A founding member of Realms of Rhyme, a rap group from Basingstoke, Mavrik began recording music from the late '90s. In 2006 Mavrik released a mixtape called Mavrik Presents... The Odyssey and recorded tracks for the debut Realms of Rhyme EP which are as yet unreleased. 

We're Creative Commons. We're helping to realize the full potential of the Internet—universal access to research and education, full participation in culture—to drive a new era of development growth, and productivity.

Deep glitchy grooves for your mind body and soul, drizzled with vocal experimentation and relentless melodic moments.
For more creative explorations, check out: 
https://linktr.ee/melotronix

I do a bit of dj'ing for a laugh i play old skool 88-93 / house 93-96 / piano and Italian house and many other styles as i love all form of dance music and music in general i try not to pigeon hole myself Ive just started using numark cue and numark idcx & vestax cdx and midi controllers trying to get my head round them all like ableton live , tractor pro skratch and all the different digital ways of dj'ing as digital dj'ing is the way forward nowadays as well as the old wheelz ov steel .

I first got in to dj'ing way back in 91 even tho i had been in the scene since 88 in a small pub in castleford on a friday and saturday night playing house music after the resident dj was ill and i was asked to fill in we got a nice little following for people in the now before they went out raving as it was then it could have been one of the first pre club nights and also played at old aj's night club rave night in Pontefract back in 91 and a few other small nights in 91 /92 .

i have Played a long side dj's sutch as dave williams , scoff ,lisa lashes, steve luigi , caine brown ,kells & totts and mc fox , 
i have also warmed up for leeds legend steve luigi along side mc fox in harrogate in 2008 and lisa lashes in london in 2000,

Back in 2000 i landed a weekly residency in london at one of the top clubs for Garage Nation - Rave nation after sending them a demo mix tape only done for a laugh and sent to them playing hard house along side the likes of jason kay, bk, lisa lashes & the Dirt Devils when hard house was big at the time i went though and met the promoters and played in the club but for reasons not my own couldn't make it every week still got my invite letter and vip wristband but as they say kay sara sara .



I have all so made a old skool record for my solo dj projects it was a reworking of a old skool classic witch their were only 3 made for myself but the record had some interest from dj's round the leeds and manchester club scene.

I'm no nipper or carl cox or sasha i just like to have a laugh on the wheelz of steel just like it was back int the day thats my take on it too many dj's take them selfs too seriously .

the mixes i will be adding over time are the first recorded mixes i have done in over 6 years so i could be a little rusty so please bear with me cheers all feeback is welcome and please check out my mixes on other sites as their are volumes 2 and 3 and also a casual classics mix !

Please check out my other links for more mixes till i go pro on here thz ,

As ian brown once said at a stone roses gig way back in the early 90's to a fan who was shouting leeds leeds leeds he famously replied " IT'S NOT WERE YER FROM IT'S WHERE YER AT NOW "............

peace one love !

Greetings Digital Brothers & Sisters...

The Music Maker began DJ'ing in 1986 in his bedroom like many others & has enjoyed the listening & playing of electronic music from the early sounds of hip hop, Electro in 1984 from the breakdance scene, the early house, the early acid house sounds of Chicago in 1986, Go Go, New Beat, Techno, rave of 1988. in 1990 he decided to stay with playing the sounds of Techno & Acid in all its forms from 1990: Techno Trance, Acid Trance, Gabba, Industrial, Speed Core, Terror Core & Hardcore Techno & became established & known for mixing his intro with his DJ sets of: Jean Michel Jarre, Vangelis, Gustav Holst, Carl Orff, sometimes dark, some times light classical music, & also epic film scores.

" I've always tried to do my own thing by not following others, doing what my imagination & creative side allows me to explore, the more bizZAre makes me more creative by pushing & going beyond the normal & blending different audio sounds".

He also does have his other hobbies, which are dancing in his mirrored suit whilst having lasers fired onto it & making music with laser sounds.
http://www.youtube.com/watch?v=51iQfFSbHr8

LASER SOUND*
He's made some tracks along his musical path over the years along the way with other music lovers & he uses the acronym:
The Ascid Project - Altered States of Consciousness In Dance.
Some samples from his 9 track album with laser sounds: http://www.youtube.com/watch?v=6md_or2wDIs&feature=related
LASER PLAY full length versions of these tracks available on cd on line via:  www.paypal.co.uk/  send £9.00 + £1.00 p&p to: ascidowen1@googlemail.com 
comment: laser play (SORRY OUT OF STOCK) 

He hopes you enjoy what comes, in whatever shape & form he creates it in when it arrives... 

FOR BOOKINGS: message here or on Facebook.

He is deep in the motives when he delivers his DJ sets & is truly on for the head strong....

Take a good look around you, because when you come back from this trip, nothing will look the same to you again...  ♪♫ ♪

I discovered SoundCloud early on after attending the Creative Commons Summit, where I saw its potential for independent artists. Over the years, I’ve watched the shift from music to gaming, where esports players now earn hundreds of thousands of dollars in prize money, while most musicians are forced to become teachers to survive.

Recently, a gamer who has made $781,000 from competitive gaming reached out to buy my three-letter SoundCloud ID: “jam”. But this username represents more than just a handle—it’s a piece of my music journey, and I’m not selling it.

Instead of giving in to this trend, I’m embracing AI-generated music and using SoundCloud as a space to explore new creative possibilities. If you’re here, I hope you listen, explore, and stay connected—because music still matters.

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