The simplest melody and progression stuck in my head, it could be construed as pretty generic but I got obsessed with it and played in takes for like three hours when I still need to read five chapters for homework tonight and get other stuff done. Imagine getting my priorities straight! Oh, gosh...

Notes:
-Vaguely based off of the guitar arpeggios in Washer by Slint
-Intro outlines melody via chords
-Reiterate with darker LH
-Begin arpeggios, play with different chords, is modulating too much?
-Calm down, turn to major with small addition to melody
-Potential Chopin Etude Op. 25 No. 12-like arpeggios section
-Triumphant recapitulation and end

Triplet Pop Improv

Galerie

Lune (feat. Mateus Asato)

Drill Music in Zion

MS. MURAL

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SoundCloud: @kumocollective
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Facebook: facebook.com/kumocollective

axiom

'everything goes on' out now: https://porterrobinson.com/everythinggoeson

watch 'everything goes on' official music video: https://youtu.be/eEFVxI9lqjU

my album "nurture" is out now: https://porterrobinson.co/nurture

stream “nurture”
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Everything Goes On

Burning by XATHOMIR 
Production, Recording, Mixing, Mastering credits -  XATHOMIR

Follow me on all major social media platforms @xathomir

Burning

The Real McCoy

In this first episode of the podcast, I talk about the mission of this project- to encourage listeners to engage with art in a conscious and ethical manner. I provide just a few of many examples of this, such as examining instances of cultural appropriation, like in the history of Detroit techno, the longstanding dilemma of separating the art from the artist, and lastly, I propose we acknowledge the labor and contributions of marginalized groups, like women, in the development of technology and electronic music. This ties into the broader idea that technology is not solely a tool of liberation, but one that can also enable oppression.

In the following segment, I provide context for the podcast, explaining that it is a final project for a Diversity of Music Technology course at the University of Michigan. I also share a bit of my personal story and motivation for undertaking this project.

Lastly, the episode features a musical piece, "Mariposas acuáticas," by Venezuelan electroacoustic composer Oksana Linde.

Special thanks to:
Earl Bae, Ronald Luke Jamieson, Lukas Armand Nepomuceno, Emelia Isabel Piane, Palmer N Stratton, Ayden Jacey Williams, Naomi Elisabeth Wolfe and Dr. Zeynep Özcan. 

Many of the ideas I've shared in this space were shaped by conversations I've had with them.

FNTR Episode 1 - Intro

battling a terrible cold and even worse jazz theory

Episode One

A very, very easy mashup that I made last Saturday max 3-4 hours. There was like a 4 bpm difference and man those Exmilitary stems are a blessing, I pretty much muted the drums for most of it and it worked out. Made a couple automation adjustments to bring out the vocals when V's Theme got too thick, but other than that, it just worked together so well.

Planning to make an image for it, but my placeholder is a vector landscape I made for Digital Art class. Enjoy!

[9/7/20 UPDATE] I got the photoshop done. Took a bit of meticulousness but I think it's good and pretty funny if you played the game. Enjoy!

LudoWic - Disturbed Line (V's Theme)- Katana ZERO OST
Death Grips - Guillotine - Exmilitary

Guillotine Zero

*SUPER HYPED* to have been voted #1 in SPCXII for some Seinfeld bass wankery. Absolutely check out the album (and download this track), it's got to be some of the most creative music on the net: https://samplepackcontest.bandcamp.com/album/sample-pack-contest-xii

Etude 1 For MIDI Slap Bass

I have more tracks than followers B)

Plug for my amateur piano MuseScore arrangements:
https://musescore.com/user/27364282

Triplet Pop Improv

luckyno.

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