEN ON YOUTUBE

PREMIERE : Citizen Maze - Natural Playground

vinyl

landing

Full stream of Metric Systems' cinematic "Chinatown Warehouse," a cut from their new EP on @besteffort.

More info: https://www.xlr8r.com/news/premiere-hear-a-cinematic-house-cut-by-metric-systems

People In The Dark

More info

Premiere: Metric Systems - Chinatown Warehouse

A1. Skinrat
B1. Thomas

After just 6 months since first seeing Big Yawn perform, we are thrilled to welcome them to the Research family. A compelling prelude to their debut album "No!" due out in late 2019.

Over six years the Melbourne-based group has evolved, with members of the band running various releases through label and collective Fallopian Tunes. As of 2019, Big Yawn had become a four-member music group, motivated by a history of studio production, prolific collaboration and quality hangout time.

The groups freshest effort 'Skin Rat/Thomas' captures the band performing live in the studio, and it's typical Big Yawn: fat and punchy low-end bass; drums and live drum processing; delay fx samples; thick syrupy synths. 'Skin Rat' is a hyperbolically dubbed out, tongue in cheek, magnetic blend of UK garage, footwork and breaks. And 'Thomas' takes cues from a slightly damaged post-punk sound, amplifying a brittle and sinister type of atomic porn-funk.

Limited to 200 copies. Hand numbered and housed in a screen-printed sleeve, artwork by Julian Hocking.

Big Yawn - Skinrat (RREP04)

Bufiman - Albumsi - Dekmantel - DKMNTL074

a1. Galaxy
a2. Sara Sara
a3. Hoolock Rock
b1. Blow Your Head
b2. Pantasy
c1. News From The Treetops
c2. Langsam Aber Slowly
c3. I Think I Got It Under Control Now
c4. Well, Traumhaft
d1. Coolness
d2. Apo-Calypso
d3. Rave The Forest

“Welcome / to my galaxy / of snare drum samples / full of emotions”

The year is 2019, and Jan Schulte is spelling out his vision in simple terms. Within the first few of Albumsi’s hour-plus runtime, our host lays out the mat, and welcomes us to the ‘Galaxy’, just as he welcomed us to ‘Zum Paradies’ on Instrumentalmusik von der Mitte der World. There, he donned a Wolf Müller mask. Here it is nom de doof, Bufiman. The directive is clear: buckle up, as this trip advisor for countless left-of-the-dial dancers and deep thinkers alike is back in the hot seat.

True to his word, the first thing that hits is the drums. Across the album are samples that Bufiman has been collecting since he was a mere Bufiboy. Recordings culled from market stalls 20+ years ago and song sketches that lay dormant since 2006 get a facelift at the Wolf Müller Flanger Studio and walk into the world as finished articles. A proggy tribute to funk classic ‘Blow Your Head’ takes this updating job most directly, transporting Fred Wesley & The J.B.’s to the fringes of a Frankfurt rave with a decanter of spiked punch, doin’ the worm through a space-time wormhole as they go.

Sometimes those drums jive away steadily, and sometimes they boom and bap right under your nose (and in the middle of the LP, they are barely present at all). Live instrumentation and digitised rat-a-tat link like brothers in arms. What might Mantronix sound like if they were from North Sentinel Island instead of New York City? Albumsi could be the answer.

This is the first record Bufiman has since leaving his day job of 11 years. It is the first made after touring and exploring some of the furthermost pockets of the globe – something that left a naturally great and greatly natural impression on him. A switch was flipped, he says, once he realised he could finally paint these pictures without pressure: “For the first time in my life I suddenly had a studio, a bit of gear and 3-4 days of time every week at once. Before I might have had one or two of these components, but never all at once.”

The resultant Albumsi is the most accurate measure of the ‘man to date. Thick waves of bass lap up at an exotic shoreline of greenery and indistinct birdsong. Tunes swell, ebb, crest and recede over 6, 8, 13 minutes at a time. Are we in Goa or Grafenburg? Rasping synthesisers taking off on ‘Well, Traumhaft’ and SFX like suction cups on ‘Hoolock Rock’ suggest the latter. But then, listen to the ecosystem of competing animal voices on ‘Apo-Calypso’ or the marriage of hand drums and wavering lead on ‘Pantasy’, and it’s impossible to be sure.

As ever, our host does not toil in studio solitude. Master mastering engineer Carsten Dämbkes brings the hi-def best out of the dense thicket of grooves. Close collaborators and friends like Niklas Rehme-Schlüter (Cass.), Lucas Croon, Nikolai Szymanski (Airchina), Alexander Dorn (Credit 00), Gregor Darman & Aki Vierboom (Phaser Boys), Sara Dudzinski Rodriguez and Florian Van Volxem variously add tweaks to the kit and compliments to the overall product.

Truly however, Albumsi begins and ends in the galaxy of Bufiman. With feet in the forests and head in the night sky, one arm pulling samples from the past and another jutting fingers into the future, the album is a rich stew of sounds, mantras and motifs and that have been simmering inside for a long, long time.

Lunaria - Playing In The Clouds (From All Is Dream)

Sounds of the Dawn

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